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Color name
HEX #B61670

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61670 it is the complementary color #49E98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61670 shade: #BB166B, #CC287E, #DD3A91, #EE4CA4 and #FF5EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61670 shade: #B61670, #A5045D, #94004A, #830037 and #720024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61670 shade: #B5166F, #B51645, #B5161A and #B51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61670 shade: #B5166F, #B5169A, #A516B5, #7A16B5 and #4F16B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61670 shade matches the following richer shades: #B5166F and #C60572

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61670 shade: #B5166F, #A5266D, #94376B, #844769 and #735867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61670 shade: #A516B5, #B5169B, #B51670, #B51646 and #B5161B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61670 shade: #6C0D42, #901159, #B5166F, #DA1A86 and #E6389A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61670 shade: #B61670, #B57B16 and #16B0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61670 shade: #B61670, #70B516 and #1670B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61670 shade: #B61670, #B57B16, #16B55B and #1650B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61670 shade: #B61670, #B5AA16, #16B55B and #1621B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

Complementary color

CMYK 69 / 0 / 39 / 9

HEX #49E98F

RGB 73 233 143

HSL 146.25, 0.78%, 0.6%

LAB 82.74, -61.04, 32.01

 

CMYK 0 / 88 / 43 / 27

HEX #BB166B

RGB 187 22 107

HSL 329.09, 0.79%, 0.41%

LAB 41.53, 65.54, -4.17

 

CMYK 0 / 80 / 38 / 20

HEX #CC287E

RGB 204 40 126

HSL 328.54, 0.67%, 0.48%

LAB 46.79, 67.59, -7.75

 

CMYK 0 / 74 / 34 / 13

HEX #DD3A91

RGB 221 58 145

HSL 327.98, 0.71%, 0.55%

LAB 52.33, 68.7, -10.59

 

CMYK 0 / 68 / 31 / 7

HEX #EE4CA4

RGB 238 76 164

HSL 327.41, 0.83%, 0.62%

LAB 58.06, 69.15, -12.87

 

CMYK 0 / 63 / 28 / 0

HEX #FF5EB7

RGB 255 94 183

HSL 326.83, 1%, 0.68%

LAB 63.9, 69.16, -14.74

 

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

CMYK 0 / 98 / 44 / 35

HEX #A5045D

RGB 165 4 93

HSL 326.83, 0.95%, 0.33%

LAB 35.75, 61.6, -4.34

 

CMYK 0 / 100 / 50 / 42

HEX #94004A

RGB 148 0 74

HSL 330, 1%, 0.29%

LAB 31.32, 56.56, 1.17

 

CMYK 0 / 100 / 58 / 49

HEX #830037

RGB 131 0 55

HSL 334.81, 1%, 0.26%

LAB 27.02, 51, 7.31

 

CMYK 0 / 100 / 68 / 55

HEX #720024

RGB 114 0 36

HSL 341.05, 1%, 0.22%

LAB 22.67, 45.44, 13.89

 

CMYK 0 / 88 / 39 / 29

HEX #B5166F

RGB 181 22 111

HSL 326.42, 0.78%, 0.4%

LAB 40.48, 64.51, -8.37

 

CMYK 0 / 88 / 62 / 29

HEX #B51645

RGB 181 22 69

HSL 342.26, 0.78%, 0.4%

LAB 39.29, 61.14, 16.59

 

CMYK 0 / 88 / 86 / 29

HEX #B5161A

RGB 181 22 26

HSL 358.49, 0.78%, 0.4%

LAB 38.68, 59.37, 41.77

 

CMYK 0 / 88 / 88 / 29

HEX #B51616

RGB 181 22 22

HSL 0, 0.78%, 0.4%

LAB 38.65, 59.28, 43.75

 

CMYK 0 / 88 / 39 / 29

HEX #B5166F

RGB 181 22 111

HSL 326.42, 0.78%, 0.4%

LAB 40.48, 64.51, -8.37

 

CMYK 0 / 88 / 15 / 29

HEX #B5169A

RGB 181 22 154

HSL 310.19, 0.78%, 0.4%

LAB 42.35, 69.58, -31.95

 

CMYK 9 / 88 / 0 / 29

HEX #A516B5

RGB 165 22 181

HSL 293.96, 0.78%, 0.4%

LAB 41.07, 70.66, -50.29

 

CMYK 33 / 88 / 0 / 29

HEX #7A16B5

RGB 122 22 181

HSL 277.74, 0.78%, 0.4%

LAB 34.08, 63.92, -61.95

 

CMYK 56 / 88 / 0 / 29

HEX #4F16B5

RGB 79 22 181

HSL 261.51, 0.78%, 0.4%

LAB 28.31, 58.82, -71.66

 

CMYK 0 / 88 / 39 / 29

HEX #B5166F

RGB 181 22 111

HSL 326.42, 0.78%, 0.4%

LAB 40.48, 64.51, -8.37

 

CMYK 0 / 97 / 42 / 22

HEX #C60572

RGB 198 5 114

HSL 326.11, 0.95%, 0.4%

LAB 43.26, 70.74, -5.75

 

CMYK 0 / 88 / 39 / 29

HEX #B5166F

RGB 181 22 111

HSL 326.42, 0.78%, 0.4%

LAB 40.48, 64.51, -8.37

 

CMYK 0 / 77 / 34 / 35

HEX #A5266D

RGB 165 38 109

HSL 326.46, 0.63%, 0.4%

LAB 38.71, 56.39, -10.09

 

CMYK 0 / 63 / 28 / 42

HEX #94376B

RGB 148 55 107

HSL 326.45, 0.46%, 0.4%

LAB 38, 44.64, -10.19

 

CMYK 0 / 46 / 20 / 48

HEX #844769

RGB 132 71 105

HSL 326.56, 0.3%, 0.4%

LAB 38.61, 30.67, -8.27

 

CMYK 0 / 23 / 10 / 55

HEX #735867

RGB 115 88 103

HSL 326.67, 0.13%, 0.4%

LAB 40.58, 13.79, -4.31

 

CMYK 9 / 88 / 0 / 29

HEX #A516B5

RGB 165 22 181

HSL 293.96, 0.78%, 0.4%

LAB 41.07, 70.66, -50.29

 

CMYK 0 / 88 / 14 / 29

HEX #B5169B

RGB 181 22 155

HSL 309.81, 0.78%, 0.4%

LAB 42.41, 69.71, -32.47

 

CMYK 0 / 88 / 38 / 29

HEX #B51670

RGB 181 22 112

HSL 326.04, 0.78%, 0.4%

LAB 40.52, 64.61, -8.94

 

CMYK 0 / 88 / 61 / 29

HEX #B51646

RGB 181 22 70

HSL 341.89, 0.78%, 0.4%

LAB 39.31, 61.2, 15.98

 

CMYK 0 / 88 / 85 / 29

HEX #B5161B

RGB 181 22 27

HSL 358.11, 0.78%, 0.4%

LAB 38.68, 59.39, 41.26

 

CMYK 0 / 88 / 39 / 58

HEX #6C0D42

RGB 108 13 66

HSL 326.53, 0.79%, 0.24%

LAB 23.23, 43.53, -6.36

 

CMYK 0 / 88 / 38 / 44

HEX #901159

RGB 144 17 89

HSL 325.98, 0.79%, 0.32%

LAB 31.92, 54.34, -7.91

 

CMYK 0 / 88 / 39 / 29

HEX #B5166F

RGB 181 22 111

HSL 326.42, 0.78%, 0.4%

LAB 40.48, 64.51, -8.37

 

CMYK 0 / 88 / 39 / 15

HEX #DA1A86

RGB 218 26 134

HSL 326.25, 0.79%, 0.48%

LAB 48.72, 74.54, -9.46

 

CMYK 0 / 76 / 33 / 10

HEX #E6389A

RGB 230 56 154

HSL 326.21, 0.78%, 0.56%

LAB 54.01, 72.55, -13.25

 

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

CMYK 0 / 32 / 88 / 29

HEX #B57B16

RGB 181 123 22

HSL 38.11, 0.78%, 0.4%

LAB 56.14, 14.82, 57.8

 

CMYK 88 / 3 / 0 / 29

HEX #16B0B5

RGB 22 176 181

HSL 181.89, 0.78%, 0.4%

LAB 65.4, -33.98, -13.03

 

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

CMYK 38 / 0 / 88 / 29

HEX #70B516

RGB 112 181 22

HSL 86.04, 0.78%, 0.4%

LAB 66.94, -44.34, 64.5

 

CMYK 88 / 38 / 0 / 29

HEX #1670B5

RGB 22 112 181

HSL 206.04, 0.78%, 0.4%

LAB 45.76, 0.73, -43.44

 

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

CMYK 0 / 32 / 88 / 29

HEX #B57B16

RGB 181 123 22

HSL 38.11, 0.78%, 0.4%

LAB 56.14, 14.82, 57.8

 

CMYK 88 / 0 / 50 / 29

HEX #16B55B

RGB 22 181 91

HSL 146.04, 0.78%, 0.4%

LAB 64.94, -57.86, 35.2

 

CMYK 88 / 56 / 0 / 29

HEX #1650B5

RGB 22 80 181

HSL 218.11, 0.78%, 0.4%

LAB 36.45, 21.51, -58.42

 

CMYK 0 / 88 / 38 / 29

HEX #B61670

RGB 182 22 112

HSL 326.25, 0.78%, 0.4%

LAB 40.72, 64.85, -8.62

 

CMYK 0 / 6 / 88 / 29

HEX #B5AA16

RGB 181 170 22

HSL 55.85, 0.78%, 0.4%

LAB 68.48, -10.7, 67.71

 

CMYK 88 / 0 / 50 / 29

HEX #16B55B

RGB 22 181 91

HSL 146.04, 0.78%, 0.4%

LAB 64.94, -57.86, 35.2

 

CMYK 88 / 82 / 0 / 29

HEX #1621B5

RGB 22 33 181

HSL 235.85, 0.78%, 0.4%

LAB 25.55, 50.62, -76.36

 

Description

Color code: HEX #B61670 | qconv.com Color code: HEX #B61670 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 22 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 22 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 38 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 38% 29% C M Y K

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Provide designers and agencies with accurate color values.

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