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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B619D6 it is the complementary color #49E629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B619D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B619D6 shade: #BB19D1, #CC2BE4, #DD3DF7, #EE4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B619D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B619D6 shade: #B619D6, #A507C3, #9400B0, #83009D and #72008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B619D6 shade: #B619D6, #D619C3, #D61990, #D6195D and #D6192A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B619D6 shade: #B619D6, #8319D6, #5019D6, #1D19D6 and #1919D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B619D6 shade matches the following richer shades: #B619D6 and #C305E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B619D6 shade: #B619D6, #A92CC3, #9C3FAF, #8F539C and #836688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B619D6 shade: #4E19D6, #8119D6, #B319D6, #D619C6 and #D61994

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B619D6 shade: #77108C, #9714B1, #B619D6, #C832E6 and #D256EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B619D6 shade: #B619D6, #D61C19 and #19D668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B619D6 shade: #B619D6, #D6B319 and #19D6B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B619D6 shade: #B619D6, #D61C19, #3BD619 and #19D3D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B619D6 shade: #B619D6, #D65519, #3BD619 and #199AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

Complementary color

CMYK 68 / 0 / 82 / 10

HEX #49E629

RGB 73 230 41

HSL 109.84, 0.79%, 0.53%

LAB 80.83, -71.57, 71.96

 

CMYK 11 / 88 / 0 / 18

HEX #BB19D1

RGB 187 25 209

HSL 292.83, 0.79%, 0.46%

LAB 46.79, 78.43, -57.22

 

CMYK 11 / 81 / 0 / 11

HEX #CC2BE4

RGB 204 43 228

HSL 292.22, 0.77%, 0.53%

LAB 52.03, 80.76, -59.5

 

CMYK 11 / 75 / 0 / 3

HEX #DD3DF7

RGB 221 61 247

HSL 291.61, 0.92%, 0.6%

LAB 57.49, 82.18, -61.24

 

CMYK 7 / 69 / 0 / 0

HEX #EE4FFF

RGB 238 79 255

HSL 294.2, 1%, 0.65%

LAB 62.5, 81.08, -57.52

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 15 / 96 / 0 / 24

HEX #A507C3

RGB 165 7 195

HSL 290.43, 0.93%, 0.4%

LAB 41.36, 75, -58.05

 

CMYK 16 / 100 / 0 / 31

HEX #9400B0

RGB 148 0 176

HSL 290.45, 1%, 0.35%

LAB 36.8, 70.05, -54.37

 

CMYK 17 / 100 / 0 / 38

HEX #83009D

RGB 131 0 157

HSL 290.06, 1%, 0.31%

LAB 32.39, 64.27, -50.21

 

CMYK 17 / 100 / 0 / 46

HEX #72008A

RGB 114 0 138

HSL 289.57, 1%, 0.27%

LAB 27.88, 58.36, -45.96

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 0 / 88 / 9 / 16

HEX #D619C3

RGB 214 25 195

HSL 306.03, 0.79%, 0.47%

LAB 50.61, 81.02, -42.77

 

CMYK 0 / 88 / 33 / 16

HEX #D61990

RGB 214 25 144

HSL 322.22, 0.79%, 0.47%

LAB 48.27, 74.81, -16.26

 

CMYK 0 / 88 / 57 / 16

HEX #D6195D

RGB 214 25 93

HSL 338.41, 0.79%, 0.47%

LAB 46.69, 70.44, 12.68

 

CMYK 0 / 88 / 80 / 16

HEX #D6192A

RGB 214 25 42

HSL 354.6, 0.79%, 0.47%

LAB 45.85, 68.05, 42.36

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 39 / 88 / 0 / 16

HEX #8319D6

RGB 131 25 214

HSL 273.65, 0.79%, 0.47%

LAB 38.51, 71.32, -73.96

 

CMYK 63 / 88 / 0 / 16

HEX #5019D6

RGB 80 25 214

HSL 257.46, 0.79%, 0.47%

LAB 32.38, 66.34, -84.28

 

CMYK 86 / 88 / 0 / 16

HEX #1D19D6

RGB 29 25 214

HSL 241.27, 0.79%, 0.47%

LAB 28.93, 63.89, -90.11

 

CMYK 88 / 88 / 0 / 16

HEX #1919D6

RGB 25 25 214

HSL 240, 0.79%, 0.47%

LAB 28.79, 63.8, -90.35

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 16 / 98 / 0 / 9

HEX #C305E9

RGB 195 5 233

HSL 290, 0.96%, 0.47%

LAB 49, 85.79, -67.28

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 13 / 77 / 0 / 24

HEX #A92CC3

RGB 169 44 195

HSL 289.67, 0.63%, 0.47%

LAB 44.49, 68.43, -52.98

 

CMYK 11 / 64 / 0 / 31

HEX #9C3FAF

RGB 156 63 175

HSL 289.82, 0.47%, 0.47%

LAB 43.83, 54.72, -42.42

 

CMYK 8 / 47 / 0 / 39

HEX #8F539C

RGB 143 83 156

HSL 289.32, 0.31%, 0.47%

LAB 44.84, 37.24, -29.67

 

CMYK 4 / 25 / 0 / 47

HEX #836688

RGB 131 102 136

HSL 291.18, 0.14%, 0.47%

LAB 47.11, 18.02, -14.34

 

CMYK 64 / 88 / 0 / 16

HEX #4E19D6

RGB 78 25 214

HSL 256.83, 0.79%, 0.47%

LAB 32.19, 66.2, -84.6

 

CMYK 40 / 88 / 0 / 16

HEX #8119D6

RGB 129 25 214

HSL 273.02, 0.79%, 0.47%

LAB 38.23, 71.08, -74.43

 

CMYK 16 / 88 / 0 / 16

HEX #B319D6

RGB 179 25 214

HSL 288.89, 0.79%, 0.47%

LAB 45.82, 78, -61.74

 

CMYK 0 / 88 / 7 / 16

HEX #D619C6

RGB 214 25 198

HSL 305.08, 0.79%, 0.47%

LAB 50.77, 81.43, -44.25

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 15 / 89 / 0 / 45

HEX #77108C

RGB 119 16 140

HSL 289.84, 0.79%, 0.31%

LAB 29.88, 56.7, -43.93

 

CMYK 15 / 89 / 0 / 31

HEX #9714B1

RGB 151 20 177

HSL 290.06, 0.8%, 0.39%

LAB 38.29, 68, -52.52

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 13 / 78 / 0 / 10

HEX #C832E6

RGB 200 50 230

HSL 290, 0.78%, 0.55%

LAB 52.15, 78.59, -60.47

 

CMYK 11 / 63 / 0 / 8

HEX #D256EB

RGB 210 86 235

HSL 289.93, 0.79%, 0.63%

LAB 58.37, 68.84, -53.23

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 0 / 87 / 88 / 16

HEX #D61C19

RGB 214 28 25

HSL 0.95, 0.79%, 0.47%

LAB 45.9, 67.14, 50.96

 

CMYK 88 / 0 / 51 / 16

HEX #19D668

RGB 25 214 104

HSL 145.08, 0.79%, 0.47%

LAB 75.64, -66.52, 42.09

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 0 / 16 / 88 / 16

HEX #D6B319

RGB 214 179 25

HSL 48.89, 0.79%, 0.47%

LAB 73.94, -0.79, 72.73

 

CMYK 88 / 0 / 16 / 16

HEX #19D6B3

RGB 25 214 179

HSL 168.89, 0.79%, 0.47%

LAB 77.01, -50.98, 5.17

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 0 / 87 / 88 / 16

HEX #D61C19

RGB 214 28 25

HSL 0.95, 0.79%, 0.47%

LAB 45.9, 67.14, 50.96

 

CMYK 72 / 0 / 88 / 16

HEX #3BD619

RGB 59 214 25

HSL 109.21, 0.79%, 0.47%

LAB 75.51, -69.75, 70.58

 

CMYK 88 / 1 / 0 / 16

HEX #19D3D6

RGB 25 211 214

HSL 180.95, 0.79%, 0.47%

LAB 77.07, -39.97, -13.53

 

CMYK 15 / 88 / 0 / 16

HEX #B619D6

RGB 182 25 214

HSL 289.84, 0.79%, 0.47%

LAB 46.31, 78.47, -60.92

 

CMYK 0 / 60 / 88 / 16

HEX #D65519

RGB 214 85 25

HSL 19.05, 0.79%, 0.47%

LAB 52.8, 48.2, 56.23

 

CMYK 72 / 0 / 88 / 16

HEX #3BD619

RGB 59 214 25

HSL 109.21, 0.79%, 0.47%

LAB 75.51, -69.75, 70.58

 

CMYK 88 / 28 / 0 / 16

HEX #199AD6

RGB 25 154 214

HSL 199.05, 0.79%, 0.47%

LAB 60.04, -11.34, -39.66

 

Description

Color code: HEX #B619D6 | qconv.com Color code: HEX #B619D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 25 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 25 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 88 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 88% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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