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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61A1F it is the complementary color #49E5E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61A1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61A1F shade: #BB1A1A, #CC2C2D, #DD3E40, #EE5053 and #FF6266

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61A1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61A1F shade: #B61A1F, #A5080C, #940000, #830000 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61A1F shade: #B61A1F and #B61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61A1F shade: #B61A1F, #B61A49, #B61A73, #B61A9E and #A51AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61A1F shade matches the following richer shades: #B61A1F and #C7090F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61A1F shade: #B61A1F, #A62B2E, #953B3E, #844C4E and #735D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61A1F shade: #B61A73, #B61A49, #B61A1F, #B63E1A and #B6681A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61A1F shade: #6E0F12, #921419, #B61A1F, #DB1F25 and #E33F45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61A1F shade: #B61A1F, #9CB61A and #1A5EB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61A1F shade: #B61A1F, #1FB61A and #1A1FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61A1F shade: #B61A1F, #9CB61A, #1AB6B1 and #341AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61A1F shade: #B61A1F, #6DB61A, #1AB6B1 and #631AB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

Complementary color

CMYK 68 / 0 / 2 / 10

HEX #49E5E0

RGB 73 229 224

HSL 178.08, 0.75%, 0.59%

LAB 83.36, -40.82, -9.41

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1A

RGB 187 26 26

HSL 0, 0.76%, 0.42%

LAB 40.21, 60.22, 43.59

 

CMYK 0 / 78 / 78 / 20

HEX #CC2C2D

RGB 204 44 45

HSL 359.63, 0.65%, 0.49%

LAB 45.4, 61.07, 39.6

 

CMYK 0 / 72 / 71 / 13

HEX #DD3E40

RGB 221 62 64

HSL 359.25, 0.7%, 0.55%

LAB 50.91, 61.13, 35.84

 

CMYK 0 / 66 / 65 / 7

HEX #EE5053

RGB 238 80 83

HSL 358.86, 0.82%, 0.62%

LAB 56.62, 60.69, 32.55

 

CMYK 0 / 62 / 60 / 0

HEX #FF6266

RGB 255 98 102

HSL 358.47, 1%, 0.69%

LAB 62.47, 59.96, 29.72

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 95 / 93 / 35

HEX #A5080C

RGB 165 8 12

HSL 358.47, 0.91%, 0.34%

LAB 34.4, 56.95, 43.59

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

HEX #830000

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

HEX #720000

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 86 / 86 / 29

HEX #B61A1A

RGB 182 26 26

HSL 0, 0.75%, 0.41%

LAB 39.17, 58.83, 42.28

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 86 / 60 / 29

HEX #B61A49

RGB 182 26 73

HSL 341.92, 0.75%, 0.41%

LAB 39.86, 60.85, 14.84

 

CMYK 0 / 86 / 37 / 29

HEX #B61A73

RGB 182 26 115

HSL 325.77, 0.75%, 0.41%

LAB 41.09, 64.39, -9.94

 

CMYK 0 / 86 / 13 / 29

HEX #B61A9E

RGB 182 26 158

HSL 309.23, 0.75%, 0.41%

LAB 42.99, 69.6, -33.34

 

CMYK 9 / 86 / 0 / 29

HEX #A51AB6

RGB 165 26 182

HSL 293.46, 0.75%, 0.41%

LAB 41.4, 70.06, -50.35

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 95 / 92 / 22

HEX #C7090F

RGB 199 9 15

HSL 358.11, 0.91%, 0.41%

LAB 41.8, 65.73, 50.78

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 74 / 72 / 35

HEX #A62B2E

RGB 166 43 46

HSL 358.54, 0.59%, 0.41%

LAB 37.9, 49.84, 28.62

 

CMYK 0 / 60 / 58 / 42

HEX #953B3E

RGB 149 59 62

HSL 358, 0.43%, 0.41%

LAB 37.6, 38.13, 17.68

 

CMYK 0 / 42 / 41 / 48

HEX #844C4E

RGB 132 76 78

HSL 357.86, 0.27%, 0.41%

LAB 38.94, 23.9, 9.09

 

CMYK 0 / 19 / 18 / 55

HEX #735D5E

RGB 115 93 94

HSL 357.27, 0.11%, 0.41%

LAB 41.66, 9.11, 2.8

 

CMYK 0 / 86 / 37 / 29

HEX #B61A73

RGB 182 26 115

HSL 325.77, 0.75%, 0.41%

LAB 41.09, 64.39, -9.94

 

CMYK 0 / 86 / 60 / 29

HEX #B61A49

RGB 182 26 73

HSL 341.92, 0.75%, 0.41%

LAB 39.86, 60.85, 14.84

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 66 / 86 / 29

HEX #B63E1A

RGB 182 62 26

HSL 13.85, 0.75%, 0.41%

LAB 43.46, 46.96, 45.98

 

CMYK 0 / 43 / 86 / 29

HEX #B6681A

RGB 182 104 26

HSL 30, 0.75%, 0.41%

LAB 51.75, 25.88, 53

 

CMYK 0 / 86 / 84 / 57

HEX #6E0F12

RGB 110 15 18

HSL 358.11, 0.76%, 0.25%

LAB 22.65, 40.04, 25.72

 

CMYK 0 / 86 / 83 / 43

HEX #921419

RGB 146 20 25

HSL 357.62, 0.76%, 0.33%

LAB 31.07, 49.88, 32.56

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 0 / 86 / 83 / 14

HEX #DB1F25

RGB 219 31 37

HSL 358.09, 0.75%, 0.49%

LAB 47.2, 68.15, 46.68

 

CMYK 0 / 72 / 70 / 11

HEX #E33F45

RGB 227 63 69

HSL 357.8, 0.75%, 0.57%

LAB 52.19, 62.84, 34.75

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 14 / 0 / 86 / 29

HEX #9CB61A

RGB 156 182 26

HSL 70, 0.75%, 0.41%

LAB 69.89, -27.45, 67.22

 

CMYK 86 / 48 / 0 / 29

HEX #1A5EB6

RGB 26 94 182

HSL 213.85, 0.75%, 0.41%

LAB 40.58, 12.9, -52.32

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 83 / 0 / 86 / 29

HEX #1FB61A

RGB 31 182 26

HSL 118.08, 0.75%, 0.41%

LAB 64.82, -64.03, 60.84

 

CMYK 86 / 83 / 0 / 29

HEX #1A1FB6

RGB 26 31 182

HSL 238.08, 0.75%, 0.41%

LAB 25.49, 52.04, -77.04

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 14 / 0 / 86 / 29

HEX #9CB61A

RGB 156 182 26

HSL 70, 0.75%, 0.41%

LAB 69.89, -27.45, 67.22

 

CMYK 86 / 0 / 3 / 29

HEX #1AB6B1

RGB 26 182 177

HSL 178.08, 0.75%, 0.41%

LAB 67.16, -37.72, -8.18

 

CMYK 71 / 86 / 0 / 29

HEX #341AB6

RGB 52 26 182

HSL 250, 0.75%, 0.41%

LAB 26.29, 55.54, -75.67

 

CMYK 0 / 86 / 83 / 29

HEX #B61A1F

RGB 182 26 31

HSL 358.08, 0.75%, 0.41%

LAB 39.21, 58.96, 39.68

 

CMYK 40 / 0 / 86 / 29

HEX #6DB61A

RGB 109 182 26

HSL 88.08, 0.75%, 0.41%

LAB 67.11, -45.67, 63.74

 

CMYK 86 / 0 / 3 / 29

HEX #1AB6B1

RGB 26 182 177

HSL 178.08, 0.75%, 0.41%

LAB 67.16, -37.72, -8.18

 

CMYK 46 / 86 / 0 / 29

HEX #631AB6

RGB 99 26 182

HSL 268.08, 0.75%, 0.41%

LAB 31.27, 60.03, -67.28

 

Description

Color code: HEX #B61A1F | qconv.com Color code: HEX #B61A1F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 26 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 26 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 83 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 83% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - 中国料理 東天紅オンラインショップ - ...
Link: http://totenko.ue.shopserve.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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