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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61DA4 it is the complementary color #49E25B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61DA4 shade: #BB1D9F, #CC2FB2, #DD41C5, #EE53D8 and #FF65EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61DA4 shade: #B61DA4, #A50B91, #94007E, #83006B and #720058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61DA4 shade: #B41CA2, #B41C79, #B41C50, #B41C27 and #B41C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61DA4 shade: #B41CA2, #9D1CB4, #741CB4, #4B1CB4 and #221CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61DA4 shade matches the following richer shades: #B41CA2 and #C50BAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61DA4 shade: #B41CA2, #A32D95, #933E89, #824E7C and #715F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61DA4 shade: #751CB4, #9D1CB4, #B41CA3, #B41C7A and #B41C51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61DA4 shade: #6D1162, #911682, #B41CA2, #D821C3 and #E142CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61DA4 shade: #B61DA4, #B44C1C and #1CB489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61DA4 shade: #B61DA4, #A3B41C and #1CA3B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61DA4 shade: #B61DA4, #B44C1C, #1CB42E and #1C84B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61DA4 shade: #B61DA4, #B47A1C, #1CB42E and #1C56B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

Complementary color

CMYK 68 / 0 / 60 / 11

HEX #49E25B

RGB 73 226 91

HSL 127.06, 0.73%, 0.59%

LAB 79.93, -66.28, 53.37

 

CMYK 0 / 84 / 15 / 27

HEX #BB1D9F

RGB 187 29 159

HSL 310.63, 0.73%, 0.42%

LAB 44.16, 70.16, -32.05

 

CMYK 0 / 77 / 13 / 20

HEX #CC2FB2

RGB 204 47 178

HSL 309.94, 0.63%, 0.49%

LAB 49.6, 72.02, -34.56

 

CMYK 0 / 71 / 11 / 13

HEX #DD41C5

RGB 221 65 197

HSL 309.23, 0.7%, 0.56%

LAB 55.26, 73.03, -36.51

 

CMYK 0 / 65 / 9 / 7

HEX #EE53D8

RGB 238 83 216

HSL 308.52, 0.82%, 0.63%

LAB 61.06, 73.46, -38.04

 

CMYK 0 / 60 / 8 / 0

HEX #FF65EB

RGB 255 101 235

HSL 307.79, 1%, 0.7%

LAB 66.95, 73.48, -39.27

 

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

CMYK 0 / 93 / 12 / 35

HEX #A50B91

RGB 165 11 145

HSL 307.79, 0.88%, 0.35%

LAB 38.35, 66.81, -33

 

CMYK 0 / 100 / 15 / 42

HEX #94007E

RGB 148 0 126

HSL 308.92, 1%, 0.29%

LAB 33.57, 62.3, -28.99

 

CMYK 0 / 100 / 18 / 49

HEX #83006B

RGB 131 0 107

HSL 310.99, 1%, 0.26%

LAB 29.13, 56.42, -24.13

 

CMYK 0 / 100 / 23 / 55

HEX #720058

RGB 114 0 88

HSL 313.68, 1%, 0.22%

LAB 24.58, 50.42, -19.05

 

CMYK 0 / 84 / 10 / 29

HEX #B41CA2

RGB 180 28 162

HSL 307.11, 0.73%, 0.41%

LAB 42.98, 69.36, -35.79

 

CMYK 0 / 84 / 33 / 29

HEX #B41C79

RGB 180 28 121

HSL 323.29, 0.73%, 0.41%

LAB 41.08, 64.13, -13.73

 

CMYK 0 / 84 / 56 / 29

HEX #B41C50

RGB 180 28 80

HSL 339.47, 0.73%, 0.41%

LAB 39.77, 60.37, 10.2

 

CMYK 0 / 84 / 78 / 29

HEX #B41C27

RGB 180 28 39

HSL 355.66, 0.73%, 0.41%

LAB 39.04, 58.19, 34.84

 

CMYK 0 / 84 / 84 / 29

HEX #B41C1C

RGB 180 28 28

HSL 0, 0.73%, 0.41%

LAB 38.93, 57.87, 40.87

 

CMYK 0 / 84 / 10 / 29

HEX #B41CA2

RGB 180 28 162

HSL 307.11, 0.73%, 0.41%

LAB 42.98, 69.36, -35.79

 

CMYK 13 / 84 / 0 / 29

HEX #9D1CB4

RGB 157 28 180

HSL 290.92, 0.73%, 0.41%

LAB 40.07, 67.88, -51.38

 

CMYK 36 / 84 / 0 / 29

HEX #741CB4

RGB 116 28 180

HSL 274.74, 0.73%, 0.41%

LAB 33.64, 61.26, -62.11

 

CMYK 58 / 84 / 0 / 29

HEX #4B1CB4

RGB 75 28 180

HSL 258.55, 0.73%, 0.41%

LAB 28.44, 56.15, -70.86

 

CMYK 81 / 84 / 0 / 29

HEX #221CB4

RGB 34 28 180

HSL 242.37, 0.73%, 0.41%

LAB 25.16, 53.12, -76.4

 

CMYK 0 / 84 / 10 / 29

HEX #B41CA2

RGB 180 28 162

HSL 307.11, 0.73%, 0.41%

LAB 42.98, 69.36, -35.79

 

CMYK 0 / 94 / 11 / 23

HEX #C50BAF

RGB 197 11 175

HSL 307.1, 0.89%, 0.41%

LAB 45.91, 76.87, -38.68

 

CMYK 0 / 84 / 10 / 29

HEX #B41CA2

RGB 180 28 162

HSL 307.11, 0.73%, 0.41%

LAB 42.98, 69.36, -35.79

 

CMYK 0 / 72 / 9 / 36

HEX #A32D95

RGB 163 45 149

HSL 307.12, 0.57%, 0.41%

LAB 40.95, 59.02, -31.35

 

CMYK 0 / 58 / 7 / 42

HEX #933E89

RGB 147 62 137

HSL 307.06, 0.41%, 0.41%

LAB 40.34, 45.74, -25.2

 

CMYK 0 / 40 / 5 / 49

HEX #824E7C

RGB 130 78 124

HSL 306.92, 0.25%, 0.41%

LAB 40.65, 29.37, -16.94

 

CMYK 0 / 16 / 2 / 56

HEX #715F6F

RGB 113 95 111

HSL 306.67, 0.09%, 0.41%

LAB 42.53, 10.35, -6.35

 

CMYK 35 / 84 / 0 / 29

HEX #751CB4

RGB 117 28 180

HSL 275.13, 0.73%, 0.41%

LAB 33.79, 61.41, -61.87

 

CMYK 13 / 84 / 0 / 29

HEX #9D1CB4

RGB 157 28 180

HSL 290.92, 0.73%, 0.41%

LAB 40.07, 67.88, -51.38

 

CMYK 0 / 84 / 9 / 29

HEX #B41CA3

RGB 180 28 163

HSL 306.71, 0.73%, 0.41%

LAB 43.03, 69.5, -36.3

 

CMYK 0 / 84 / 32 / 29

HEX #B41C7A

RGB 180 28 122

HSL 322.89, 0.73%, 0.41%

LAB 41.12, 64.24, -14.29

 

CMYK 0 / 84 / 55 / 29

HEX #B41C51

RGB 180 28 81

HSL 339.08, 0.73%, 0.41%

LAB 39.8, 60.44, 9.6

 

CMYK 0 / 84 / 10 / 57

HEX #6D1162

RGB 109 17 98

HSL 307.17, 0.73%, 0.25%

LAB 25.36, 47.15, -24.5

 

CMYK 0 / 85 / 10 / 43

HEX #911682

RGB 145 22 130

HSL 307.32, 0.74%, 0.33%

LAB 34.41, 58.77, -30.2

 

CMYK 0 / 84 / 10 / 29

HEX #B41CA2

RGB 180 28 162

HSL 307.11, 0.73%, 0.41%

LAB 42.98, 69.36, -35.79

 

CMYK 0 / 85 / 10 / 15

HEX #D821C3

RGB 216 33 195

HSL 306.89, 0.73%, 0.49%

LAB 51.41, 80.06, -41.47

 

CMYK 0 / 71 / 8 / 12

HEX #E142CE

RGB 225 66 206

HSL 307.17, 0.73%, 0.57%

LAB 56.45, 74.93, -39.76

 

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

CMYK 0 / 58 / 84 / 29

HEX #B44C1C

RGB 180 76 28

HSL 18.95, 0.73%, 0.41%

LAB 45.57, 39.8, 46.81

 

CMYK 84 / 0 / 24 / 29

HEX #1CB489

RGB 28 180 137

HSL 163.03, 0.73%, 0.41%

LAB 65.51, -47.56, 11.5

 

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

CMYK 9 / 0 / 84 / 29

HEX #A3B41C

RGB 163 180 28

HSL 66.71, 0.73%, 0.41%

LAB 69.83, -23.46, 66.92

 

CMYK 84 / 9 / 0 / 29

HEX #1CA3B4

RGB 28 163 180

HSL 186.71, 0.73%, 0.41%

LAB 61.43, -27.6, -18.48

 

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

CMYK 0 / 58 / 84 / 29

HEX #B44C1C

RGB 180 76 28

HSL 18.95, 0.73%, 0.41%

LAB 45.57, 39.8, 46.81

 

CMYK 84 / 0 / 74 / 29

HEX #1CB42E

RGB 28 180 46

HSL 127.11, 0.73%, 0.41%

LAB 64.23, -62.5, 54.35

 

CMYK 84 / 27 / 0 / 29

HEX #1C84B4

RGB 28 132 180

HSL 198.95, 0.73%, 0.41%

LAB 51.89, -11.08, -33.19

 

CMYK 0 / 84 / 10 / 29

HEX #B61DA4

RGB 182 29 164

HSL 307.06, 0.73%, 0.41%

LAB 43.51, 69.84, -36.12

 

CMYK 0 / 32 / 84 / 29

HEX #B47A1C

RGB 180 122 28

HSL 37.11, 0.73%, 0.41%

LAB 55.79, 15.09, 55.65

 

CMYK 84 / 0 / 74 / 29

HEX #1CB42E

RGB 28 180 46

HSL 127.11, 0.73%, 0.41%

LAB 64.23, -62.5, 54.35

 

CMYK 84 / 52 / 0 / 29

HEX #1C56B4

RGB 28 86 180

HSL 217.11, 0.73%, 0.41%

LAB 38.2, 17.55, -55

 

Description

Color code: HEX #B61DA4 | qconv.com Color code: HEX #B61DA4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 29 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 29 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 10% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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