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Color name
HEX #B6207F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6207F it is the complementary color #49DF80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6207F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6207F shade: #BB207A, #CC328D, #DD44A0, #EE56B3 and #FF68C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6207F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6207F shade: #B6207F, #A50E6C, #940059, #830046 and #720033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6207F shade: #B6207F, #B62056, #B6202E and #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6207F shade: #B6207F, #B620A7, #9C20B6, #7320B6 and #4B20B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6207F shade matches the following richer shades: #B6207F and #C70E83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6207F shade: #B6207F, #A4317A, #934275, #825471 and #70656C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6207F shade: #9D20B6, #B620A7, #B6207F, #B62057 and #B6202F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6207F shade: #6F134E, #921966, #B6207F, #D82697 and #DF49A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6207F shade: #B6207F, #B67520 and #20B6B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6207F shade: #B6207F, #7FB620 and #207FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6207F shade: #B6207F, #B67520, #20B657 and #2061B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6207F shade: #B6207F, #B6A220, #20B657 and #2034B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

Complementary color

CMYK 67 / 0 / 43 / 13

HEX #49DF80

RGB 73 223 128

HSL 142, 0.7%, 0.58%

LAB 79.47, -59.98, 35.28

 

CMYK 0 / 83 / 35 / 27

HEX #BB207A

RGB 187 32 122

HSL 325.16, 0.71%, 0.43%

LAB 42.77, 65, -11.66

 

CMYK 0 / 75 / 31 / 20

HEX #CC328D

RGB 204 50 141

HSL 324.55, 0.61%, 0.5%

LAB 48.31, 66.41, -14.55

 

CMYK 0 / 69 / 28 / 13

HEX #DD44A0

RGB 221 68 160

HSL 323.92, 0.69%, 0.57%

LAB 54.07, 67.04, -16.83

 

CMYK 0 / 64 / 25 / 7

HEX #EE56B3

RGB 238 86 179

HSL 323.29, 0.82%, 0.64%

LAB 59.97, 67.17, -18.66

 

CMYK 0 / 59 / 22 / 0

HEX #FF68C6

RGB 255 104 198

HSL 322.65, 1%, 0.7%

LAB 65.93, 66.96, -20.17

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 92 / 35 / 35

HEX #A50E6C

RGB 165 14 108

HSL 322.65, 0.84%, 0.35%

LAB 36.74, 61.83, -12.44

 

CMYK 0 / 100 / 40 / 42

HEX #940059

RGB 148 0 89

HSL 323.92, 1%, 0.29%

LAB 31.85, 57.93, -7.94

 

CMYK 0 / 100 / 47 / 49

HEX #830046

RGB 131 0 70

HSL 327.94, 1%, 0.26%

LAB 27.48, 52.22, -2.22

 

CMYK 0 / 100 / 55 / 55

HEX #720033

RGB 114 0 51

HSL 333.16, 1%, 0.22%

LAB 23.06, 46.47, 3.92

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 82 / 53 / 29

HEX #B62056

RGB 182 32 86

HSL 338.4, 0.7%, 0.42%

LAB 40.65, 60.39, 7.69

 

CMYK 0 / 82 / 75 / 29

HEX #B6202E

RGB 182 32 46

HSL 354.4, 0.7%, 0.42%

LAB 39.87, 58.04, 31.72

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 82 / 8 / 29

HEX #B620A7

RGB 182 32 167

HSL 306, 0.7%, 0.42%

LAB 43.9, 69.62, -37.3

 

CMYK 14 / 82 / 0 / 29

HEX #9C20B6

RGB 156 32 182

HSL 289.6, 0.7%, 0.42%

LAB 40.37, 67.09, -52.08

 

CMYK 37 / 82 / 0 / 29

HEX #7320B6

RGB 115 32 182

HSL 273.2, 0.7%, 0.42%

LAB 34.1, 60.31, -62.56

 

CMYK 59 / 82 / 0 / 29

HEX #4B20B6

RGB 75 32 182

HSL 257.2, 0.7%, 0.42%

LAB 29.17, 55.15, -70.83

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 93 / 34 / 22

HEX #C70E83

RGB 199 14 131

HSL 322.05, 0.87%, 0.42%

LAB 44.37, 71.72, -14.56

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 70 / 26 / 36

HEX #A4317A

RGB 164 49 122

HSL 321.91, 0.54%, 0.42%

LAB 40.4, 53.9, -15.65

 

CMYK 0 / 55 / 20 / 42

HEX #934275

RGB 147 66 117

HSL 322.22, 0.38%, 0.42%

LAB 40.22, 40.44, -13.08

 

CMYK 0 / 35 / 13 / 49

HEX #825471

RGB 130 84 113

HSL 322.17, 0.21%, 0.42%

LAB 41.66, 23.81, -8.67

 

CMYK 0 / 10 / 4 / 56

HEX #70656C

RGB 112 101 108

HSL 321.82, 0.05%, 0.42%

LAB 44, 5.73, -2.36

 

CMYK 14 / 82 / 0 / 29

HEX #9D20B6

RGB 157 32 182

HSL 290, 0.7%, 0.42%

LAB 40.54, 67.27, -51.81

 

CMYK 0 / 82 / 8 / 29

HEX #B620A7

RGB 182 32 167

HSL 306, 0.7%, 0.42%

LAB 43.9, 69.62, -37.3

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 82 / 52 / 29

HEX #B62057

RGB 182 32 87

HSL 338, 0.7%, 0.42%

LAB 40.68, 60.47, 7.09

 

CMYK 0 / 82 / 74 / 29

HEX #B6202F

RGB 182 32 47

HSL 354, 0.7%, 0.42%

LAB 39.89, 58.08, 31.13

 

CMYK 0 / 83 / 30 / 56

HEX #6F134E

RGB 111 19 78

HSL 321.52, 0.71%, 0.25%

LAB 24.94, 44.15, -11.86

 

CMYK 0 / 83 / 30 / 43

HEX #921966

RGB 146 25 102

HSL 321.82, 0.71%, 0.34%

LAB 33.49, 54.46, -13.91

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

CMYK 0 / 67 / 25 / 13

HEX #DF49A8

RGB 223 73 168

HSL 322, 0.7%, 0.58%

LAB 55.36, 66.74, -19.53

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 36 / 82 / 29

HEX #B67520

RGB 182 117 32

HSL 34, 0.7%, 0.42%

LAB 54.84, 18.88, 53.52

 

CMYK 82 / 0 / 3 / 29

HEX #20B6B1

RGB 32 182 177

HSL 178, 0.7%, 0.42%

LAB 67.23, -37.29, -8.07

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 30 / 0 / 82 / 29

HEX #7FB620

RGB 127 182 32

HSL 82, 0.7%, 0.42%

LAB 68.07, -38.89, 63.49

 

CMYK 82 / 30 / 0 / 29

HEX #207FB6

RGB 32 127 182

HSL 202, 0.7%, 0.42%

LAB 50.53, -7.11, -36.47

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 36 / 82 / 29

HEX #B67520

RGB 182 117 32

HSL 34, 0.7%, 0.42%

LAB 54.84, 18.88, 53.52

 

CMYK 82 / 0 / 52 / 29

HEX #20B657

RGB 32 182 87

HSL 142, 0.7%, 0.42%

LAB 65.32, -57.93, 37.69

 

CMYK 82 / 47 / 0 / 29

HEX #2061B6

RGB 32 97 182

HSL 214, 0.7%, 0.42%

LAB 41.59, 11.46, -50.69

 

CMYK 0 / 82 / 30 / 29

HEX #B6207F

RGB 182 32 127

HSL 322, 0.7%, 0.42%

LAB 42.02, 64.37, -15.98

 

CMYK 0 / 11 / 82 / 29

HEX #B6A220

RGB 182 162 32

HSL 52, 0.7%, 0.42%

LAB 66.44, -5.79, 63.64

 

CMYK 82 / 0 / 52 / 29

HEX #20B657

RGB 32 182 87

HSL 142, 0.7%, 0.42%

LAB 65.32, -57.93, 37.69

 

CMYK 82 / 71 / 0 / 29

HEX #2034B6

RGB 32 52 182

HSL 232, 0.7%, 0.42%

LAB 29.76, 40.87, -69.96

 

Description

Color code: HEX #B6207F | qconv.com Color code: HEX #B6207F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 32 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 32 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 30% 29% C M Y K

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Provide designers and agencies with accurate color values.

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