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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B62C06 it is the complementary color #49D3F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B62C06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B62C06 shade: #BB2C01, #CC3E14, #DD5027, #EE623A and #FF744D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B62C06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B62C06 shade: #B62C06, #A51A00, #940800, #830000 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B62C06 shade: #B72B05 and #B70505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B62C06 shade: #B72B05, #B75B05, #B78B05, #B2B705 and #82B705

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B62C06 shade matches the following richer shades: #B72B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B62C06 shade: #B72B05, #A73414, #983D24, #894533 and #794E42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B62C06 shade: #B70540, #B70511, #B72905, #B75805 and #B78705

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B62C06 shade: #661803, #8F2204, #B72B05, #DF3506 and #F74717

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B62C06 shade: #B62C06, #70B705 and #0529B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B62C06 shade: #B62C06, #05B729 and #2905B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B62C06 shade: #B62C06, #70B705, #0593B7 and #4C05B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B62C06 shade: #B62C06, #3AB705, #0593B7 and #8105B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

Complementary color

CMYK 71 / 15 / 0 / 2

HEX #49D3F9

RGB 73 211 249

HSL 192.95, 0.94%, 0.63%

LAB 78.95, -25.02, -29.35

 

CMYK 0 / 76 / 99 / 27

HEX #BB2C01

RGB 187 44 1

HSL 13.87, 0.99%, 0.37%

LAB 41.8, 55.06, 54.08

 

CMYK 0 / 70 / 90 / 20

HEX #CC3E14

RGB 204 62 20

HSL 13.7, 0.82%, 0.44%

LAB 47.41, 54.36, 53.21

 

CMYK 0 / 64 / 82 / 13

HEX #DD5027

RGB 221 80 39

HSL 13.52, 0.73%, 0.51%

LAB 53.23, 53.21, 51.36

 

CMYK 0 / 59 / 76 / 7

HEX #EE623A

RGB 238 98 58

HSL 13.33, 0.84%, 0.58%

LAB 59.18, 51.88, 49.01

 

CMYK 0 / 55 / 70 / 0

HEX #FF744D

RGB 255 116 77

HSL 13.15, 1%, 0.65%

LAB 65.19, 50.49, 46.65

 

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

CMYK 0 / 84 / 100 / 35

HEX #A51A00

RGB 165 26 0

HSL 9.45, 1%, 0.32%

LAB 35.48, 53.55, 49.02

 

CMYK 0 / 95 / 100 / 42

HEX #940800

RGB 148 8 0

HSL 3.24, 1%, 0.29%

LAB 30.57, 52.18, 44.11

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 77 / 97 / 28

HEX #B72B05

RGB 183 43 5

HSL 12.81, 0.95%, 0.37%

LAB 40.91, 54.18, 51.87

 

CMYK 0 / 97 / 97 / 28

HEX #B70505

RGB 183 5 5

HSL 0, 0.95%, 0.37%

LAB 38.18, 61.93, 50.48

 

CMYK 0 / 77 / 97 / 28

HEX #B72B05

RGB 183 43 5

HSL 12.81, 0.95%, 0.37%

LAB 40.91, 54.18, 51.87

 

CMYK 0 / 50 / 97 / 28

HEX #B75B05

RGB 183 91 5

HSL 28.99, 0.95%, 0.37%

LAB 48.96, 32.92, 56.67

 

CMYK 0 / 24 / 97 / 28

HEX #B78B05

RGB 183 139 5

HSL 45.17, 0.95%, 0.37%

LAB 60.38, 6.58, 64.45

 

CMYK 3 / 0 / 97 / 28

HEX #B2B705

RGB 178 183 5

HSL 61.69, 0.95%, 0.37%

LAB 71.79, -18.92, 72.6

 

CMYK 29 / 0 / 97 / 28

HEX #82B705

RGB 130 183 5

HSL 77.87, 0.95%, 0.37%

LAB 68.48, -38.86, 68.63

 

CMYK 0 / 77 / 97 / 28

HEX #B72B05

RGB 183 43 5

HSL 12.81, 0.95%, 0.37%

LAB 40.91, 54.18, 51.87

 

CMYK 0 / 77 / 97 / 28

HEX #B72B05

RGB 183 43 5

HSL 12.81, 0.95%, 0.37%

LAB 40.91, 54.18, 51.87

 

CMYK 0 / 69 / 88 / 35

HEX #A73414

RGB 167 52 20

HSL 13.06, 0.79%, 0.37%

LAB 39.11, 45.77, 43.88

 

CMYK 0 / 60 / 76 / 40

HEX #983D24

RGB 152 61 36

HSL 12.93, 0.62%, 0.37%

LAB 38.09, 36.66, 33.96

 

CMYK 0 / 50 / 63 / 46

HEX #894533

RGB 137 69 51

HSL 12.56, 0.46%, 0.37%

LAB 37.51, 27.27, 23.94

 

CMYK 0 / 36 / 45 / 53

HEX #794E42

RGB 121 78 66

HSL 13.09, 0.29%, 0.37%

LAB 37.68, 16.61, 14.56

 

CMYK 0 / 97 / 65 / 28

HEX #B70540

RGB 183 5 64

HSL 340.11, 0.95%, 0.37%

LAB 38.81, 63.66, 19.22

 

CMYK 0 / 97 / 91 / 28

HEX #B70511

RGB 183 5 17

HSL 355.96, 0.95%, 0.37%

LAB 38.23, 62.08, 45.93

 

CMYK 0 / 78 / 97 / 28

HEX #B72905

RGB 183 41 5

HSL 12.13, 0.95%, 0.37%

LAB 40.68, 54.82, 51.75

 

CMYK 0 / 52 / 97 / 28

HEX #B75805

RGB 183 88 5

HSL 27.98, 0.95%, 0.37%

LAB 48.33, 34.49, 56.27

 

CMYK 0 / 26 / 97 / 28

HEX #B78705

RGB 183 135 5

HSL 43.82, 0.95%, 0.37%

LAB 59.35, 8.78, 63.72

 

CMYK 0 / 76 / 97 / 60

HEX #661803

RGB 102 24 3

HSL 12.73, 0.94%, 0.21%

LAB 21.89, 33.79, 31.28

 

CMYK 0 / 76 / 97 / 44

HEX #8F2204

RGB 143 34 4

HSL 12.95, 0.95%, 0.29%

LAB 31.79, 44.3, 42.85

 

CMYK 0 / 77 / 97 / 28

HEX #B72B05

RGB 183 43 5

HSL 12.81, 0.95%, 0.37%

LAB 40.91, 54.18, 51.87

 

CMYK 0 / 76 / 97 / 13

HEX #DF3506

RGB 223 53 6

HSL 13, 0.95%, 0.45%

LAB 49.79, 63.28, 60.48

 

CMYK 0 / 71 / 91 / 3

HEX #F74717

RGB 247 71 23

HSL 12.86, 0.93%, 0.53%

LAB 56.43, 64.88, 62.14

 

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

CMYK 39 / 0 / 97 / 28

HEX #70B705

RGB 112 183 5

HSL 83.93, 0.95%, 0.37%

LAB 67.52, -45.54, 67.46

 

CMYK 97 / 78 / 0 / 28

HEX #0529B7

RGB 5 41 183

HSL 227.87, 0.95%, 0.37%

LAB 26.84, 46.59, -75.42

 

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

CMYK 97 / 0 / 78 / 28

HEX #05B729

RGB 5 183 41

HSL 132.13, 0.95%, 0.37%

LAB 65.01, -65.29, 56.77

 

CMYK 78 / 97 / 0 / 28

HEX #2905B7

RGB 41 5 183

HSL 252.13, 0.95%, 0.37%

LAB 23.67, 61.19, -80.66

 

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

CMYK 39 / 0 / 97 / 28

HEX #70B705

RGB 112 183 5

HSL 83.93, 0.95%, 0.37%

LAB 67.52, -45.54, 67.46

 

CMYK 97 / 20 / 0 / 28

HEX #0593B7

RGB 5 147 183

HSL 192.13, 0.95%, 0.37%

LAB 56.41, -19.52, -27.89

 

CMYK 58 / 97 / 0 / 28

HEX #4C05B7

RGB 76 5 183

HSL 263.93, 0.95%, 0.37%

LAB 26.92, 62.9, -75.17

 

CMYK 0 / 76 / 97 / 29

HEX #B62C06

RGB 182 44 6

HSL 12.95, 0.94%, 0.37%

LAB 40.83, 53.54, 51.4

 

CMYK 68 / 0 / 97 / 28

HEX #3AB705

RGB 58 183 5

HSL 102.13, 0.95%, 0.37%

LAB 65.58, -60.78, 65.09

 

CMYK 97 / 20 / 0 / 28

HEX #0593B7

RGB 5 147 183

HSL 192.13, 0.95%, 0.37%

LAB 56.41, -19.52, -27.89

 

CMYK 30 / 97 / 0 / 28

HEX #8105B7

RGB 129 5 183

HSL 281.8, 0.95%, 0.37%

LAB 34.38, 68.11, -62.6

 

Description

Color code: HEX #B62C06 | qconv.com Color code: HEX #B62C06 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 44 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 44 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 97 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 97% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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