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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B634C5 it is the complementary color #49CB3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B634C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B634C5 shade: #BB34C0, #CC46D3, #DD58E6, #EE6AF9 and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B634C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B634C5 shade: #B634C5, #A522B2, #94109F, #83008C and #720079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B634C5 shade: #B634C5, #C534AD, #C53486, #C5345F and #C53438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B634C5 shade: #B634C5, #8F34C5, #6834C5, #4134C5 and #3434C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B634C5 shade matches the following richer shades: #B634C5, #C620D9 and #D60CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B634C5 shade: #B634C5, #A648B1, #965C9C, #867188 and #768574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B634C5 shade: #6734C5, #8D34C5, #B434C5, #C534AF and #C53489

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B634C5 shade: #7A2384, #982BA4, #B634C5, #C352D1 and #CF72D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B634C5 shade: #B634C5, #C54034 and #34C57A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B634C5 shade: #B634C5, #C5B434 and #34C5B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B634C5 shade: #B634C5, #C54034, #45C534 and #34B9C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B634C5 shade: #B634C5, #C56C34, #45C534 and #348DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

Complementary color

CMYK 64 / 0 / 71 / 20

HEX #49CB3A

RGB 73 203 58

HSL 113.79, 0.58%, 0.51%

LAB 72.52, -61.75, 58.72

 

CMYK 3 / 73 / 0 / 25

HEX #BB34C0

RGB 187 52 192

HSL 297.86, 0.57%, 0.48%

LAB 48.04, 69.01, -45.38

 

CMYK 3 / 67 / 0 / 17

HEX #CC46D3

RGB 204 70 211

HSL 297.02, 0.62%, 0.55%

LAB 53.94, 69.59, -46.78

 

CMYK 4 / 62 / 0 / 10

HEX #DD58E6

RGB 221 88 230

HSL 296.2, 0.74%, 0.62%

LAB 59.95, 69.68, -47.84

 

CMYK 4 / 57 / 0 / 2

HEX #EE6AF9

RGB 238 106 249

HSL 295.38, 0.92%, 0.7%

LAB 66, 69.46, -48.66

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 7 / 81 / 0 / 30

HEX #A522B2

RGB 165 34 178

HSL 294.58, 0.68%, 0.42%

LAB 41.78, 67.53, -47.38

 

CMYK 7 / 90 / 0 / 38

HEX #94109F

RGB 148 16 159

HSL 295.38, 0.82%, 0.34%

LAB 36.31, 65.11, -44.95

 

CMYK 6 / 100 / 0 / 45

HEX #83008C

RGB 131 0 140

HSL 296.14, 1%, 0.27%

LAB 31.16, 61.38, -41.75

 

CMYK 6 / 100 / 0 / 53

HEX #720079

RGB 114 0 121

HSL 296.53, 1%, 0.24%

LAB 26.61, 55.39, -37.3

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 0 / 74 / 12 / 23

HEX #C534AD

RGB 197 52 173

HSL 309.93, 0.58%, 0.49%

LAB 48.69, 68.26, -33.13

 

CMYK 0 / 74 / 32 / 23

HEX #C53486

RGB 197 52 134

HSL 326.07, 0.58%, 0.49%

LAB 47.04, 63.17, -12.37

 

CMYK 0 / 74 / 52 / 23

HEX #C5345F

RGB 197 52 95

HSL 342.21, 0.58%, 0.49%

LAB 45.84, 59.34, 9.78

 

CMYK 0 / 74 / 72 / 23

HEX #C53438

RGB 197 52 56

HSL 358.34, 0.58%, 0.49%

LAB 45.1, 56.87, 32.57

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 27 / 74 / 0 / 23

HEX #8F34C5

RGB 143 52 197

HSL 277.66, 0.58%, 0.49%

LAB 41.73, 61.07, -58.78

 

CMYK 47 / 74 / 0 / 23

HEX #6834C5

RGB 104 52 197

HSL 261.52, 0.58%, 0.49%

LAB 36.8, 54.21, -67.03

 

CMYK 67 / 74 / 0 / 23

HEX #4134C5

RGB 65 52 197

HSL 245.38, 0.58%, 0.49%

LAB 33.16, 48.89, -73.14

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 9 / 85 / 0 / 15

HEX #C620D9

RGB 198 32 217

HSL 293.84, 0.74%, 0.49%

LAB 49.55, 80.3, -57.27

 

CMYK 10 / 95 / 0 / 7

HEX #D60CED

RGB 214 12 237

HSL 293.87, 0.9%, 0.49%

LAB 52.59, 88.63, -63.58

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 6 / 59 / 0 / 31

HEX #A648B1

RGB 166 72 177

HSL 293.71, 0.42%, 0.49%

LAB 46.86, 53.52, -38.69

 

CMYK 4 / 41 / 0 / 39

HEX #965C9C

RGB 150 92 156

HSL 294.38, 0.26%, 0.49%

LAB 47.67, 34.42, -25.19

 

CMYK 1 / 17 / 0 / 47

HEX #867188

RGB 134 113 136

HSL 294.78, 0.09%, 0.49%

LAB 50.28, 12.59, -9.53

 

CMYK 11 / 0 / 13 / 48

HEX #768574

RGB 118 133 116

HSL 112.94, 0.07%, 0.49%

LAB 53.91, -8.91, 7.32

 

CMYK 48 / 74 / 0 / 23

HEX #6734C5

RGB 103 52 197

HSL 261.1, 0.58%, 0.49%

LAB 36.69, 54.05, -67.21

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 9 / 74 / 0 / 23

HEX #B434C5

RGB 180 52 197

HSL 292.97, 0.58%, 0.49%

LAB 47.22, 68.4, -49.66

 

CMYK 0 / 74 / 11 / 23

HEX #C534AF

RGB 197 52 175

HSL 309.1, 0.58%, 0.49%

LAB 48.79, 68.55, -34.16

 

CMYK 0 / 74 / 30 / 23

HEX #C53489

RGB 197 52 137

HSL 324.83, 0.58%, 0.49%

LAB 47.15, 63.52, -14.02

 

CMYK 8 / 73 / 0 / 48

HEX #7A2384

RGB 122 35 132

HSL 293.81, 0.58%, 0.33%

LAB 31.82, 50.11, -35.81

 

CMYK 7 / 74 / 0 / 36

HEX #982BA4

RGB 152 43 164

HSL 294.05, 0.58%, 0.41%

LAB 39.72, 59.74, -42.46

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 7 / 61 / 0 / 18

HEX #C352D1

RGB 195 82 209

HSL 293.39, 0.58%, 0.57%

LAB 54.28, 62.25, -45.19

 

CMYK 5 / 47 / 0 / 15

HEX #CF72D9

RGB 207 114 217

HSL 294.17, 0.58%, 0.65%

LAB 61.92, 51.73, -37.58

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 0 / 68 / 74 / 23

HEX #C54034

RGB 197 64 52

HSL 4.97, 0.58%, 0.49%

LAB 46.69, 52.17, 36.69

 

CMYK 74 / 0 / 38 / 23

HEX #34C57A

RGB 52 197 122

HSL 148.97, 0.58%, 0.49%

LAB 70.92, -54.73, 27.03

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 0 / 9 / 74 / 23

HEX #C5B434

RGB 197 180 52

HSL 52.97, 0.58%, 0.49%

LAB 72.73, -7.88, 63.41

 

CMYK 74 / 0 / 9 / 23

HEX #34C5B4

RGB 52 197 180

HSL 172.97, 0.58%, 0.49%

LAB 72.2, -41.18, -2.34

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 0 / 68 / 74 / 23

HEX #C54034

RGB 197 64 52

HSL 4.97, 0.58%, 0.49%

LAB 46.69, 52.17, 36.69

 

CMYK 65 / 0 / 74 / 23

HEX #45C534

RGB 69 197 52

HSL 112.97, 0.58%, 0.49%

LAB 70.49, -61.03, 58.78

 

CMYK 74 / 6 / 0 / 23

HEX #34B9C5

RGB 52 185 197

HSL 184.97, 0.58%, 0.49%

LAB 69.08, -30.74, -16.28

 

CMYK 8 / 74 / 0 / 23

HEX #B634C5

RGB 182 52 197

HSL 293.79, 0.58%, 0.49%

LAB 47.54, 68.81, -49.14

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 65 / 0 / 74 / 23

HEX #45C534

RGB 69 197 52

HSL 112.97, 0.58%, 0.49%

LAB 70.49, -61.03, 58.78

 

CMYK 74 / 28 / 0 / 23

HEX #348DC5

RGB 52 141 197

HSL 203.17, 0.58%, 0.49%

LAB 55.9, -7.54, -36.57

 

Description

Color code: HEX #B634C5 | qconv.com Color code: HEX #B634C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 52 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 52 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 74 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 74% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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