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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B63C47 it is the complementary color #49C3B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B63C47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B63C47 shade: #BB3C42, #CC4E55, #DD6068, #EE727B and #FF848E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B63C47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B63C47 shade: #B63C47, #A52A34, #941821, #83060E and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B63C47 shade: #B33B46 and #B33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B63C47 shade: #B33B46, #B33B67, #B33B87, #B33BA7 and #9F3BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B63C47 shade matches the following richer shades: #B33B46, #C72836, #DA1526 and #ED0117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B63C47 shade: #B33B46, #A04F56, #8C6266, #797676 and #668986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B63C47 shade: #B33B87, #B33B67, #B33B47, #B34F3B and #B36F3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B63C47 shade: #75272E, #94313A, #B33B46, #C5535D and #D0727A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B63C47 shade: #B63C47, #A7B33B and #3B77B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B63C47 shade: #B63C47, #47B33B and #3B47B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B63C47 shade: #B63C47, #A7B33B, #3BB3A7 and #473BB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B63C47 shade: #B63C47, #83B33B, #3BB3A7 and #6B3BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

Complementary color

CMYK 63 / 0 / 6 / 24

HEX #49C3B8

RGB 73 195 184

HSL 174.59, 0.5%, 0.53%

LAB 72.17, -36.17, -4.51

 

CMYK 0 / 68 / 65 / 27

HEX #BB3C42

RGB 187 60 66

HSL 357.17, 0.51%, 0.48%

LAB 44.5, 51.2, 25.45

 

CMYK 0 / 62 / 58 / 20

HEX #CC4E55

RGB 204 78 85

HSL 356.67, 0.55%, 0.55%

LAB 50.62, 50.48, 22.54

 

CMYK 0 / 57 / 53 / 13

HEX #DD6068

RGB 221 96 104

HSL 356.16, 0.65%, 0.62%

LAB 56.82, 49.56, 20.12

 

CMYK 0 / 52 / 48 / 7

HEX #EE727B

RGB 238 114 123

HSL 355.65, 0.78%, 0.69%

LAB 63.05, 48.56, 18.07

 

CMYK 0 / 48 / 44 / 0

HEX #FF848E

RGB 255 132 142

HSL 355.12, 1%, 0.76%

LAB 69.27, 47.54, 16.31

 

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

CMYK 0 / 75 / 68 / 35

HEX #A52A34

RGB 165 42 52

HSL 355.12, 0.59%, 0.41%

LAB 37.67, 50.19, 24.6

 

CMYK 0 / 84 / 78 / 42

HEX #941821

RGB 148 24 33

HSL 355.65, 0.72%, 0.34%

LAB 31.94, 49.74, 28.8

 

CMYK 0 / 95 / 89 / 49

HEX #83060E

RGB 131 6 14

HSL 356.16, 0.91%, 0.27%

LAB 26.7, 48.03, 33.49

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 67 / 42 / 30

HEX #B33B67

RGB 179 59 103

HSL 338, 0.5%, 0.47%

LAB 43.79, 52.07, 1.46

 

CMYK 0 / 67 / 25 / 30

HEX #B33B87

RGB 179 59 135

HSL 322, 0.5%, 0.47%

LAB 44.89, 55.89, -16.54

 

CMYK 0 / 67 / 7 / 30

HEX #B33BA7

RGB 179 59 167

HSL 306, 0.5%, 0.47%

LAB 46.31, 60.61, -33.52

 

CMYK 11 / 67 / 0 / 30

HEX #9F3BB3

RGB 159 59 179

HSL 290, 0.5%, 0.47%

LAB 43.88, 57.93, -44.67

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 80 / 73 / 22

HEX #C72836

RGB 199 40 54

HSL 354.72, 0.67%, 0.47%

LAB 44.13, 61.1, 32.71

 

CMYK 0 / 90 / 83 / 15

HEX #DA1526

RGB 218 21 38

HSL 354.82, 0.82%, 0.47%

LAB 46.42, 69.6, 45.36

 

CMYK 0 / 100 / 90 / 7

HEX #ED0117

RGB 237 1 23

HSL 354.41, 0.99%, 0.47%

LAB 49.6, 75.92, 56.63

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 51 / 46 / 37

HEX #A04F56

RGB 160 79 86

HSL 354.81, 0.34%, 0.47%

LAB 43.85, 34.22, 11.61

 

CMYK 0 / 30 / 27 / 45

HEX #8C6266

RGB 140 98 102

HSL 354.29, 0.18%, 0.47%

LAB 46, 17.64, 4.55

 

CMYK 0 / 2 / 2 / 53

HEX #797676

RGB 121 118 118

HSL 0, 0.01%, 0.47%

LAB 49.89, 1.15, 0.4

 

CMYK 26 / 0 / 2 / 46

HEX #668986

RGB 102 137 134

HSL 174.86, 0.15%, 0.47%

LAB 54.49, -12.87, -2.39

 

CMYK 0 / 67 / 25 / 30

HEX #B33B87

RGB 179 59 135

HSL 322, 0.5%, 0.47%

LAB 44.89, 55.89, -16.54

 

CMYK 0 / 67 / 42 / 30

HEX #B33B67

RGB 179 59 103

HSL 338, 0.5%, 0.47%

LAB 43.79, 52.07, 1.46

 

CMYK 0 / 67 / 60 / 30

HEX #B33B47

RGB 179 59 71

HSL 354, 0.5%, 0.47%

LAB 43.01, 49.3, 20.2

 

CMYK 0 / 56 / 67 / 30

HEX #B34F3B

RGB 179 79 59

HSL 10, 0.5%, 0.47%

LAB 46.3, 39.28, 31.48

 

CMYK 0 / 38 / 67 / 30

HEX #B36F3B

RGB 179 111 59

HSL 26, 0.5%, 0.47%

LAB 53.24, 22.18, 39.56

 

CMYK 0 / 67 / 61 / 54

HEX #75272E

RGB 117 39 46

HSL 354.62, 0.5%, 0.31%

LAB 27.93, 34.74, 14.13

 

CMYK 0 / 67 / 61 / 42

HEX #94313A

RGB 148 49 58

HSL 354.55, 0.5%, 0.39%

LAB 35.59, 42.15, 17.53

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 58 / 53 / 23

HEX #C5535D

RGB 197 83 93

HSL 354.74, 0.5%, 0.55%

LAB 50.51, 46.4, 17.43

 

CMYK 0 / 45 / 41 / 18

HEX #D0727A

RGB 208 114 122

HSL 354.89, 0.5%, 0.63%

LAB 58.83, 37.66, 12.16

 

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

CMYK 7 / 0 / 67 / 30

HEX #A7B33B

RGB 167 179 59

HSL 66, 0.5%, 0.47%

LAB 70.02, -19.88, 57.24

 

CMYK 67 / 34 / 0 / 30

HEX #3B77B3

RGB 59 119 179

HSL 210, 0.5%, 0.47%

LAB 48.73, 0.11, -37.51

 

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

CMYK 60 / 0 / 67 / 30

HEX #47B33B

RGB 71 179 59

HSL 114, 0.5%, 0.47%

LAB 64.88, -53.68, 50.27

 

CMYK 67 / 60 / 0 / 30

HEX #3B47B3

RGB 59 71 179

HSL 234, 0.5%, 0.47%

LAB 35.38, 30.7, -58.92

 

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

CMYK 7 / 0 / 67 / 30

HEX #A7B33B

RGB 167 179 59

HSL 66, 0.5%, 0.47%

LAB 70.02, -19.88, 57.24

 

CMYK 67 / 0 / 7 / 30

HEX #3BB3A7

RGB 59 179 167

HSL 174, 0.5%, 0.47%

LAB 66.49, -35.63, -3.58

 

CMYK 60 / 67 / 0 / 30

HEX #473BB3

RGB 71 59 179

HSL 246, 0.5%, 0.47%

LAB 33.4, 39.98, -62.12

 

CMYK 0 / 67 / 61 / 29

HEX #B63C47

RGB 182 60 71

HSL 354.59, 0.5%, 0.47%

LAB 43.7, 49.87, 21.2

 

CMYK 27 / 0 / 67 / 30

HEX #83B33B

RGB 131 179 59

HSL 84, 0.5%, 0.47%

LAB 67.56, -34.49, 53.93

 

CMYK 67 / 0 / 7 / 30

HEX #3BB3A7

RGB 59 179 167

HSL 174, 0.5%, 0.47%

LAB 66.49, -35.63, -3.58

 

CMYK 40 / 67 / 0 / 30

HEX #6B3BB3

RGB 107 59 179

HSL 264, 0.5%, 0.47%

LAB 36.95, 46.5, -56.19

 

Description

Color code: HEX #B63C47 | qconv.com Color code: HEX #B63C47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 60 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 60 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 61 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 61% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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