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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64F56 it is the complementary color #49B0A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64F56 shade: #BB4F51, #CC6164, #DD7377, #EE858A and #FF979D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64F56 shade: #B64F56, #A53D43, #942B30, #83191D and #72070A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64F56 shade: #B54E55 and #B54E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64F56 shade: #B54E55, #B54E71, #B54E8D, #B54EA8 and #A64EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64F56 shade matches the following richer shades: #B54E55, #C93A44, #DD2632 and #F11221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64F56 shade: #B54E55, #A16367, #8C7778, #788B8A and #649F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64F56 shade: #B54E8E, #B54E72, #B54E57, #B5614E and #B57C4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64F56 shade: #7D3439, #9A4046, #B54E55, #C16B71 and #CD888D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64F56 shade: #B64F56, #A9B54E and #4E80B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64F56 shade: #B64F56, #57B54E and #4E57B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64F56 shade: #B64F56, #A9B54E, #4EB5AC and #5A4EB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64F56 shade: #B64F56, #8AB54E, #4EB5AC and #794EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

Complementary color

CMYK 59 / 0 / 4 / 31

HEX #49B0A9

RGB 73 176 169

HSL 175.92, 0.41%, 0.49%

LAB 66.01, -31.27, -5.36

 

CMYK 0 / 58 / 57 / 27

HEX #BB4F51

RGB 187 79 81

HSL 358.89, 0.44%, 0.52%

LAB 47.94, 43.77, 20.89

 

CMYK 0 / 52 / 51 / 20

HEX #CC6164

RGB 204 97 100

HSL 358.32, 0.51%, 0.59%

LAB 54.35, 42.69, 18.69

 

CMYK 0 / 48 / 46 / 13

HEX #DD7377

RGB 221 115 119

HSL 357.74, 0.61%, 0.66%

LAB 60.75, 41.61, 16.82

 

CMYK 0 / 44 / 42 / 7

HEX #EE858A

RGB 238 133 138

HSL 357.14, 0.76%, 0.73%

LAB 67.12, 40.56, 15.22

 

CMYK 0 / 41 / 38 / 0

HEX #FF979D

RGB 255 151 157

HSL 356.54, 1%, 0.8%

LAB 73.43, 39.56, 13.8

 

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

CMYK 0 / 63 / 59 / 35

HEX #A53D43

RGB 165 61 67

HSL 356.54, 0.46%, 0.44%

LAB 40.8, 43.34, 19.3

 

CMYK 0 / 71 / 68 / 42

HEX #942B30

RGB 148 43 48

HSL 357.14, 0.55%, 0.37%

LAB 34.47, 44.03, 22.42

 

CMYK 0 / 81 / 78 / 49

HEX #83191D

RGB 131 25 29

HSL 357.74, 0.68%, 0.31%

LAB 28.4, 44.09, 26.36

 

CMYK 0 / 94 / 91 / 55

HEX #72070A

RGB 114 7 10

HSL 358.32, 0.88%, 0.24%

LAB 22.83, 42.9, 30.23

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 0 / 57 / 57 / 29

HEX #B54E4E

RGB 181 78 78

HSL 0, 0.41%, 0.51%

LAB 46.74, 41.84, 20.92

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 0 / 57 / 38 / 29

HEX #B54E71

RGB 181 78 113

HSL 339.61, 0.41%, 0.51%

LAB 47.58, 45.29, 0.89

 

CMYK 0 / 57 / 22 / 29

HEX #B54E8D

RGB 181 78 141

HSL 323.3, 0.41%, 0.51%

LAB 48.51, 48.96, -14.62

 

CMYK 0 / 57 / 7 / 29

HEX #B54EA8

RGB 181 78 168

HSL 307.57, 0.41%, 0.51%

LAB 49.62, 53.19, -28.93

 

CMYK 8 / 57 / 0 / 29

HEX #A64EB5

RGB 166 78 181

HSL 291.26, 0.41%, 0.51%

LAB 48.12, 51.44, -39.04

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 0 / 71 / 66 / 21

HEX #C93A44

RGB 201 58 68

HSL 355.8, 0.57%, 0.51%

LAB 46.79, 56.58, 27.66

 

CMYK 0 / 83 / 77 / 13

HEX #DD2632

RGB 221 38 50

HSL 356.07, 0.73%, 0.51%

LAB 48.25, 67.58, 40.82

 

CMYK 0 / 93 / 86 / 5

HEX #F11221

RGB 241 18 33

HSL 355.96, 0.89%, 0.51%

LAB 50.97, 75.65, 53.65

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 0 / 39 / 36 / 37

HEX #A16367

RGB 161 99 103

HSL 356.13, 0.25%, 0.51%

LAB 48.86, 25.59, 8.38

 

CMYK 0 / 15 / 14 / 45

HEX #8C7778

RGB 140 119 120

HSL 357.14, 0.08%, 0.51%

LAB 51.98, 8.31, 2.47

 

CMYK 14 / 0 / 1 / 45

HEX #788B8A

RGB 120 139 138

HSL 176.84, 0.08%, 0.51%

LAB 56.38, -7.02, -1.78

 

CMYK 37 / 0 / 3 / 38

HEX #649F9B

RGB 100 159 155

HSL 175.93, 0.24%, 0.51%

LAB 61.54, -20.11, -4

 

CMYK 0 / 57 / 22 / 29

HEX #B54E8E

RGB 181 78 142

HSL 322.72, 0.41%, 0.51%

LAB 48.54, 49.11, -15.16

 

CMYK 0 / 57 / 37 / 29

HEX #B54E72

RGB 181 78 114

HSL 339.03, 0.41%, 0.51%

LAB 47.61, 45.41, 0.32

 

CMYK 0 / 57 / 52 / 29

HEX #B54E57

RGB 181 78 87

HSL 354.76, 0.41%, 0.51%

LAB 46.92, 42.6, 15.74

 

CMYK 0 / 46 / 57 / 29

HEX #B5614E

RGB 181 97 78

HSL 11.07, 0.41%, 0.51%

LAB 50.6, 32.04, 25.94

 

CMYK 0 / 31 / 57 / 29

HEX #B57C4E

RGB 181 124 78

HSL 26.8, 0.41%, 0.51%

LAB 56.87, 17.16, 33.82

 

CMYK 0 / 58 / 54 / 51

HEX #7D3439

RGB 125 52 57

HSL 355.89, 0.41%, 0.35%

LAB 32.06, 32.18, 12.73

 

CMYK 0 / 58 / 55 / 40

HEX #9A4046

RGB 154 64 70

HSL 356, 0.41%, 0.43%

LAB 39.55, 38.18, 15.43

 

CMYK 0 / 57 / 53 / 29

HEX #B54E55

RGB 181 78 85

HSL 355.92, 0.41%, 0.51%

LAB 46.88, 42.43, 16.89

 

CMYK 0 / 45 / 41 / 24

HEX #C16B71

RGB 193 107 113

HSL 355.81, 0.41%, 0.59%

LAB 55.12, 34.76, 11.89

 

CMYK 0 / 34 / 31 / 20

HEX #CD888D

RGB 205 136 141

HSL 355.65, 0.41%, 0.67%

LAB 63.76, 27.07, 8.21

 

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

CMYK 7 / 0 / 57 / 29

HEX #A9B54E

RGB 169 181 78

HSL 66.99, 0.41%, 0.51%

LAB 70.89, -18.7, 50.05

 

CMYK 57 / 29 / 0 / 29

HEX #4E80B5

RGB 78 128 181

HSL 210.87, 0.41%, 0.51%

LAB 52.28, -0.93, -33.04

 

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

CMYK 52 / 0 / 57 / 29

HEX #57B54E

RGB 87 181 78

HSL 114.76, 0.41%, 0.51%

LAB 66.23, -48.25, 43.47

 

CMYK 57 / 52 / 0 / 29

HEX #4E57B5

RGB 78 87 181

HSL 234.76, 0.41%, 0.51%

LAB 40.85, 24.49, -51.18

 

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

CMYK 7 / 0 / 57 / 29

HEX #A9B54E

RGB 169 181 78

HSL 66.99, 0.41%, 0.51%

LAB 70.89, -18.7, 50.05

 

CMYK 57 / 0 / 5 / 29

HEX #4EB5AC

RGB 78 181 172

HSL 174.76, 0.41%, 0.51%

LAB 67.76, -31.89, -4.42

 

CMYK 50 / 57 / 0 / 29

HEX #5A4EB5

RGB 90 78 181

HSL 246.99, 0.41%, 0.51%

LAB 39.51, 32.61, -53.3

 

CMYK 0 / 57 / 53 / 29

HEX #B64F56

RGB 182 79 86

HSL 355.92, 0.41%, 0.51%

LAB 47.25, 42.39, 16.81

 

CMYK 24 / 0 / 57 / 29

HEX #8AB54E

RGB 138 181 78

HSL 85.05, 0.41%, 0.51%

LAB 68.75, -31.12, 47.04

 

CMYK 57 / 0 / 5 / 29

HEX #4EB5AC

RGB 78 181 172

HSL 174.76, 0.41%, 0.51%

LAB 67.76, -31.89, -4.42

 

CMYK 33 / 57 / 0 / 29

HEX #794EB5

RGB 121 78 181

HSL 265.05, 0.41%, 0.51%

LAB 42.54, 39.79, -48.27

 

Description

Color code: HEX #B64F56 | qconv.com Color code: HEX #B64F56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 79 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 79 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 53 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 53% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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