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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64FD8 it is the complementary color #49B027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64FD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64FD8 shade: #BB4FD3, #CC61E6, #DD73F9, #EE85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64FD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64FD8 shade: #B64FD8, #A53DC5, #942BB2, #83199F and #72078C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64FD8 shade: #B64FD8, #D84FD5, #D84FB0, #D84F8B and #D84F66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64FD8 shade: #B64FD8, #914FD8, #6C4FD8 and #4F4FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64FD8 shade matches the following richer shades: #B64FD8, #BF3EE9 and #C72CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64FD8 shade: #B64FD8, #AD60C7, #A472B5, #9C83A4 and #939493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64FD8 shade: #6D4FD8, #914FD8, #B64FD8, #D84FD6 and #D84FB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64FD8 shade: #8D26AE, #A82DD0, #B64FD8, #C471DF and #D293E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64FD8 shade: #B64FD8, #D84F56 and #4FD87F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64FD8 shade: #B64FD8, #D8B64F and #4FD8B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64FD8 shade: #B64FD8, #D84F56, #71D84F and #4FD8D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64FD8 shade: #B64FD8, #D8714F, #71D84F and #4FB6D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

Complementary color

CMYK 59 / 0 / 78 / 31

HEX #49B027

RGB 73 176 39

HSL 105.11, 0.64%, 0.42%

LAB 63.85, -53.68, 56.67

 

CMYK 11 / 63 / 0 / 17

HEX #BB4FD3

RGB 187 79 211

HSL 289.09, 0.6%, 0.57%

LAB 52.8, 62.01, -48.75

 

CMYK 11 / 58 / 0 / 10

HEX #CC61E6

RGB 204 97 230

HSL 288.27, 0.73%, 0.64%

LAB 59.07, 61.64, -49.38

 

CMYK 11 / 54 / 0 / 2

HEX #DD73F9

RGB 221 115 249

HSL 287.46, 0.92%, 0.71%

LAB 65.34, 61.08, -49.85

 

CMYK 7 / 48 / 0 / 0

HEX #EE85FF

RGB 238 133 255

HSL 291.64, 1%, 0.76%

LAB 70.99, 57.97, -44.1

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 16 / 69 / 0 / 23

HEX #A53DC5

RGB 165 61 197

HSL 285.88, 0.54%, 0.51%

LAB 46.13, 61.93, -51.53

 

CMYK 17 / 76 / 0 / 30

HEX #942BB2

RGB 148 43 178

HSL 286.67, 0.61%, 0.43%

LAB 39.98, 61.52, -50.42

 

CMYK 18 / 84 / 0 / 38

HEX #83199F

RGB 131 25 159

HSL 287.46, 0.73%, 0.36%

LAB 34.03, 60.22, -48.77

 

CMYK 19 / 95 / 0 / 45

HEX #72078C

RGB 114 7 140

HSL 288.27, 0.9%, 0.29%

LAB 28.44, 57.52, -46.3

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 63 / 1 / 15

HEX #D84FD5

RGB 216 79 213

HSL 301.31, 0.64%, 0.58%

LAB 57.07, 69.25, -42.85

 

CMYK 0 / 63 / 19 / 15

HEX #D84FB0

RGB 216 79 176

HSL 317.52, 0.64%, 0.58%

LAB 55.41, 63.61, -24.21

 

CMYK 0 / 63 / 36 / 15

HEX #D84F8B

RGB 216 79 139

HSL 333.72, 0.64%, 0.58%

LAB 54.09, 58.92, -4.5

 

CMYK 0 / 63 / 53 / 15

HEX #D84F66

RGB 216 79 102

HSL 349.93, 0.64%, 0.58%

LAB 53.11, 55.33, 16.13

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 33 / 63 / 0 / 15

HEX #914FD8

RGB 145 79 216

HSL 268.91, 0.64%, 0.58%

LAB 47.71, 53.52, -60.05

 

CMYK 50 / 63 / 0 / 15

HEX #6C4FD8

RGB 108 79 216

HSL 252.7, 0.64%, 0.58%

LAB 43.85, 46.07, -66.48

 

CMYK 63 / 63 / 0 / 15

HEX #4F4FD8

RGB 79 79 216

HSL 240, 0.64%, 0.58%

LAB 41.55, 41.26, -70.34

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 18 / 73 / 0 / 9

HEX #BF3EE9

RGB 191 62 233

HSL 285.26, 0.8%, 0.58%

LAB 52.29, 73.71, -61.99

 

CMYK 21 / 82 / 0 / 2

HEX #C72CFB

RGB 199 44 251

HSL 284.93, 0.96%, 0.58%

LAB 52.85, 83.67, -71.12

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 13 / 52 / 0 / 22

HEX #AD60C7

RGB 173 96 199

HSL 284.85, 0.48%, 0.58%

LAB 53.36, 47.89, -41.12

 

CMYK 9 / 37 / 0 / 29

HEX #A472B5

RGB 164 114 181

HSL 284.78, 0.31%, 0.58%

LAB 55.34, 31.66, -27.76

 

CMYK 5 / 20 / 0 / 36

HEX #9C83A4

RGB 156 131 164

HSL 285.45, 0.15%, 0.58%

LAB 58.02, 15.72, -13.97

 

CMYK 1 / 0 / 1 / 42

HEX #939493

RGB 147 148 147

HSL 120, 0%, 0.58%

LAB 61.21, -0.55, 0.39

 

CMYK 50 / 63 / 0 / 15

HEX #6D4FD8

RGB 109 79 216

HSL 253.14, 0.64%, 0.58%

LAB 43.95, 46.25, -66.33

 

CMYK 33 / 63 / 0 / 15

HEX #914FD8

RGB 145 79 216

HSL 268.91, 0.64%, 0.58%

LAB 47.71, 53.52, -60.05

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 63 / 1 / 15

HEX #D84FD6

RGB 216 79 214

HSL 300.88, 0.64%, 0.58%

LAB 57.12, 69.41, -43.34

 

CMYK 0 / 63 / 18 / 15

HEX #D84FB1

RGB 216 79 177

HSL 317.08, 0.64%, 0.58%

LAB 55.45, 63.75, -24.73

 

CMYK 19 / 78 / 0 / 32

HEX #8D26AE

RGB 141 38 174

HSL 285.44, 0.64%, 0.42%

LAB 38.03, 61.09, -51.24

 

CMYK 19 / 78 / 0 / 18

HEX #A82DD0

RGB 168 45 208

HSL 285.28, 0.64%, 0.5%

LAB 45.3, 70.34, -59.21

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 12 / 49 / 0 / 13

HEX #C471DF

RGB 196 113 223

HSL 285.27, 0.63%, 0.66%

LAB 60.67, 50.33, -42.99

 

CMYK 9 / 36 / 0 / 9

HEX #D293E7

RGB 210 147 231

HSL 285, 0.64%, 0.74%

LAB 69.71, 38.01, -33.2

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 63 / 60 / 15

HEX #D84F56

RGB 216 79 86

HSL 356.93, 0.64%, 0.58%

LAB 52.8, 54.14, 25.18

 

CMYK 63 / 0 / 41 / 15

HEX #4FD87F

RGB 79 216 127

HSL 141.02, 0.64%, 0.58%

LAB 77.46, -56.44, 33.2

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 16 / 63 / 15

HEX #D8B64F

RGB 216 182 79

HSL 45.11, 0.64%, 0.58%

LAB 75.21, 0.7, 55.53

 

CMYK 63 / 0 / 16 / 15

HEX #4FD8B6

RGB 79 216 182

HSL 165.11, 0.64%, 0.58%

LAB 78.55, -45.03, 5.89

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 63 / 60 / 15

HEX #D84F56

RGB 216 79 86

HSL 356.93, 0.64%, 0.58%

LAB 52.8, 54.14, 25.18

 

CMYK 48 / 0 / 63 / 15

HEX #71D84F

RGB 113 216 79

HSL 105.11, 0.64%, 0.58%

LAB 77.99, -54.48, 56.65

 

CMYK 63 / 0 / 3 / 15

HEX #4FD8D1

RGB 79 216 209

HSL 176.93, 0.64%, 0.58%

LAB 79.26, -38.13, -7.5

 

CMYK 16 / 63 / 0 / 15

HEX #B64FD8

RGB 182 79 216

HSL 285.11, 0.64%, 0.58%

LAB 52.39, 61.81, -52.28

 

CMYK 0 / 48 / 63 / 15

HEX #D8714F

RGB 216 113 79

HSL 14.89, 0.64%, 0.58%

LAB 58.95, 37.48, 36.86

 

CMYK 48 / 0 / 63 / 15

HEX #71D84F

RGB 113 216 79

HSL 105.11, 0.64%, 0.58%

LAB 77.99, -54.48, 56.65

 

CMYK 63 / 16 / 0 / 15

HEX #4FB6D8

RGB 79 182 216

HSL 194.89, 0.64%, 0.58%

LAB 69.52, -19.55, -25.97

 

Description

Color code: HEX #B64FD8 | qconv.com Color code: HEX #B64FD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 79 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 79 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 63 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 63% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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