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Color name
HEX #B65025

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B65025 it is the complementary color #49AFDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B65025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B65025 shade: #BB5020, #CC6233, #DD7446, #EE8659 and #FF986C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B65025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B65025 shade: #B65025, #A53E12, #942C00, #831A00 and #720800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B65025 shade: #B65025, #B62925 and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B65025 shade: #B65025, #B67725, #B69E25, #A6B625 and #7FB625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B65025 shade matches the following richer shades: #B65025, #C74813 and #D94101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B65025 shade: #B65025, #A45737, #925E48, #80655A and #6F6D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B65025 shade: #B62549, #B62725, #B64E25, #B67425 and #B69B25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B65025 shade: #713217, #93411E, #B65025, #D4602F and #DB7A52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B65025 shade: #B65025, #70B625 and #2536B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B65025 shade: #B65025, #25B64E and #4E25B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B65025 shade: #B65025, #70B625, #258DB6 and #6B25B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B65025 shade: #B65025, #44B625, #258DB6 and #9625B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

Complementary color

CMYK 67 / 20 / 0 / 15

HEX #49AFDA

RGB 73 175 218

HSL 197.79, 0.66%, 0.57%

LAB 67.38, -16.22, -30.38

 

CMYK 0 / 57 / 83 / 27

HEX #BB5020

RGB 187 80 32

HSL 18.58, 0.71%, 0.43%

LAB 47.5, 40.64, 47.21

 

CMYK 0 / 52 / 75 / 20

HEX #CC6233

RGB 204 98 51

HSL 18.43, 0.6%, 0.5%

LAB 53.83, 38.95, 45.28

 

CMYK 0 / 48 / 68 / 13

HEX #DD7446

RGB 221 116 70

HSL 18.28, 0.69%, 0.57%

LAB 60.16, 37.35, 43.24

 

CMYK 0 / 44 / 63 / 7

HEX #EE8659

RGB 238 134 89

HSL 18.12, 0.81%, 0.64%

LAB 66.48, 35.87, 41.29

 

CMYK 0 / 40 / 58 / 0

HEX #FF986C

RGB 255 152 108

HSL 17.96, 1%, 0.71%

LAB 72.76, 34.51, 39.48

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 62 / 89 / 35

HEX #A53E12

RGB 165 62 18

HSL 17.96, 0.8%, 0.36%

LAB 40.39, 40.56, 45.58

 

CMYK 0 / 70 / 100 / 42

HEX #942C00

RGB 148 44 0

HSL 17.84, 1%, 0.29%

LAB 34.18, 42.05, 46.47

 

CMYK 0 / 80 / 100 / 49

HEX #831A00

RGB 131 26 0

HSL 11.91, 1%, 0.26%

LAB 28.28, 43.01, 40.74

 

CMYK 0 / 93 / 100 / 55

HEX #720800

RGB 114 8 0

HSL 4.21, 1%, 0.22%

LAB 22.83, 42.47, 34.3

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 35 / 80 / 29

HEX #B67725

RGB 182 119 37

HSL 33.93, 0.66%, 0.43%

LAB 55.35, 17.95, 52.07

 

CMYK 0 / 13 / 80 / 29

HEX #B69E25

RGB 182 158 37

HSL 50.07, 0.66%, 0.43%

LAB 65.38, -3.49, 61.21

 

CMYK 9 / 0 / 80 / 29

HEX #A6B625

RGB 166 182 37

HSL 66.62, 0.66%, 0.43%

LAB 70.66, -22.87, 65.4

 

CMYK 30 / 0 / 80 / 29

HEX #7FB625

RGB 127 182 37

HSL 82.76, 0.66%, 0.43%

LAB 68.1, -38.68, 62.13

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 64 / 90 / 22

HEX #C74813

RGB 199 72 19

HSL 17.67, 0.83%, 0.43%

LAB 48.04, 48.5, 53.61

 

CMYK 0 / 70 / 100 / 15

HEX #D94101

RGB 217 65 1

HSL 17.78, 0.99%, 0.43%

LAB 50.14, 57.28, 61.28

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 47 / 66 / 36

HEX #A45737

RGB 164 87 55

HSL 17.61, 0.5%, 0.43%

LAB 45.61, 28.85, 32.37

 

CMYK 0 / 36 / 51 / 43

HEX #925E48

RGB 146 94 72

HSL 17.84, 0.34%, 0.43%

LAB 45.06, 18.67, 21.34

 

CMYK 0 / 21 / 30 / 50

HEX #80655A

RGB 128 101 90

HSL 17.37, 0.17%, 0.43%

LAB 45.13, 9.1, 10.35

 

CMYK 0 / 2 / 3 / 56

HEX #6F6D6C

RGB 111 109 108

HSL 20, 0.01%, 0.43%

LAB 46.18, 0.57, 0.82

 

CMYK 0 / 80 / 60 / 29

HEX #B62549

RGB 182 37 73

HSL 345.1, 0.66%, 0.43%

LAB 40.81, 58.12, 16.13

 

CMYK 0 / 79 / 80 / 29

HEX #B62725

RGB 182 39 37

HSL 0.83, 0.66%, 0.43%

LAB 40.46, 55.77, 37.59

 

CMYK 0 / 57 / 80 / 29

HEX #B64E25

RGB 182 78 37

HSL 16.97, 0.66%, 0.43%

LAB 46.35, 39.87, 43.49

 

CMYK 0 / 36 / 80 / 29

HEX #B67425

RGB 182 116 37

HSL 32.69, 0.66%, 0.43%

LAB 54.63, 19.61, 51.4

 

CMYK 0 / 15 / 80 / 29

HEX #B69B25

RGB 182 155 37

HSL 48.83, 0.66%, 0.43%

LAB 64.58, -1.88, 60.49

 

CMYK 0 / 56 / 80 / 56

HEX #713217

RGB 113 50 23

HSL 18, 0.66%, 0.27%

LAB 29.04, 25.94, 29.57

 

CMYK 0 / 56 / 80 / 42

HEX #93411E

RGB 147 65 30

HSL 17.95, 0.66%, 0.35%

LAB 37.98, 32.37, 36.78

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 55 / 78 / 17

HEX #D4602F

RGB 212 96 47

HSL 17.82, 0.66%, 0.51%

LAB 54.62, 42.87, 48.44

 

CMYK 0 / 44 / 63 / 14

HEX #DB7A52

RGB 219 122 82

HSL 17.52, 0.66%, 0.59%

LAB 61.3, 34.18, 38.17

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 38 / 0 / 80 / 29

HEX #70B625

RGB 112 182 37

HSL 88.97, 0.66%, 0.43%

LAB 67.3, -44.16, 61.11

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 80 / 0 / 57 / 29

HEX #25B64E

RGB 37 182 78

HSL 136.97, 0.66%, 0.43%

LAB 65.28, -58.67, 42.03

 

CMYK 57 / 80 / 0 / 29

HEX #4E25B6

RGB 78 37 182

HSL 256.97, 0.66%, 0.43%

LAB 30.21, 53.38, -69.12

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 38 / 0 / 80 / 29

HEX #70B625

RGB 112 182 37

HSL 88.97, 0.66%, 0.43%

LAB 67.3, -44.16, 61.11

 

CMYK 80 / 23 / 0 / 29

HEX #258DB6

RGB 37 141 182

HSL 196.97, 0.66%, 0.43%

LAB 54.89, -14.58, -29.65

 

CMYK 41 / 80 / 0 / 29

HEX #6B25B6

RGB 107 37 182

HSL 268.97, 0.66%, 0.43%

LAB 33.62, 57.34, -63.39

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 63 / 0 / 80 / 29

HEX #44B625

RGB 68 182 37

HSL 107.17, 0.66%, 0.43%

LAB 65.61, -57.13, 58.91

 

CMYK 80 / 23 / 0 / 29

HEX #258DB6

RGB 37 141 182

HSL 196.97, 0.66%, 0.43%

LAB 54.89, -14.58, -29.65

 

CMYK 18 / 80 / 0 / 29

HEX #9625B6

RGB 150 37 182

HSL 286.76, 0.66%, 0.43%

LAB 39.89, 64.61, -52.91

 

Description

Color code: HEX #B65025 | qconv.com Color code: HEX #B65025 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 80 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 80 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 80 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 80% 29% C M Y K

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Provide designers and agencies with accurate color values.

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