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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B65296 it is the complementary color #49AD69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B65296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B65296 shade: #BB5291, #CC64A4, #DD76B7, #EE88CA and #FF9ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B65296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B65296 shade: #B65296, #A54083, #942E70, #831C5D and #720A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B65296 shade: #B65296, #B6527B, #B65260 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B65296 shade: #B65296, #B652B1, #A052B6, #8552B6 and #6A52B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B65296 shade matches the following richer shades: #B65296, #CA3E9D, #DE2AA4 and #F217AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B65296 shade: #B65296, #A2668F, #8F7A88, #7B8D81 and #67A17A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B65296 shade: #A152B6, #B652B1, #B65297, #B6527C and #B65261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B65296 shade: #803568, #9D4280, #B65296, #C26FA8 and #CF8CB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B65296 shade: #B65296, #B68652 and #52B6AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B65296 shade: #B65296, #97B652 and #5297B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B65296 shade: #B65296, #B68652, #52B672 and #5282B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B65296 shade: #B65296, #B6A452, #52B672 and #5264B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

Complementary color

CMYK 58 / 0 / 39 / 32

HEX #49AD69

RGB 73 173 105

HSL 139.2, 0.41%, 0.48%

LAB 63.61, -44.56, 26.41

 

CMYK 0 / 56 / 22 / 27

HEX #BB5291

RGB 187 82 145

HSL 324, 0.44%, 0.53%

LAB 50.27, 49.5, -14.24

 

CMYK 0 / 51 / 20 / 20

HEX #CC64A4

RGB 204 100 164

HSL 323.08, 0.5%, 0.6%

LAB 56.72, 48.87, -15.4

 

CMYK 0 / 47 / 17 / 13

HEX #DD76B7

RGB 221 118 183

HSL 322.14, 0.6%, 0.66%

LAB 63.13, 48.15, -16.37

 

CMYK 0 / 43 / 15 / 7

HEX #EE88CA

RGB 238 136 202

HSL 321.18, 0.75%, 0.73%

LAB 69.5, 47.4, -17.2

 

CMYK 0 / 40 / 13 / 0

HEX #FF9ADD

RGB 255 154 221

HSL 320.2, 1%, 0.8%

LAB 75.82, 46.65, -17.94

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 61 / 21 / 35

HEX #A54083

RGB 165 64 131

HSL 320.2, 0.44%, 0.45%

LAB 43.22, 49.15, -16.85

 

CMYK 0 / 69 / 24 / 42

HEX #942E70

RGB 148 46 112

HSL 321.18, 0.53%, 0.38%

LAB 36.78, 49.23, -15.19

 

CMYK 0 / 79 / 29 / 49

HEX #831C5D

RGB 131 28 93

HSL 322.14, 0.65%, 0.31%

LAB 30.51, 48.61, -12.9

 

CMYK 0 / 91 / 35 / 55

HEX #720A4A

RGB 114 10 74

HSL 323.08, 0.84%, 0.24%

LAB 24.6, 46.67, -9.61

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 55 / 32 / 29

HEX #B6527B

RGB 182 82 123

HSL 335.4, 0.41%, 0.52%

LAB 48.77, 44.9, -3.39

 

CMYK 0 / 55 / 47 / 29

HEX #B65260

RGB 182 82 96

HSL 351.6, 0.41%, 0.52%

LAB 48.04, 41.84, 11.86

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 55 / 3 / 29

HEX #B652B1

RGB 182 82 177

HSL 303, 0.41%, 0.52%

LAB 50.87, 53.14, -32.24

 

CMYK 12 / 55 / 0 / 29

HEX #A052B6

RGB 160 82 182

HSL 286.8, 0.41%, 0.52%

LAB 48.12, 48.04, -39.69

 

CMYK 27 / 55 / 0 / 29

HEX #8552B6

RGB 133 82 182

HSL 270.6, 0.41%, 0.52%

LAB 44.8, 40.85, -45.16

 

CMYK 42 / 55 / 0 / 29

HEX #6A52B6

RGB 106 82 182

HSL 254.4, 0.41%, 0.52%

LAB 41.96, 34.09, -49.86

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 69 / 22 / 21

HEX #CA3E9D

RGB 202 62 157

HSL 319.29, 0.57%, 0.52%

LAB 50.02, 63.86, -21.54

 

CMYK 0 / 81 / 26 / 13

HEX #DE2AA4

RGB 222 42 164

HSL 319.33, 0.73%, 0.52%

LAB 51.69, 75.47, -22.83

 

CMYK 0 / 90 / 29 / 5

HEX #F217AC

RGB 242 23 172

HSL 319.18, 0.89%, 0.52%

LAB 54.52, 83.9, -22.87

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 37 / 12 / 36

HEX #A2668F

RGB 162 102 143

HSL 319, 0.24%, 0.52%

LAB 50.88, 30.4, -12.46

 

CMYK 0 / 15 / 5 / 44

HEX #8F7A88

RGB 143 122 136

HSL 320, 0.09%, 0.52%

LAB 53.53, 10.65, -4.6

 

CMYK 13 / 0 / 9 / 45

HEX #7B8D81

RGB 123 141 129

HSL 140, 0.07%, 0.52%

LAB 56.92, -8.95, 4.21

 

CMYK 36 / 0 / 24 / 37

HEX #67A17A

RGB 103 161 122

HSL 139.66, 0.24%, 0.52%

LAB 61.46, -27.59, 14.43

 

CMYK 12 / 55 / 0 / 29

HEX #A152B6

RGB 161 82 182

HSL 287.4, 0.41%, 0.52%

LAB 48.25, 48.31, -39.47

 

CMYK 0 / 55 / 3 / 29

HEX #B652B1

RGB 182 82 177

HSL 303, 0.41%, 0.52%

LAB 50.87, 53.14, -32.24

 

CMYK 0 / 55 / 17 / 29

HEX #B65297

RGB 182 82 151

HSL 318.6, 0.41%, 0.52%

LAB 49.75, 48.85, -18.66

 

CMYK 0 / 55 / 32 / 29

HEX #B6527C

RGB 182 82 124

HSL 334.8, 0.41%, 0.52%

LAB 48.8, 45.03, -3.95

 

CMYK 0 / 55 / 47 / 29

HEX #B65261

RGB 182 82 97

HSL 351, 0.41%, 0.52%

LAB 48.06, 41.94, 11.29

 

CMYK 0 / 59 / 19 / 50

HEX #803568

RGB 128 53 104

HSL 319.2, 0.41%, 0.35%

LAB 34.26, 38.8, -14.28

 

CMYK 0 / 58 / 18 / 38

HEX #9D4280

RGB 157 66 128

HSL 319.12, 0.41%, 0.44%

LAB 42.19, 45.33, -16.71

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 43 / 13 / 24

HEX #C26FA8

RGB 194 111 168

HSL 318.8, 0.4%, 0.6%

LAB 57.72, 40.63, -16.32

 

CMYK 0 / 32 / 11 / 19

HEX #CF8CB9

RGB 207 140 185

HSL 319.7, 0.41%, 0.68%

LAB 66.15, 32.28, -13.11

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 26 / 55 / 29

HEX #B68652

RGB 182 134 82

HSL 31.2, 0.41%, 0.52%

LAB 59.53, 12.36, 34.97

 

CMYK 55 / 0 / 4 / 29

HEX #52B6AE

RGB 82 182 174

HSL 175.2, 0.41%, 0.52%

LAB 68.25, -31.04, -4.79

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 17 / 0 / 55 / 29

HEX #97B652

RGB 151 182 82

HSL 78.6, 0.41%, 0.52%

LAB 69.93, -26.15, 46.74

 

CMYK 55 / 17 / 0 / 29

HEX #5297B6

RGB 82 151 182

HSL 198.6, 0.41%, 0.52%

LAB 59.26, -12.84, -22.8

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 26 / 55 / 29

HEX #B68652

RGB 182 134 82

HSL 31.2, 0.41%, 0.52%

LAB 59.53, 12.36, 34.97

 

CMYK 55 / 0 / 37 / 29

HEX #52B672

RGB 82 182 114

HSL 139.2, 0.41%, 0.52%

LAB 66.87, -44.53, 26

 

CMYK 55 / 29 / 0 / 29

HEX #5282B6

RGB 82 130 182

HSL 211.2, 0.41%, 0.52%

LAB 53.1, -0.91, -32.32

 

CMYK 0 / 55 / 18 / 29

HEX #B65296

RGB 182 82 150

HSL 319.2, 0.41%, 0.52%

LAB 49.72, 48.7, -18.12

 

CMYK 0 / 10 / 55 / 29

HEX #B6A452

RGB 182 164 82

HSL 49.2, 0.41%, 0.52%

LAB 67.36, -4.04, 44.36

 

CMYK 55 / 0 / 37 / 29

HEX #52B672

RGB 82 182 114

HSL 139.2, 0.41%, 0.52%

LAB 66.87, -44.53, 26

 

CMYK 55 / 45 / 0 / 29

HEX #5264B6

RGB 82 100 182

HSL 229.2, 0.41%, 0.52%

LAB 44.64, 17.43, -45.68

 

Description

Color code: HEX #B65296 | qconv.com Color code: HEX #B65296 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 82 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 82 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 18 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 18% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

89% - 学科紹介 – 早稲田大学 教育学部
Link: http://www.waseda.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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