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Color name
HEX #B65348

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B65348 it is the complementary color #49ACB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B65348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B65348 shade: #BB5343, #CC6556, #DD7769, #EE897C and #FF9B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B65348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B65348 shade: #B65348, #A54135, #942F22, #831D0F and #720B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B65348 shade: #B65348 and #B64848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B65348 shade: #B65348, #B67148, #B68E48, #B6AC48 and #A2B648

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B65348 shade matches the following richer shades: #B65348, #CA4334, #DF321F and #F4220A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B65348 shade: #B65348, #A1645D, #8D7471, #788586 and #63959B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B65348 shade: #B64878, #B6485A, #B65348, #B67048 and #B68E48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B65348 shade: #7B3831, #98463C, #B65348, #C26F66 and #CD8B83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B65348 shade: #B65348, #95B648 and #4869B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B65348 shade: #B65348, #48B653 and #5348B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B65348 shade: #B65348, #95B648, #48ABB6 and #6948B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B65348 shade: #B65348, #74B648, #48ABB6 and #8A48B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

Complementary color

CMYK 60 / 6 / 0 / 28

HEX #49ACB7

RGB 73 172 183

HSL 186, 0.43%, 0.5%

LAB 65.23, -25.37, -14.3

 

CMYK 0 / 56 / 64 / 27

HEX #BB5343

RGB 187 83 67

HSL 8, 0.47%, 0.5%

LAB 48.46, 40.81, 29.79

 

CMYK 0 / 50 / 58 / 20

HEX #CC6556

RGB 204 101 86

HSL 7.63, 0.54%, 0.57%

LAB 54.88, 39.51, 27.5

 

CMYK 0 / 46 / 52 / 13

HEX #DD7769

RGB 221 119 105

HSL 7.24, 0.63%, 0.64%

LAB 61.3, 38.27, 25.53

 

CMYK 0 / 42 / 48 / 7

HEX #EE897C

RGB 238 137 124

HSL 6.84, 0.77%, 0.71%

LAB 67.67, 37.1, 23.8

 

CMYK 0 / 39 / 44 / 0

HEX #FF9B8F

RGB 255 155 143

HSL 6.43, 1%, 0.78%

LAB 73.99, 36.02, 22.26

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 61 / 68 / 35

HEX #A54135

RGB 165 65 53

HSL 6.43, 0.51%, 0.43%

LAB 41.27, 40.52, 28.39

 

CMYK 0 / 68 / 77 / 42

HEX #942F22

RGB 148 47 34

HSL 6.84, 0.63%, 0.36%

LAB 34.89, 41.63, 31.43

 

CMYK 0 / 78 / 89 / 49

HEX #831D0F

RGB 131 29 15

HSL 7.24, 0.79%, 0.29%

LAB 28.74, 42.28, 34.73

 

CMYK 0 / 90 / 100 / 55

HEX #720B00

RGB 114 11 0

HSL 5.79, 1%, 0.22%

LAB 23.06, 41.83, 34.54

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 60 / 60 / 29

HEX #B64848

RGB 182 72 72

HSL 0, 0.43%, 0.5%

LAB 45.7, 44.63, 23.19

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 38 / 60 / 29

HEX #B67148

RGB 182 113 72

HSL 22.36, 0.43%, 0.5%

LAB 54.26, 23.23, 33.92

 

CMYK 0 / 22 / 60 / 29

HEX #B68E48

RGB 182 142 72

HSL 38.18, 0.43%, 0.5%

LAB 61.45, 7.12, 42.44

 

CMYK 0 / 5 / 60 / 29

HEX #B6AC48

RGB 182 172 72

HSL 54.55, 0.43%, 0.5%

LAB 69.41, -9.04, 51.42

 

CMYK 11 / 0 / 60 / 29

HEX #A2B648

RGB 162 182 72

HSL 70.91, 0.43%, 0.5%

LAB 70.6, -22.56, 52.28

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 67 / 74 / 21

HEX #CA4334

RGB 202 67 52

HSL 6, 0.59%, 0.5%

LAB 48.03, 52.62, 38.43

 

CMYK 0 / 78 / 86 / 13

HEX #DF321F

RGB 223 50 31

HSL 5.94, 0.76%, 0.5%

LAB 49.58, 64.51, 51.95

 

CMYK 0 / 86 / 96 / 4

HEX #F4220A

RGB 244 34 10

HSL 6.15, 0.92%, 0.5%

LAB 52.29, 73.8, 63.05

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 38 / 42 / 37

HEX #A1645D

RGB 161 100 93

HSL 6.18, 0.27%, 0.5%

LAB 48.86, 23.8, 14.34

 

CMYK 0 / 18 / 20 / 45

HEX #8D7471

RGB 141 116 113

HSL 6.43, 0.11%, 0.5%

LAB 51.09, 9.26, 5.32

 

CMYK 10 / 1 / 0 / 47

HEX #788586

RGB 120 133 134

HSL 184.29, 0.06%, 0.5%

LAB 54.54, -4.52, -2.16

 

CMYK 36 / 4 / 0 / 39

HEX #63959B

RGB 99 149 155

HSL 186.43, 0.22%, 0.5%

LAB 58.52, -15.11, -8.49

 

CMYK 0 / 60 / 34 / 29

HEX #B64878

RGB 182 72 120

HSL 333.82, 0.43%, 0.5%

LAB 46.89, 49.28, -4.36

 

CMYK 0 / 60 / 51 / 29

HEX #B6485A

RGB 182 72 90

HSL 350.18, 0.43%, 0.5%

LAB 46.07, 46.09, 12.77

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 38 / 60 / 29

HEX #B67048

RGB 182 112 72

HSL 21.82, 0.43%, 0.5%

LAB 54.03, 23.79, 33.64

 

CMYK 0 / 22 / 60 / 29

HEX #B68E48

RGB 182 142 72

HSL 38.18, 0.43%, 0.5%

LAB 61.45, 7.12, 42.44

 

CMYK 0 / 54 / 60 / 52

HEX #7B3831

RGB 123 56 49

HSL 5.68, 0.43%, 0.34%

LAB 32.39, 28.52, 18.23

 

CMYK 0 / 54 / 61 / 40

HEX #98463C

RGB 152 70 60

HSL 6.52, 0.43%, 0.42%

LAB 40.22, 33.5, 22.41

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 0 / 43 / 47 / 24

HEX #C26F66

RGB 194 111 102

HSL 5.87, 0.43%, 0.58%

LAB 55.88, 31.83, 19.36

 

CMYK 0 / 32 / 36 / 20

HEX #CD8B83

RGB 205 139 131

HSL 6.49, 0.43%, 0.66%

LAB 64.23, 24.16, 14.52

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 18 / 0 / 60 / 29

HEX #95B648

RGB 149 182 72

HSL 78, 0.43%, 0.5%

LAB 69.69, -27.83, 51.02

 

CMYK 60 / 42 / 0 / 29

HEX #4869B6

RGB 72 105 182

HSL 222, 0.43%, 0.5%

LAB 45.44, 12.21, -44.44

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 60 / 0 / 54 / 29

HEX #48B653

RGB 72 182 83

HSL 126, 0.43%, 0.5%

LAB 66.1, -51.81, 40.8

 

CMYK 54 / 60 / 0 / 29

HEX #5348B6

RGB 83 72 182

HSL 246, 0.43%, 0.5%

LAB 37.57, 35.18, -57.05

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 18 / 0 / 60 / 29

HEX #95B648

RGB 149 182 72

HSL 78, 0.43%, 0.5%

LAB 69.69, -27.83, 51.02

 

CMYK 60 / 6 / 0 / 29

HEX #48ABB6

RGB 72 171 182

HSL 186, 0.43%, 0.5%

LAB 64.87, -25.34, -14.3

 

CMYK 42 / 60 / 0 / 29

HEX #6948B6

RGB 105 72 182

HSL 258, 0.43%, 0.5%

LAB 39.61, 39.73, -53.66

 

CMYK 0 / 54 / 60 / 29

HEX #B65348

RGB 182 83 72

HSL 6, 0.43%, 0.5%

LAB 47.75, 39.27, 25.82

 

CMYK 36 / 0 / 60 / 29

HEX #74B648

RGB 116 182 72

HSL 96, 0.43%, 0.5%

LAB 67.75, -40.21, 48.32

 

CMYK 60 / 6 / 0 / 29

HEX #48ABB6

RGB 72 171 182

HSL 186, 0.43%, 0.5%

LAB 64.87, -25.34, -14.3

 

CMYK 24 / 60 / 0 / 29

HEX #8A48B6

RGB 138 72 182

HSL 276, 0.43%, 0.5%

LAB 43.38, 47.47, -47.39

 

Description

Color code: HEX #B65348 | qconv.com Color code: HEX #B65348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 83 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 83 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 60 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 60% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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