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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B664CE it is the complementary color #499B31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B664CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B664CE shade: #BB64C9, #CC76DC, #DD88EF, #EE9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B664CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B664CE shade: #B664CE, #A552BB, #9440A8, #832E95 and #721C82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B664CE shade: #B663CE, #CE63C9, #CE63AC, #CE6390 and #CE6373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B664CE shade: #B663CE, #9963CE, #7C63CE and #6363CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B664CE shade matches the following richer shades: #B663CE, #BF53DE and #C842EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B664CE shade: #B663CE, #AC74BD, #A384AD, #9A959C and #91A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B664CE shade: #7C63CE, #9963CE, #B563CE, #CE63CA and #CE63AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B664CE shade: #8F35A9, #A744C4, #B663CE, #C483D7 and #D3A2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B664CE shade: #B664CE, #CE6367 and #63CE8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B664CE shade: #B664CE, #CEB563 and #63CEB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B664CE shade: #B664CE, #CE6367, #7CCE63 and #63CECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B664CE shade: #B664CE, #CE8063, #7CCE63 and #63B1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

Complementary color

CMYK 53 / 0 / 68 / 39

HEX #499B31

RGB 73 155 49

HSL 106.42, 0.52%, 0.4%

LAB 57.15, -44.98, 46.18

 

CMYK 7 / 50 / 0 / 21

HEX #BB64C9

RGB 187 100 201

HSL 291.68, 0.48%, 0.59%

LAB 55.98, 50.12, -38.01

 

CMYK 7 / 46 / 0 / 14

HEX #CC76DC

RGB 204 118 220

HSL 290.59, 0.59%, 0.66%

LAB 62.48, 49.41, -38.42

 

CMYK 8 / 43 / 0 / 6

HEX #DD88EF

RGB 221 136 239

HSL 289.51, 0.76%, 0.74%

LAB 68.9, 48.66, -38.75

 

CMYK 7 / 40 / 0 / 0

HEX #EE9AFF

RGB 238 154 255

HSL 289.9, 1%, 0.8%

LAB 75.14, 47.35, -37.62

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

CMYK 12 / 56 / 0 / 27

HEX #A552BB

RGB 165 82 187

HSL 287.43, 0.44%, 0.53%

LAB 49.03, 50.4, -41.1

 

CMYK 12 / 62 / 0 / 34

HEX #9440A8

RGB 148 64 168

HSL 288.46, 0.45%, 0.45%

LAB 42.44, 50.9, -40.54

 

CMYK 12 / 69 / 0 / 42

HEX #832E95

RGB 131 46 149

HSL 289.51, 0.53%, 0.38%

LAB 35.89, 51.05, -39.71

 

CMYK 12 / 78 / 0 / 49

HEX #721C82

RGB 114 28 130

HSL 290.59, 0.65%, 0.31%

LAB 29.46, 50.51, -38.41

 

CMYK 12 / 52 / 0 / 19

HEX #B663CE

RGB 182 99 206

HSL 286.54, 0.52%, 0.6%

LAB 55.41, 50.24, -41.81

 

CMYK 0 / 52 / 2 / 19

HEX #CE63C9

RGB 206 99 201

HSL 302.8, 0.52%, 0.6%

LAB 58.29, 55.92, -34.23

 

CMYK 0 / 52 / 17 / 19

HEX #CE63AC

RGB 206 99 172

HSL 319.07, 0.52%, 0.6%

LAB 57.1, 51.19, -19.43

 

CMYK 0 / 52 / 30 / 19

HEX #CE6390

RGB 206 99 144

HSL 334.77, 0.52%, 0.6%

LAB 56.15, 47.23, -4.56

 

CMYK 0 / 52 / 44 / 19

HEX #CE6373

RGB 206 99 115

HSL 351.03, 0.52%, 0.6%

LAB 55.36, 43.86, 11.33

 

CMYK 12 / 52 / 0 / 19

HEX #B663CE

RGB 182 99 206

HSL 286.54, 0.52%, 0.6%

LAB 55.41, 50.24, -41.81

 

CMYK 26 / 52 / 0 / 19

HEX #9963CE

RGB 153 99 206

HSL 270.28, 0.52%, 0.6%

LAB 52.01, 42.45, -47.41

 

CMYK 40 / 52 / 0 / 19

HEX #7C63CE

RGB 124 99 206

HSL 254.02, 0.52%, 0.6%

LAB 49.09, 35.11, -52.24

 

CMYK 52 / 52 / 0 / 19

HEX #6363CE

RGB 99 99 206

HSL 240, 0.52%, 0.6%

LAB 47.02, 29.43, -55.68

 

CMYK 12 / 52 / 0 / 19

HEX #B663CE

RGB 182 99 206

HSL 286.54, 0.52%, 0.6%

LAB 55.41, 50.24, -41.81

 

CMYK 14 / 63 / 0 / 13

HEX #BF53DE

RGB 191 83 222

HSL 286.62, 0.68%, 0.6%

LAB 54.59, 63.3, -52.1

 

CMYK 16 / 72 / 0 / 6

HEX #C842EF

RGB 200 66 239

HSL 286.47, 0.84%, 0.6%

LAB 54.46, 75.16, -61.81

 

CMYK 12 / 52 / 0 / 19

HEX #B663CE

RGB 182 99 206

HSL 286.54, 0.52%, 0.6%

LAB 55.41, 50.24, -41.81

 

CMYK 9 / 39 / 0 / 26

HEX #AC74BD

RGB 172 116 189

HSL 286.03, 0.36%, 0.6%

LAB 57.01, 34.73, -29.69

 

CMYK 6 / 24 / 0 / 32

HEX #A384AD

RGB 163 132 173

HSL 285.37, 0.2%, 0.6%

LAB 59.26, 19.41, -17.18

 

CMYK 1 / 4 / 0 / 39

HEX #9A959C

RGB 154 149 156

HSL 282.86, 0.03%, 0.6%

LAB 62.31, 3.18, -3.03

 

CMYK 12 / 0 / 15 / 35

HEX #91A58C

RGB 145 165 140

HSL 108, 0.12%, 0.6%

LAB 65.61, -11.85, 10.63

 

CMYK 40 / 52 / 0 / 19

HEX #7C63CE

RGB 124 99 206

HSL 254.02, 0.52%, 0.6%

LAB 49.09, 35.11, -52.24

 

CMYK 26 / 52 / 0 / 19

HEX #9963CE

RGB 153 99 206

HSL 270.28, 0.52%, 0.6%

LAB 52.01, 42.45, -47.41

 

CMYK 12 / 52 / 0 / 19

HEX #B563CE

RGB 181 99 206

HSL 285.98, 0.52%, 0.6%

LAB 55.28, 49.96, -42.02

 

CMYK 0 / 52 / 2 / 19

HEX #CE63CA

RGB 206 99 202

HSL 302.24, 0.52%, 0.6%

LAB 58.33, 56.1, -34.73

 

CMYK 0 / 52 / 16 / 19

HEX #CE63AE

RGB 206 99 174

HSL 317.94, 0.52%, 0.6%

LAB 57.17, 51.49, -20.47

 

CMYK 15 / 69 / 0 / 34

HEX #8F35A9

RGB 143 53 169

HSL 286.55, 0.52%, 0.44%

LAB 40, 54.84, -45.08

 

CMYK 15 / 65 / 0 / 23

HEX #A744C4

RGB 167 68 196

HSL 286.41, 0.52%, 0.52%

LAB 47.41, 59.24, -48.89

 

CMYK 12 / 52 / 0 / 19

HEX #B663CE

RGB 182 99 206

HSL 286.54, 0.52%, 0.6%

LAB 55.41, 50.24, -41.81

 

CMYK 9 / 39 / 0 / 16

HEX #C483D7

RGB 196 131 215

HSL 286.43, 0.51%, 0.68%

LAB 64.06, 39.19, -33.22

 

CMYK 6 / 28 / 0 / 12

HEX #D3A2E1

RGB 211 162 225

HSL 286.67, 0.51%, 0.76%

LAB 72.97, 29, -24.88

 

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

CMYK 0 / 52 / 50 / 19

HEX #CE6367

RGB 206 99 103

HSL 357.76, 0.52%, 0.6%

LAB 55.1, 42.69, 18

 

CMYK 52 / 0 / 33 / 19

HEX #63CE8A

RGB 99 206 138

HSL 141.87, 0.52%, 0.6%

LAB 75.22, -46.07, 24.65

 

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

CMYK 0 / 12 / 52 / 19

HEX #CEB563

RGB 206 181 99

HSL 45.98, 0.52%, 0.6%

LAB 74.23, -1.48, 44.69

 

CMYK 52 / 0 / 12 / 19

HEX #63CEB5

RGB 99 206 181

HSL 165.98, 0.52%, 0.6%

LAB 76.15, -36.92, 3.03

 

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

CMYK 0 / 52 / 50 / 19

HEX #CE6367

RGB 206 99 103

HSL 357.76, 0.52%, 0.6%

LAB 55.1, 42.69, 18

 

CMYK 40 / 0 / 52 / 19

HEX #7CCE63

RGB 124 206 99

HSL 105.98, 0.52%, 0.6%

LAB 75.66, -44.94, 45.09

 

CMYK 52 / 0 / 2 / 19

HEX #63CECA

RGB 99 206 202

HSL 177.76, 0.52%, 0.6%

LAB 76.72, -31.69, -7.45

 

CMYK 12 / 51 / 0 / 19

HEX #B664CE

RGB 182 100 206

HSL 286.42, 0.52%, 0.6%

LAB 55.6, 49.73, -41.51

 

CMYK 0 / 38 / 52 / 19

HEX #CE8063

RGB 206 128 99

HSL 16.26, 0.52%, 0.6%

LAB 61.19, 27.13, 28.37

 

CMYK 40 / 0 / 52 / 19

HEX #7CCE63

RGB 124 206 99

HSL 105.98, 0.52%, 0.6%

LAB 75.66, -44.94, 45.09

 

CMYK 52 / 14 / 0 / 19

HEX #63B1CE

RGB 99 177 206

HSL 196.26, 0.52%, 0.6%

LAB 68.43, -16.04, -22.1

 

Description

Color code: HEX #B664CE | qconv.com Color code: HEX #B664CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 100 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 100 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 51 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 51% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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