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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B66770 it is the complementary color #49988F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B66770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B66770 shade: #BB676B, #CC797E, #DD8B91, #EE9DA4 and #FFAFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B66770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B66770 shade: #B66770, #A5555D, #94434A, #833137 and #721F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B66770 shade: #B66770 and #B66767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B66770 shade: #B66770, #B66785, #B6679A, #B667B0 and #A667B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B66770 shade matches the following richer shades: #B66770, #C85562, #DA4354, #EC3146 and #FE1E38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B66770 shade: #B66770, #A3797E, #918B8C, #7F9D9A and #6DB0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B66770 shade: #B6679A, #B66785, #B66770, #B67367 and #B68867

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B66770 shade: #89424A, #A44F59, #B66770, #C3838A and #D09FA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B66770 shade: #B66770, #AFB667 and #6790B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B66770 shade: #B66770, #70B667 and #6770B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B66770 shade: #B66770, #AFB667, #67B6AC and #6E67B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B66770 shade: #B66770, #97B667, #67B6AC and #8567B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

Complementary color

CMYK 52 / 0 / 6 / 40

HEX #49988F

RGB 73 152 143

HSL 173.16, 0.35%, 0.44%

LAB 57.9, -26.52, -2.7

 

CMYK 0 / 45 / 43 / 27

HEX #BB676B

RGB 187 103 107

HSL 357.14, 0.38%, 0.57%

LAB 53.31, 33.95, 12.75

 

CMYK 0 / 41 / 38 / 20

HEX #CC797E

RGB 204 121 126

HSL 356.39, 0.45%, 0.64%

LAB 59.91, 32.92, 11.29

 

CMYK 0 / 37 / 34 / 13

HEX #DD8B91

RGB 221 139 145

HSL 355.61, 0.55%, 0.71%

LAB 66.43, 31.97, 10

 

CMYK 0 / 34 / 31 / 7

HEX #EE9DA4

RGB 238 157 164

HSL 354.81, 0.7%, 0.77%

LAB 72.87, 31.09, 8.86

 

CMYK 0 / 31 / 28 / 0

HEX #FFAFB7

RGB 255 175 183

HSL 354, 1%, 0.84%

LAB 79.24, 30.28, 7.82

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 48 / 44 / 35

HEX #A5555D

RGB 165 85 93

HSL 354, 0.32%, 0.49%

LAB 46.02, 33.68, 10.48

 

CMYK 0 / 55 / 50 / 42

HEX #94434A

RGB 148 67 74

HSL 354.81, 0.38%, 0.42%

LAB 39.25, 34.77, 12.37

 

CMYK 0 / 63 / 58 / 49

HEX #833137

RGB 131 49 55

HSL 355.61, 0.46%, 0.35%

LAB 32.48, 35.8, 14.76

 

CMYK 0 / 73 / 68 / 55

HEX #721F24

RGB 114 31 36

HSL 356.39, 0.57%, 0.28%

LAB 25.82, 36.55, 17.92

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 43 / 27 / 29

HEX #B66785

RGB 182 103 133

HSL 337.22, 0.35%, 0.56%

LAB 53.32, 35.39, -2.65

 

CMYK 0 / 43 / 15 / 29

HEX #B6679A

RGB 182 103 154

HSL 321.27, 0.35%, 0.56%

LAB 54, 38.59, -13.96

 

CMYK 0 / 43 / 3 / 29

HEX #B667B0

RGB 182 103 176

HSL 304.56, 0.35%, 0.56%

LAB 54.85, 42.39, -25.48

 

CMYK 9 / 43 / 0 / 29

HEX #A667B6

RGB 166 103 182

HSL 287.85, 0.35%, 0.56%

LAB 53.15, 38.62, -31.73

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 58 / 51 / 22

HEX #C85562

RGB 200 85 98

HSL 353.22, 0.51%, 0.56%

LAB 51.45, 46.93, 15.81

 

CMYK 0 / 69 / 61 / 15

HEX #DA4354

RGB 218 67 84

HSL 353.25, 0.67%, 0.56%

LAB 51.34, 59.47, 24.53

 

CMYK 0 / 79 / 70 / 7

HEX #EC3146

RGB 236 49 70

HSL 353.26, 0.83%, 0.56%

LAB 52.37, 69.73, 34.79

 

CMYK 0 / 88 / 78 / 0

HEX #FE1E38

RGB 254 30 56

HSL 353.04, 0.99%, 0.56%

LAB 54.33, 77.85, 45.89

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 26 / 23 / 36

HEX #A3797E

RGB 163 121 126

HSL 352.86, 0.19%, 0.56%

LAB 55.04, 17.15, 3.69

 

CMYK 0 / 4 / 3 / 43

HEX #918B8C

RGB 145 139 140

HSL 350, 0.03%, 0.56%

LAB 58.39, 2.42, 0.25

 

CMYK 19 / 0 / 2 / 38

HEX #7F9D9A

RGB 127 157 154

HSL 174, 0.13%, 0.56%

LAB 62.47, -11.02, -1.89

 

CMYK 38 / 0 / 5 / 31

HEX #6DB0A8

RGB 109 176 168

HSL 172.84, 0.3%, 0.56%

LAB 67.37, -23.15, -2.63

 

CMYK 0 / 43 / 15 / 29

HEX #B6679A

RGB 182 103 154

HSL 321.27, 0.35%, 0.56%

LAB 54, 38.59, -13.96

 

CMYK 0 / 43 / 27 / 29

HEX #B66785

RGB 182 103 133

HSL 337.22, 0.35%, 0.56%

LAB 53.32, 35.39, -2.65

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 37 / 43 / 29

HEX #B67367

RGB 182 115 103

HSL 9.11, 0.35%, 0.56%

LAB 55.26, 25.01, 17.68

 

CMYK 0 / 25 / 43 / 29

HEX #B68867

RGB 182 136 103

HSL 25.06, 0.35%, 0.56%

LAB 60.37, 13.31, 24.55

 

CMYK 0 / 52 / 46 / 46

HEX #89424A

RGB 137 66 74

HSL 353.24, 0.35%, 0.4%

LAB 37.32, 31.07, 9.43

 

CMYK 0 / 52 / 46 / 36

HEX #A44F59

RGB 164 79 89

HSL 352.94, 0.35%, 0.48%

LAB 44.53, 36.05, 10.8

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 0 / 33 / 29 / 24

HEX #C3838A

RGB 195 131 138

HSL 353.44, 0.35%, 0.64%

LAB 61.37, 25.61, 6.34

 

CMYK 0 / 24 / 21 / 18

HEX #D09FA4

RGB 208 159 164

HSL 353.88, 0.34%, 0.72%

LAB 70.1, 18.91, 4.45

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 4 / 0 / 43 / 29

HEX #AFB667

RGB 175 182 103

HSL 65.32, 0.35%, 0.56%

LAB 71.93, -14.39, 39.26

 

CMYK 43 / 21 / 0 / 29

HEX #6790B6

RGB 103 144 182

HSL 208.86, 0.35%, 0.56%

LAB 58.23, -3.9, -24.28

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 38 / 0 / 43 / 29

HEX #70B667

RGB 112 182 103

HSL 113.16, 0.35%, 0.56%

LAB 67.93, -37.79, 33.38

 

CMYK 43 / 38 / 0 / 29

HEX #6770B6

RGB 103 112 182

HSL 233.16, 0.35%, 0.56%

LAB 49.31, 15.04, -38.17

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 4 / 0 / 43 / 29

HEX #AFB667

RGB 175 182 103

HSL 65.32, 0.35%, 0.56%

LAB 71.93, -14.39, 39.26

 

CMYK 43 / 0 / 5 / 29

HEX #67B6AC

RGB 103 182 172

HSL 172.41, 0.35%, 0.56%

LAB 68.98, -26.75, -2.51

 

CMYK 40 / 43 / 0 / 29

HEX #6E67B6

RGB 110 103 182

HSL 245.32, 0.35%, 0.56%

LAB 47.49, 22.38, -41.03

 

CMYK 0 / 43 / 38 / 29

HEX #B66770

RGB 182 103 112

HSL 353.16, 0.35%, 0.56%

LAB 52.75, 32.63, 8.93

 

CMYK 17 / 0 / 43 / 29

HEX #97B667

RGB 151 182 103

HSL 83.54, 0.35%, 0.56%

LAB 70.19, -23.88, 36.71

 

CMYK 43 / 0 / 5 / 29

HEX #67B6AC

RGB 103 182 172

HSL 172.41, 0.35%, 0.56%

LAB 68.98, -26.75, -2.51

 

CMYK 27 / 43 / 0 / 29

HEX #8567B6

RGB 133 103 182

HSL 262.78, 0.35%, 0.56%

LAB 49.57, 28.78, -37.59

 

Description

Color code: HEX #B66770 | qconv.com Color code: HEX #B66770 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 103 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 103 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 38 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 38% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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