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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B661CC it is the complementary color #499E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B661CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B661CC shade: #BB61C7, #CC73DA, #DD85ED, #EE97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B661CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B661CC shade: #B661CC, #A54FB9, #943DA6, #832B93 and #721980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B661CC shade: #B561CB, #CB61C4, #CB61A8, #CB618B and #CB616E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B661CC shade: #B561CB, #9961CB, #7C61CB and #6161CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B661CC shade matches the following richer shades: #B561CB, #BF50DC, #C93FED and #D32EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B661CC shade: #B561CB, #AB72BA, #A182A9, #979399 and #8EA488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B661CC shade: #7B61CB, #9861CB, #B461CB, #CB61C6 and #CB61AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B661CC shade: #8D35A4, #A741C1, #B561CB, #C480D5 and #D29FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B661CC shade: #B661CC, #CB6162 and #61CB8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B661CC shade: #B661CC, #CBB461 and #61CBB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B661CC shade: #B661CC, #CB6162, #78CB61 and #61CBC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B661CC shade: #B661CC, #CB7F61, #78CB61 and #61ADCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

Complementary color

CMYK 54 / 0 / 68 / 38

HEX #499E33

RGB 73 158 51

HSL 107.66, 0.51%, 0.41%

LAB 58.14, -45.98, 46.39

 

CMYK 6 / 51 / 0 / 22

HEX #BB61C7

RGB 187 97 199

HSL 292.94, 0.48%, 0.58%

LAB 55.32, 51.25, -37.92

 

CMYK 6 / 47 / 0 / 15

HEX #CC73DA

RGB 204 115 218

HSL 291.84, 0.58%, 0.65%

LAB 61.79, 50.56, -38.36

 

CMYK 7 / 44 / 0 / 7

HEX #DD85ED

RGB 221 133 237

HSL 290.77, 0.74%, 0.73%

LAB 68.21, 49.83, -38.73

 

CMYK 7 / 41 / 0 / 0

HEX #EE97FF

RGB 238 151 255

HSL 290.19, 1%, 0.8%

LAB 74.53, 48.9, -38.58

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

CMYK 11 / 57 / 0 / 27

HEX #A54FB9

RGB 165 79 185

HSL 288.68, 0.43%, 0.52%

LAB 48.38, 51.47, -40.98

 

CMYK 11 / 63 / 0 / 35

HEX #943DA6

RGB 148 61 166

HSL 289.71, 0.46%, 0.45%

LAB 41.82, 51.9, -40.34

 

CMYK 11 / 71 / 0 / 42

HEX #832B93

RGB 131 43 147

HSL 290.77, 0.55%, 0.37%

LAB 35.32, 51.91, -39.39

 

CMYK 11 / 80 / 0 / 50

HEX #721980

RGB 114 25 128

HSL 291.84, 0.67%, 0.3%

LAB 28.98, 51.12, -37.92

 

CMYK 11 / 52 / 0 / 20

HEX #B561CB

RGB 181 97 203

HSL 287.55, 0.5%, 0.59%

LAB 54.75, 50.38, -41.15

 

CMYK 0 / 52 / 3 / 20

HEX #CB61C4

RGB 203 97 196

HSL 303.96, 0.5%, 0.59%

LAB 57.3, 55.17, -32.95

 

CMYK 0 / 52 / 17 / 20

HEX #CB61A8

RGB 203 97 168

HSL 319.81, 0.5%, 0.59%

LAB 56.16, 50.63, -18.58

 

CMYK 0 / 52 / 32 / 20

HEX #CB618B

RGB 203 97 139

HSL 336.23, 0.5%, 0.59%

LAB 55.19, 46.58, -3.1

 

CMYK 0 / 52 / 46 / 20

HEX #CB616E

RGB 203 97 110

HSL 352.64, 0.5%, 0.59%

LAB 54.42, 43.28, 12.88

 

CMYK 11 / 52 / 0 / 20

HEX #B561CB

RGB 181 97 203

HSL 287.55, 0.5%, 0.59%

LAB 54.75, 50.38, -41.15

 

CMYK 25 / 52 / 0 / 20

HEX #9961CB

RGB 153 97 203

HSL 271.7, 0.5%, 0.59%

LAB 51.42, 42.84, -46.63

 

CMYK 39 / 52 / 0 / 20

HEX #7C61CB

RGB 124 97 203

HSL 255.28, 0.5%, 0.59%

LAB 48.44, 35.45, -51.55

 

CMYK 52 / 52 / 0 / 20

HEX #6161CB

RGB 97 97 203

HSL 240, 0.5%, 0.59%

LAB 46.18, 29.3, -55.31

 

CMYK 11 / 52 / 0 / 20

HEX #B561CB

RGB 181 97 203

HSL 287.55, 0.5%, 0.59%

LAB 54.75, 50.38, -41.15

 

CMYK 13 / 64 / 0 / 14

HEX #BF50DC

RGB 191 80 220

HSL 287.57, 0.67%, 0.59%

LAB 54.01, 64.22, -51.9

 

CMYK 15 / 73 / 0 / 7

HEX #C93FED

RGB 201 63 237

HSL 287.59, 0.83%, 0.59%

LAB 54.12, 76.02, -61.23

 

CMYK 17 / 82 / 0 / 0

HEX #D32EFE

RGB 211 46 254

HSL 287.6, 0.99%, 0.59%

LAB 55.03, 85.63, -69.17

 

CMYK 11 / 52 / 0 / 20

HEX #B561CB

RGB 181 97 203

HSL 287.55, 0.5%, 0.59%

LAB 54.75, 50.38, -41.15

 

CMYK 8 / 39 / 0 / 27

HEX #AB72BA

RGB 171 114 186

HSL 287.5, 0.34%, 0.59%

LAB 56.33, 34.91, -29.05

 

CMYK 5 / 23 / 0 / 34

HEX #A182A9

RGB 161 130 169

HSL 287.69, 0.18%, 0.59%

LAB 58.42, 19.05, -16.18

 

CMYK 1 / 4 / 0 / 40

HEX #979399

RGB 151 147 153

HSL 280, 0.03%, 0.59%

LAB 61.44, 2.63, -2.65

 

CMYK 13 / 0 / 17 / 36

HEX #8EA488

RGB 142 164 136

HSL 107.14, 0.13%, 0.59%

LAB 65.03, -13.13, 11.99

 

CMYK 39 / 52 / 0 / 20

HEX #7B61CB

RGB 123 97 203

HSL 254.72, 0.5%, 0.59%

LAB 48.35, 35.21, -51.71

 

CMYK 25 / 52 / 0 / 20

HEX #9861CB

RGB 152 97 203

HSL 271.13, 0.5%, 0.59%

LAB 51.31, 42.58, -46.81

 

CMYK 11 / 52 / 0 / 20

HEX #B461CB

RGB 180 97 203

HSL 286.98, 0.5%, 0.59%

LAB 54.62, 50.11, -41.36

 

CMYK 0 / 52 / 2 / 20

HEX #CB61C6

RGB 203 97 198

HSL 302.83, 0.5%, 0.59%

LAB 57.39, 55.52, -33.95

 

CMYK 0 / 52 / 16 / 20

HEX #CB61AA

RGB 203 97 170

HSL 318.68, 0.5%, 0.59%

LAB 56.24, 50.93, -19.63

 

CMYK 14 / 68 / 0 / 36

HEX #8D35A4

RGB 141 53 164

HSL 287.57, 0.51%, 0.43%

LAB 39.39, 53.38, -43.08

 

CMYK 13 / 66 / 0 / 24

HEX #A741C1

RGB 167 65 193

HSL 287.81, 0.51%, 0.51%

LAB 46.77, 59.94, -48.17

 

CMYK 11 / 52 / 0 / 20

HEX #B561CB

RGB 181 97 203

HSL 287.55, 0.5%, 0.59%

LAB 54.75, 50.38, -41.15

 

CMYK 8 / 40 / 0 / 16

HEX #C480D5

RGB 196 128 213

HSL 288, 0.5%, 0.67%

LAB 63.32, 40.41, -33.25

 

CMYK 6 / 29 / 0 / 13

HEX #D29FDF

RGB 210 159 223

HSL 287.81, 0.5%, 0.75%

LAB 72.11, 29.92, -25.12

 

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

CMYK 0 / 52 / 52 / 20

HEX #CB6162

RGB 203 97 98

HSL 359.43, 0.5%, 0.59%

LAB 54.16, 42.15, 19.58

 

CMYK 52 / 0 / 32 / 20

HEX #61CB8A

RGB 97 203 138

HSL 143.21, 0.5%, 0.59%

LAB 74.25, -45.29, 23.31

 

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

CMYK 0 / 11 / 52 / 20

HEX #CBB461

RGB 203 180 97

HSL 46.98, 0.5%, 0.59%

LAB 73.68, -2.38, 44.94

 

CMYK 52 / 0 / 11 / 20

HEX #61CBB4

RGB 97 203 180

HSL 166.98, 0.5%, 0.59%

LAB 75.17, -36.22, 2.14

 

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

CMYK 0 / 52 / 52 / 20

HEX #CB6162

RGB 203 97 98

HSL 359.43, 0.5%, 0.59%

LAB 54.16, 42.15, 19.58

 

CMYK 41 / 0 / 52 / 20

HEX #78CB61

RGB 120 203 97

HSL 106.98, 0.5%, 0.59%

LAB 74.55, -45.18, 44.67

 

CMYK 52 / 0 / 1 / 20

HEX #61CBC9

RGB 97 203 201

HSL 178.87, 0.5%, 0.59%

LAB 75.74, -30.93, -8.36

 

CMYK 11 / 52 / 0 / 20

HEX #B661CC

RGB 182 97 204

HSL 287.66, 0.51%, 0.59%

LAB 54.92, 50.85, -41.44

 

CMYK 0 / 37 / 52 / 20

HEX #CB7F61

RGB 203 127 97

HSL 16.98, 0.5%, 0.59%

LAB 60.55, 26.28, 28.59

 

CMYK 41 / 0 / 52 / 20

HEX #78CB61

RGB 120 203 97

HSL 106.98, 0.5%, 0.59%

LAB 74.55, -45.18, 44.67

 

CMYK 52 / 15 / 0 / 20

HEX #61ADCB

RGB 97 173 203

HSL 196.98, 0.5%, 0.59%

LAB 67.08, -15.23, -22.5

 

Description

Color code: HEX #B661CC | qconv.com Color code: HEX #B661CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 97 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 97 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 52 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 52% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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