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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B662E8 it is the complementary color #499D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B662E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B662E8 shade: #BB62E3, #CC74F6, #DD86FF, #EE98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B662E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B662E8 shade: #B662E8, #A550D5, #943EC2, #832CAF and #721A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B662E8 shade: #B663E7, #DA63E7, #E763D1, #E763AE and #E7638A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B662E8 shade: #B663E7, #9263E7, #6F63E7 and #6363E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B662E8 shade matches the following richer shades: #B663E7 and #BA55F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B662E8 shade: #B663E7, #B272D9, #AF80CA, #AB8FBC and #A79DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B662E8 shade: #6E63E7, #9163E7, #B563E7, #D863E7 and #E763D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B662E8 shade: #9320D8, #A53FE2, #B663E7, #C787ED and #D8ABF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B662E8 shade: #B662E8, #E7637B and #63E780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B662E8 shade: #B662E8, #E7B563 and #63E7B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B662E8 shade: #B662E8, #E7637B, #96E763 and #63E7CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B662E8 shade: #B662E8, #E77363, #96E763 and #63D8E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

Complementary color

CMYK 54 / 0 / 85 / 38

HEX #499D17

RGB 73 157 23

HSL 97.61, 0.74%, 0.35%

LAB 57.65, -47.49, 55.54

 

CMYK 18 / 57 / 0 / 11

HEX #BB62E3

RGB 187 98 227

HSL 281.4, 0.7%, 0.64%

LAB 56.93, 56.34, -51.23

 

CMYK 17 / 53 / 0 / 4

HEX #CC74F6

RGB 204 116 246

HSL 280.62, 0.88%, 0.71%

LAB 63.33, 55.64, -51.51

 

CMYK 13 / 47 / 0 / 0

HEX #DD86FF

RGB 221 134 255

HSL 283.14, 1%, 0.76%

LAB 69.21, 52.85, -47.02

 

CMYK 7 / 40 / 0 / 0

HEX #EE98FF

RGB 238 152 255

HSL 290.1, 1%, 0.8%

LAB 74.73, 48.38, -38.26

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

CMYK 23 / 62 / 0 / 16

HEX #A550D5

RGB 165 80 213

HSL 278.35, 0.61%, 0.57%

LAB 50.15, 56.81, -54.3

 

CMYK 24 / 68 / 0 / 24

HEX #943EC2

RGB 148 62 194

HSL 279.09, 0.52%, 0.5%

LAB 43.71, 57.23, -53.81

 

CMYK 25 / 75 / 0 / 31

HEX #832CAF

RGB 131 44 175

HSL 279.85, 0.6%, 0.43%

LAB 37.34, 57.22, -53.03

 

CMYK 27 / 83 / 0 / 39

HEX #721A9C

RGB 114 26 156

HSL 280.62, 0.71%, 0.36%

LAB 31.15, 56.4, -51.74

 

CMYK 21 / 57 / 0 / 9

HEX #B663E7

RGB 182 99 231

HSL 277.73, 0.73%, 0.65%

LAB 56.72, 55.46, -53.84

 

CMYK 6 / 57 / 0 / 9

HEX #DA63E7

RGB 218 99 231

HSL 294.09, 0.73%, 0.65%

LAB 61.31, 64.4, -46.27

 

CMYK 0 / 57 / 10 / 9

HEX #E763D1

RGB 231 99 209

HSL 310, 0.73%, 0.65%

LAB 62.1, 64.09, -32.56

 

CMYK 0 / 57 / 25 / 9

HEX #E763AE

RGB 231 99 174

HSL 325.91, 0.73%, 0.65%

LAB 60.75, 59.03, -14.7

 

CMYK 0 / 57 / 40 / 9

HEX #E7638A

RGB 231 99 138

HSL 342.27, 0.73%, 0.65%

LAB 59.66, 54.73, 4.51

 

CMYK 21 / 57 / 0 / 9

HEX #B663E7

RGB 182 99 231

HSL 277.73, 0.73%, 0.65%

LAB 56.72, 55.46, -53.84

 

CMYK 37 / 57 / 0 / 9

HEX #9263E7

RGB 146 99 231

HSL 261.36, 0.73%, 0.65%

LAB 52.73, 46.94, -60.44

 

CMYK 52 / 57 / 0 / 9

HEX #6F63E7

RGB 111 99 231

HSL 245.45, 0.73%, 0.65%

LAB 49.58, 39.54, -65.69

 

CMYK 57 / 57 / 0 / 9

HEX #6363E7

RGB 99 99 231

HSL 240, 0.73%, 0.65%

LAB 48.69, 37.32, -67.17

 

CMYK 21 / 57 / 0 / 9

HEX #B663E7

RGB 182 99 231

HSL 277.73, 0.73%, 0.65%

LAB 56.72, 55.46, -53.84

 

CMYK 24 / 65 / 0 / 4

HEX #BA55F6

RGB 186 85 246

HSL 277.64, 0.9%, 0.65%

LAB 55.67, 66.17, -63.86

 

CMYK 21 / 57 / 0 / 9

HEX #B663E7

RGB 182 99 231

HSL 277.73, 0.73%, 0.65%

LAB 56.72, 55.46, -53.84

 

CMYK 18 / 47 / 0 / 15

HEX #B272D9

RGB 178 114 217

HSL 277.28, 0.58%, 0.65%

LAB 58.52, 43.56, -43.16

 

CMYK 13 / 37 / 0 / 21

HEX #AF80CA

RGB 175 128 202

HSL 278.11, 0.41%, 0.65%

LAB 60.62, 31.71, -31.44

 

CMYK 9 / 24 / 0 / 26

HEX #AB8FBC

RGB 171 143 188

HSL 277.33, 0.25%, 0.65%

LAB 63.29, 18.98, -19.49

 

CMYK 4 / 10 / 0 / 32

HEX #A79DAE

RGB 167 157 174

HSL 275.29, 0.09%, 0.65%

LAB 66.05, 6.88, -7.51

 

CMYK 52 / 57 / 0 / 9

HEX #6E63E7

RGB 110 99 231

HSL 245, 0.73%, 0.65%

LAB 49.51, 39.35, -65.82

 

CMYK 37 / 57 / 0 / 9

HEX #9163E7

RGB 145 99 231

HSL 260.91, 0.73%, 0.65%

LAB 52.63, 46.71, -60.61

 

CMYK 22 / 57 / 0 / 9

HEX #B563E7

RGB 181 99 231

HSL 277.27, 0.73%, 0.65%

LAB 56.6, 55.22, -54.03

 

CMYK 6 / 57 / 0 / 9

HEX #D863E7

RGB 216 99 231

HSL 293.18, 0.73%, 0.65%

LAB 61.04, 63.9, -46.71

 

CMYK 0 / 57 / 9 / 9

HEX #E763D3

RGB 231 99 211

HSL 309.09, 0.73%, 0.65%

LAB 62.18, 64.4, -33.56

 

CMYK 32 / 85 / 0 / 15

HEX #9320D8

RGB 147 32 216

HSL 277.5, 0.74%, 0.49%

LAB 41.52, 72.18, -70.09

 

CMYK 27 / 72 / 0 / 11

HEX #A53FE2

RGB 165 63 226

HSL 277.55, 0.74%, 0.57%

LAB 48.32, 67.03, -64.64

 

CMYK 21 / 57 / 0 / 9

HEX #B663E7

RGB 182 99 231

HSL 277.73, 0.73%, 0.65%

LAB 56.72, 55.46, -53.84

 

CMYK 16 / 43 / 0 / 7

HEX #C787ED

RGB 199 135 237

HSL 277.65, 0.74%, 0.73%

LAB 66.2, 42.48, -42.06

 

CMYK 11 / 29 / 0 / 5

HEX #D8ABF2

RGB 216 171 242

HSL 278.03, 0.73%, 0.81%

LAB 76.15, 29.09, -29.21

 

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

CMYK 0 / 57 / 47 / 9

HEX #E7637B

RGB 231 99 123

HSL 349.09, 0.73%, 0.65%

LAB 59.29, 53.24, 12.71

 

CMYK 57 / 0 / 45 / 9

HEX #63E780

RGB 99 231 128

HSL 133.18, 0.73%, 0.65%

LAB 82.57, -57.78, 39.4

 

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

CMYK 0 / 22 / 57 / 9

HEX #E7B563

RGB 231 181 99

HSL 37.27, 0.73%, 0.65%

LAB 76.64, 8.92, 48.14

 

CMYK 57 / 0 / 22 / 9

HEX #63E7B5

RGB 99 231 181

HSL 157.27, 0.73%, 0.65%

LAB 83.52, -47.92, 13.58

 

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

CMYK 0 / 57 / 47 / 9

HEX #E7637B

RGB 231 99 123

HSL 349.09, 0.73%, 0.65%

LAB 59.29, 53.24, 12.71

 

CMYK 35 / 0 / 57 / 9

HEX #96E763

RGB 150 231 99

HSL 96.82, 0.73%, 0.65%

LAB 84.24, -47.05, 55.52

 

CMYK 57 / 0 / 10 / 9

HEX #63E7CF

RGB 99 231 207

HSL 169.09, 0.73%, 0.65%

LAB 84.13, -41.93, 0.78

 

CMYK 22 / 58 / 0 / 9

HEX #B662E8

RGB 182 98 232

HSL 277.61, 0.74%, 0.65%

LAB 56.59, 56.17, -54.6

 

CMYK 0 / 50 / 57 / 9

HEX #E77363

RGB 231 115 99

HSL 7.27, 0.73%, 0.65%

LAB 61.78, 43.55, 29.81

 

CMYK 35 / 0 / 57 / 9

HEX #96E763

RGB 150 231 99

HSL 96.82, 0.73%, 0.65%

LAB 84.24, -47.05, 55.52

 

CMYK 57 / 6 / 0 / 9

HEX #63D8E7

RGB 99 216 231

HSL 186.82, 0.73%, 0.65%

LAB 80.48, -28.7, -17.36

 

Description

Color code: HEX #B662E8 | qconv.com Color code: HEX #B662E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 98 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 98 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 58 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 58% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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