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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6744D it is the complementary color #498BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6744D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6744D shade: #BB7448, #CC865B, #DD986E, #EEAA81 and #FFBC94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6744D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6744D shade: #B6744D, #A5623A, #945027, #833E14 and #722C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6744D shade: #B6744D, #B6584D and #B64D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6744D shade: #B6744D, #B6904D, #B6AD4D, #A3B64D and #87B64D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6744D shade matches the following richer shades: #B6744D, #CA6F39, #DE6A25 and #F36410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6744D shade: #B6744D, #A27961, #8E7E76, #79848A and #65899E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6744D shade: #B64D5F, #B6584D, #B6744D, #B6904D and #B6AC4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6744D shade: #7E4F33, #9B613F, #B6744D, #C28B6A and #CEA288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6744D shade: #B6744D, #7BB64D and #4D51B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6744D shade: #B6744D, #4DB674 and #744DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6744D shade: #B6744D, #7BB64D, #4D90B6 and #894DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6744D shade: #B6744D, #5BB64D, #4D90B6 and #A84DB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

Complementary color

CMYK 59 / 22 / 0 / 30

HEX #498BB2

RGB 73 139 178

HSL 202.29, 0.42%, 0.49%

LAB 55.17, -9.3, -26.84

 

CMYK 0 / 38 / 61 / 27

HEX #BB7448

RGB 187 116 72

HSL 22.96, 0.46%, 0.51%

LAB 55.61, 23.68, 35.7

 

CMYK 0 / 34 / 55 / 20

HEX #CC865B

RGB 204 134 91

HSL 22.83, 0.53%, 0.58%

LAB 62.21, 22.36, 34.01

 

CMYK 0 / 31 / 50 / 13

HEX #DD986E

RGB 221 152 110

HSL 22.7, 0.62%, 0.65%

LAB 68.72, 21.22, 32.45

 

CMYK 0 / 29 / 46 / 7

HEX #EEAA81

RGB 238 170 129

HSL 22.57, 0.76%, 0.72%

LAB 75.15, 20.21, 31.02

 

CMYK 0 / 26 / 42 / 0

HEX #FFBC94

RGB 255 188 148

HSL 22.43, 1%, 0.79%

LAB 81.49, 19.32, 29.7

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 41 / 65 / 35

HEX #A5623A

RGB 165 98 58

HSL 22.43, 0.48%, 0.44%

LAB 48.31, 23.37, 33.92

 

CMYK 0 / 46 / 74 / 42

HEX #945027

RGB 148 80 39

HSL 22.57, 0.58%, 0.37%

LAB 41.5, 25.02, 35.81

 

CMYK 0 / 53 / 85 / 49

HEX #833E14

RGB 131 62 20

HSL 22.7, 0.74%, 0.3%

LAB 34.64, 26.91, 37.55

 

CMYK 0 / 61 / 99 / 55

HEX #722C01

RGB 114 44 1

HSL 22.83, 0.98%, 0.23%

LAB 27.79, 28.94, 38.57

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 52 / 58 / 29

HEX #B6584D

RGB 182 88 77

HSL 6.29, 0.42%, 0.51%

LAB 48.83, 37.1, 24.28

 

CMYK 0 / 58 / 58 / 29

HEX #B64D4D

RGB 182 77 77

HSL 0, 0.42%, 0.51%

LAB 46.7, 42.62, 21.49

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 21 / 58 / 29

HEX #B6904D

RGB 182 144 77

HSL 38.29, 0.42%, 0.51%

LAB 62.02, 6.4, 40.58

 

CMYK 0 / 5 / 58 / 29

HEX #B6AD4D

RGB 182 173 77

HSL 54.86, 0.42%, 0.51%

LAB 69.73, -9.2, 49.49

 

CMYK 10 / 0 / 58 / 29

HEX #A3B64D

RGB 163 182 77

HSL 70.86, 0.42%, 0.51%

LAB 70.72, -21.75, 50.19

 

CMYK 26 / 0 / 58 / 29

HEX #87B64D

RGB 135 182 77

HSL 86.86, 0.42%, 0.51%

LAB 68.85, -32.83, 47.57

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 45 / 72 / 21

HEX #CA6F39

RGB 202 111 57

HSL 22.34, 0.58%, 0.51%

LAB 56.31, 31.68, 44.84

 

CMYK 0 / 52 / 83 / 13

HEX #DE6A25

RGB 222 106 37

HSL 22.38, 0.74%, 0.51%

LAB 58.01, 41.45, 56.53

 

CMYK 0 / 59 / 93 / 5

HEX #F36410

RGB 243 100 16

HSL 22.2, 0.9%, 0.51%

LAB 60.07, 51.76, 66.14

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 25 / 40 / 36

HEX #A27961

RGB 162 121 97

HSL 22.15, 0.26%, 0.51%

LAB 54.26, 12.73, 19.38

 

CMYK 0 / 11 / 17 / 44

HEX #8E7E76

RGB 142 126 118

HSL 20, 0.1%, 0.51%

LAB 54.01, 4.71, 6.58

 

CMYK 12 / 4 / 0 / 46

HEX #79848A

RGB 121 132 138

HSL 201.18, 0.07%, 0.51%

LAB 54.45, -2.73, -4.61

 

CMYK 36 / 13 / 0 / 38

HEX #65899E

RGB 101 137 158

HSL 202.11, 0.23%, 0.51%

LAB 55.2, -7.13, -15.19

 

CMYK 0 / 58 / 48 / 29

HEX #B64D5F

RGB 182 77 95

HSL 349.71, 0.42%, 0.51%

LAB 47.08, 44.19, 11.13

 

CMYK 0 / 52 / 58 / 29

HEX #B6584D

RGB 182 88 77

HSL 6.29, 0.42%, 0.51%

LAB 48.83, 37.1, 24.28

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 21 / 58 / 29

HEX #B6904D

RGB 182 144 77

HSL 38.29, 0.42%, 0.51%

LAB 62.02, 6.4, 40.58

 

CMYK 0 / 5 / 58 / 29

HEX #B6AC4D

RGB 182 172 77

HSL 54.29, 0.42%, 0.51%

LAB 69.46, -8.67, 49.18

 

CMYK 0 / 37 / 60 / 51

HEX #7E4F33

RGB 126 79 51

HSL 22.4, 0.42%, 0.35%

LAB 38.32, 16.69, 24.6

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 28 / 45 / 24

HEX #C28B6A

RGB 194 139 106

HSL 22.5, 0.42%, 0.59%

LAB 62.49, 16.92, 25.93

 

CMYK 0 / 21 / 34 / 19

HEX #CEA288

RGB 206 162 136

HSL 22.29, 0.42%, 0.67%

LAB 69.99, 12.63, 19.73

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 32 / 0 / 58 / 29

HEX #7BB64D

RGB 123 182 77

HSL 93.71, 0.42%, 0.51%

LAB 68.17, -37.25, 46.61

 

CMYK 58 / 55 / 0 / 29

HEX #4D51B6

RGB 77 81 182

HSL 237.71, 0.42%, 0.51%

LAB 39.31, 28.43, -54.26

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 58 / 0 / 36 / 29

HEX #4DB674

RGB 77 182 116

HSL 142.29, 0.42%, 0.51%

LAB 66.74, -45.35, 24.74

 

CMYK 36 / 58 / 0 / 29

HEX #744DB6

RGB 116 77 182

HSL 262.29, 0.42%, 0.51%

LAB 41.84, 39.4, -50

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 32 / 0 / 58 / 29

HEX #7BB64D

RGB 123 182 77

HSL 93.71, 0.42%, 0.51%

LAB 68.17, -37.25, 46.61

 

CMYK 58 / 21 / 0 / 29

HEX #4D90B6

RGB 77 144 182

HSL 201.71, 0.42%, 0.51%

LAB 56.98, -10.02, -26.31

 

CMYK 25 / 58 / 0 / 29

HEX #894DB6

RGB 137 77 182

HSL 274.29, 0.42%, 0.51%

LAB 44.24, 44.6, -46.03

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 50 / 0 / 58 / 29

HEX #5BB64D

RGB 91 182 77

HSL 112, 0.42%, 0.51%

LAB 66.68, -47.64, 44.5

 

CMYK 58 / 21 / 0 / 29

HEX #4D90B6

RGB 77 144 182

HSL 201.71, 0.42%, 0.51%

LAB 56.98, -10.02, -26.31

 

CMYK 8 / 58 / 0 / 29

HEX #A84DB6

RGB 168 77 182

HSL 292, 0.42%, 0.51%

LAB 48.27, 52.64, -39.37

 

Description

Color code: HEX #B6744D | qconv.com Color code: HEX #B6744D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 116 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 116 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 58 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 58% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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