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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6756C it is the complementary color #498A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6756C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6756C shade: #BB7567, #CC877A, #DD998D, #EEABA0 and #FFBDB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6756C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6756C shade: #B6756C, #A56359, #945146, #833F33 and #722D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6756C shade: #B6756C and #B66C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6756C shade: #B6756C, #B6896C, #B69D6C, #B6B16C and #A7B66C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6756C shade matches the following richer shades: #B6756C, #C8675A, #DA5A48, #EB4C36 and #FD3F25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6756C shade: #B6756C, #A4827D, #938F8F, #819DA1 and #6FAAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6756C shade: #B66C8B, #B66C77, #B6746C, #B6886C and #B69C6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6756C shade: #8B4D44, #A75C52, #B6756C, #C48F87 and #D1A9A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6756C shade: #B6756C, #9FB66C and #6C81B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6756C shade: #B6756C, #6CB674 and #746CB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6756C shade: #B6756C, #9FB66C, #6CADB6 and #836CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6756C shade: #B6756C, #88B66C, #6CADB6 and #9A6CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

Complementary color

CMYK 50 / 6 / 0 / 42

HEX #498A93

RGB 73 138 147

HSL 187.3, 0.34%, 0.43%

LAB 53.71, -18.18, -11.23

 

CMYK 0 / 37 / 45 / 27

HEX #BB7567

RGB 187 117 103

HSL 10, 0.38%, 0.57%

LAB 56.35, 25.91, 19.27

 

CMYK 0 / 34 / 40 / 20

HEX #CC877A

RGB 204 135 122

HSL 9.51, 0.45%, 0.64%

LAB 62.99, 24.88, 17.85

 

CMYK 0 / 31 / 36 / 13

HEX #DD998D

RGB 221 153 141

HSL 9, 0.54%, 0.71%

LAB 69.52, 23.97, 16.58

 

CMYK 0 / 28 / 33 / 7

HEX #EEABA0

RGB 238 171 160

HSL 8.46, 0.7%, 0.78%

LAB 75.97, 23.16, 15.43

 

CMYK 0 / 26 / 30 / 0

HEX #FFBDB3

RGB 255 189 179

HSL 7.89, 1%, 0.85%

LAB 82.33, 22.42, 14.37

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 40 / 46 / 35

HEX #A56359

RGB 165 99 89

HSL 7.89, 0.3%, 0.5%

LAB 49.06, 25.54, 17.07

 

CMYK 0 / 45 / 53 / 42

HEX #945146

RGB 148 81 70

HSL 8.46, 0.36%, 0.43%

LAB 42.19, 26.75, 18.81

 

CMYK 0 / 52 / 61 / 49

HEX #833F33

RGB 131 63 51

HSL 9, 0.44%, 0.36%

LAB 35.24, 28.11, 20.89

 

CMYK 0 / 61 / 72 / 55

HEX #722D20

RGB 114 45 32

HSL 9.51, 0.56%, 0.29%

LAB 28.27, 29.56, 23.47

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 41 / 41 / 29

HEX #B66C6C

RGB 182 108 108

HSL 0, 0.34%, 0.57%

LAB 53.76, 29.43, 12.71

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 25 / 41 / 29

HEX #B6896C

RGB 182 137 108

HSL 23.51, 0.34%, 0.57%

LAB 60.71, 13.32, 22.21

 

CMYK 0 / 14 / 41 / 29

HEX #B69D6C

RGB 182 157 108

HSL 39.73, 0.34%, 0.57%

LAB 65.86, 2.29, 29.03

 

CMYK 0 / 3 / 41 / 29

HEX #B6B16C

RGB 182 177 108

HSL 55.95, 0.34%, 0.57%

LAB 71.2, -8.4, 35.9

 

CMYK 8 / 0 / 41 / 29

HEX #A7B66C

RGB 167 182 108

HSL 72.16, 0.34%, 0.57%

LAB 71.39, -17.03, 35.9

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 49 / 55 / 22

HEX #C8675A

RGB 200 103 90

HSL 7.09, 0.5%, 0.57%

LAB 54.78, 37.28, 24.96

 

CMYK 0 / 59 / 67 / 15

HEX #DA5A48

RGB 218 90 72

HSL 7.4, 0.66%, 0.57%

LAB 54.75, 49.08, 35.73

 

CMYK 0 / 68 / 77 / 8

HEX #EB4C36

RGB 235 76 54

HSL 7.29, 0.82%, 0.57%

LAB 55.17, 59.98, 46.73

 

CMYK 0 / 75 / 85 / 1

HEX #FD3F25

RGB 253 63 37

HSL 7.22, 0.98%, 0.57%

LAB 56.66, 69.53, 57.44

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 21 / 24 / 36

HEX #A4827D

RGB 164 130 125

HSL 7.69, 0.18%, 0.57%

LAB 57.4, 12.26, 7.67

 

CMYK 0 / 3 / 3 / 42

HEX #938F8F

RGB 147 143 143

HSL 0, 0.02%, 0.57%

LAB 59.74, 1.48, 0.52

 

CMYK 20 / 2 / 0 / 37

HEX #819DA1

RGB 129 157 161

HSL 187.5, 0.15%, 0.57%

LAB 62.81, -8.81, -5.33

 

CMYK 38 / 5 / 0 / 30

HEX #6FAAB3

RGB 111 170 179

HSL 187.94, 0.31%, 0.57%

LAB 66.05, -16.78, -10.7

 

CMYK 0 / 41 / 24 / 29

HEX #B66C8B

RGB 182 108 139

HSL 334.86, 0.34%, 0.57%

LAB 54.59, 33.55, -4.3

 

CMYK 0 / 41 / 35 / 29

HEX #B66C77

RGB 182 108 119

HSL 351.08, 0.34%, 0.57%

LAB 54.03, 30.78, 6.63

 

CMYK 0 / 36 / 41 / 29

HEX #B6746C

RGB 182 116 108

HSL 6.49, 0.34%, 0.57%

LAB 55.6, 25.02, 15.26

 

CMYK 0 / 25 / 41 / 29

HEX #B6886C

RGB 182 136 108

HSL 22.7, 0.34%, 0.57%

LAB 60.46, 13.88, 21.88

 

CMYK 0 / 14 / 41 / 29

HEX #B69C6C

RGB 182 156 108

HSL 38.92, 0.34%, 0.57%

LAB 65.6, 2.83, 28.69

 

CMYK 0 / 45 / 51 / 45

HEX #8B4D44

RGB 139 77 68

HSL 7.61, 0.34%, 0.41%

LAB 39.94, 25.09, 16.8

 

CMYK 0 / 45 / 51 / 35

HEX #A75C52

RGB 167 92 82

HSL 7.06, 0.34%, 0.49%

LAB 47.6, 29.52, 19.29

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 0 / 27 / 31 / 23

HEX #C48F87

RGB 196 143 135

HSL 7.87, 0.34%, 0.65%

LAB 64.27, 18.98, 12.17

 

CMYK 0 / 19 / 22 / 18

HEX #D1A9A3

RGB 209 169 163

HSL 7.83, 0.33%, 0.73%

LAB 72.61, 13.7, 8.62

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 13 / 0 / 41 / 29

HEX #9FB66C

RGB 159 182 108

HSL 78.65, 0.34%, 0.57%

LAB 70.81, -20.17, 35.04

 

CMYK 41 / 29 / 0 / 29

HEX #6C81B6

RGB 108 129 182

HSL 222.97, 0.34%, 0.57%

LAB 54.31, 6.15, -30.32

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 41 / 0 / 36 / 29

HEX #6CB674

RGB 108 182 116

HSL 126.49, 0.34%, 0.57%

LAB 67.95, -37.01, 26.56

 

CMYK 36 / 41 / 0 / 29

HEX #746CB6

RGB 116 108 182

HSL 246.49, 0.34%, 0.57%

LAB 49.27, 20.97, -38.17

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 13 / 0 / 41 / 29

HEX #9FB66C

RGB 159 182 108

HSL 78.65, 0.34%, 0.57%

LAB 70.81, -20.17, 35.04

 

CMYK 41 / 5 / 0 / 29

HEX #6CADB6

RGB 108 173 182

HSL 187.3, 0.34%, 0.57%

LAB 66.86, -18.37, -11.16

 

CMYK 28 / 41 / 0 / 29

HEX #836CB6

RGB 131 108 182

HSL 258.65, 0.34%, 0.57%

LAB 50.6, 25.25, -35.98

 

CMYK 0 / 36 / 41 / 29

HEX #B6756C

RGB 182 117 108

HSL 7.3, 0.34%, 0.57%

LAB 55.84, 24.47, 15.58

 

CMYK 25 / 0 / 41 / 29

HEX #88B66C

RGB 136 182 108

HSL 97.3, 0.34%, 0.57%

LAB 69.31, -28.84, 32.82

 

CMYK 41 / 5 / 0 / 29

HEX #6CADB6

RGB 108 173 182

HSL 187.3, 0.34%, 0.57%

LAB 66.86, -18.37, -11.16

 

CMYK 15 / 41 / 0 / 29

HEX #9A6CB6

RGB 154 108 182

HSL 277.3, 0.34%, 0.57%

LAB 52.92, 32.15, -32.19

 

Description

Color code: HEX #B6756C | qconv.com Color code: HEX #B6756C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 117 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 117 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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