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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B67347 it is the complementary color #498CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B67347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B67347 shade: #BB7342, #CC8555, #DD9768, #EEA97B and #FFBB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B67347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B67347 shade: #B67347, #A56134, #944F21, #833D0E and #722B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B67347 shade: #B77347, #B75547 and #B74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B67347 shade: #B77347, #B79247, #B7B047, #A0B747 and #82B747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B67347 shade matches the following richer shades: #B77347, #CC6F32, #E06B1E and #F56709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B67347 shade: #B77347, #A2785C, #8E7C70, #798085 and #658499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B67347 shade: #B74758, #B75447, #B77247, #B79047 and #B7AE47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B67347 shade: #7C4E30, #99613B, #B77347, #C38A65 and #CEA082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B67347 shade: #B67347, #76B747 and #4749B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B67347 shade: #B67347, #47B772 and #7247B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B67347 shade: #B67347, #76B747, #478CB7 and #8847B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B67347 shade: #B67347, #54B747, #478CB7 and #AA47B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

Complementary color

CMYK 60 / 24 / 0 / 28

HEX #498CB8

RGB 73 140 184

HSL 203.78, 0.44%, 0.5%

LAB 55.72, -7.93, -29.42

 

CMYK 0 / 39 / 65 / 27

HEX #BB7342

RGB 187 115 66

HSL 24.3, 0.48%, 0.5%

LAB 55.3, 23.81, 38.53

 

CMYK 0 / 35 / 58 / 20

HEX #CC8555

RGB 204 133 85

HSL 24.2, 0.54%, 0.57%

LAB 61.89, 22.43, 36.83

 

CMYK 0 / 32 / 53 / 13

HEX #DD9768

RGB 221 151 104

HSL 24.1, 0.63%, 0.64%

LAB 68.39, 21.22, 35.25

 

CMYK 0 / 29 / 48 / 7

HEX #EEA97B

RGB 238 169 123

HSL 24, 0.77%, 0.71%

LAB 74.81, 20.16, 33.77

 

CMYK 0 / 27 / 44 / 0

HEX #FFBB8E

RGB 255 187 142

HSL 23.89, 1%, 0.78%

LAB 81.16, 19.22, 32.41

 

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

CMYK 0 / 41 / 68 / 35

HEX #A56134

RGB 165 97 52

HSL 23.89, 0.52%, 0.43%

LAB 48, 23.55, 36.8

 

CMYK 0 / 47 / 78 / 42

HEX #944F21

RGB 148 79 33

HSL 24, 0.64%, 0.35%

LAB 41.21, 25.29, 38.58

 

CMYK 0 / 53 / 89 / 49

HEX #833D0E

RGB 131 61 14

HSL 24.1, 0.81%, 0.28%

LAB 34.38, 27.28, 39.89

 

CMYK 0 / 62 / 100 / 55

HEX #722B00

RGB 114 43 0

HSL 22.63, 1%, 0.22%

LAB 27.59, 29.44, 38.8

 

CMYK 0 / 37 / 61 / 28

HEX #B77347

RGB 183 115 71

HSL 23.57, 0.44%, 0.5%

LAB 54.85, 22.47, 35.2

 

CMYK 0 / 54 / 61 / 28

HEX #B75547

RGB 183 85 71

HSL 7.5, 0.44%, 0.5%

LAB 48.28, 38.57, 27.12

 

CMYK 0 / 61 / 61 / 28

HEX #B74747

RGB 183 71 71

HSL 0, 0.44%, 0.5%

LAB 45.67, 45.38, 23.79

 

CMYK 0 / 37 / 61 / 28

HEX #B77347

RGB 183 115 71

HSL 23.57, 0.44%, 0.5%

LAB 54.85, 22.47, 35.2

 

CMYK 0 / 20 / 61 / 28

HEX #B79247

RGB 183 146 71

HSL 40.18, 0.44%, 0.5%

LAB 62.58, 5.28, 44.26

 

CMYK 0 / 4 / 61 / 28

HEX #B7B047

RGB 183 176 71

HSL 56.25, 0.44%, 0.5%

LAB 70.58, -10.77, 53.17

 

CMYK 13 / 0 / 61 / 28

HEX #A0B747

RGB 160 183 71

HSL 72.32, 0.44%, 0.5%

LAB 70.73, -23.95, 52.82

 

CMYK 29 / 0 / 61 / 28

HEX #82B747

RGB 130 183 71

HSL 88.39, 0.44%, 0.5%

LAB 68.8, -35.72, 50.15

 

CMYK 0 / 37 / 61 / 28

HEX #B77347

RGB 183 115 71

HSL 23.57, 0.44%, 0.5%

LAB 54.85, 22.47, 35.2

 

CMYK 0 / 46 / 75 / 20

HEX #CC6F32

RGB 204 111 50

HSL 23.77, 0.61%, 0.5%

LAB 56.52, 32.18, 48.54

 

CMYK 0 / 52 / 87 / 12

HEX #E06B1E

RGB 224 107 30

HSL 23.81, 0.76%, 0.5%

LAB 58.47, 41.56, 59.63

 

CMYK 0 / 58 / 96 / 4

HEX #F56709

RGB 245 103 9

HSL 23.9, 0.93%, 0.5%

LAB 60.9, 51.05, 68.16

 

CMYK 0 / 37 / 61 / 28

HEX #B77347

RGB 183 115 71

HSL 23.57, 0.44%, 0.5%

LAB 54.85, 22.47, 35.2

 

CMYK 0 / 26 / 43 / 36

HEX #A2785C

RGB 162 120 92

HSL 24, 0.28%, 0.5%

LAB 53.91, 12.71, 21.77

 

CMYK 0 / 13 / 21 / 44

HEX #8E7C70

RGB 142 124 112

HSL 24, 0.12%, 0.5%

LAB 53.32, 4.87, 9.09

 

CMYK 9 / 4 / 0 / 48

HEX #798085

RGB 121 128 133

HSL 205, 0.05%, 0.5%

LAB 53.16, -1.53, -3.6

 

CMYK 34 / 14 / 0 / 40

HEX #658499

RGB 101 132 153

HSL 204.23, 0.2%, 0.5%

LAB 53.57, -5.63, -14.78

 

CMYK 0 / 61 / 52 / 28

HEX #B74758

RGB 183 71 88

HSL 350.89, 0.44%, 0.5%

LAB 46.01, 46.71, 13.94

 

CMYK 0 / 54 / 61 / 28

HEX #B75447

RGB 183 84 71

HSL 6.96, 0.44%, 0.5%

LAB 48.09, 39.07, 26.87

 

CMYK 0 / 38 / 61 / 28

HEX #B77247

RGB 183 114 71

HSL 23.04, 0.44%, 0.5%

LAB 54.61, 23.03, 34.92

 

CMYK 0 / 21 / 61 / 28

HEX #B79047

RGB 183 144 71

HSL 39.11, 0.44%, 0.5%

LAB 62.06, 6.38, 43.67

 

CMYK 0 / 5 / 61 / 28

HEX #B7AE47

RGB 183 174 71

HSL 55.18, 0.44%, 0.5%

LAB 70.03, -9.73, 52.58

 

CMYK 0 / 37 / 61 / 51

HEX #7C4E30

RGB 124 78 48

HSL 23.68, 0.44%, 0.34%

LAB 37.75, 16.13, 25.6

 

CMYK 0 / 37 / 61 / 40

HEX #99613B

RGB 153 97 59

HSL 24.26, 0.44%, 0.42%

LAB 46.5, 18.82, 30.82

 

CMYK 0 / 37 / 61 / 28

HEX #B77347

RGB 183 115 71

HSL 23.57, 0.44%, 0.5%

LAB 54.85, 22.47, 35.2

 

CMYK 0 / 29 / 48 / 24

HEX #C38A65

RGB 195 138 101

HSL 23.62, 0.44%, 0.58%

LAB 62.27, 17.37, 28.42

 

CMYK 0 / 22 / 37 / 19

HEX #CEA082

RGB 206 160 130

HSL 23.68, 0.44%, 0.66%

LAB 69.38, 12.98, 22.18

 

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

CMYK 36 / 0 / 61 / 28

HEX #76B747

RGB 118 183 71

HSL 94.82, 0.44%, 0.5%

LAB 68.15, -40.05, 49.24

 

CMYK 61 / 60 / 0 / 28

HEX #4749B7

RGB 71 73 183

HSL 238.93, 0.44%, 0.5%

LAB 36.97, 32.73, -58.66

 

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

CMYK 61 / 0 / 38 / 28

HEX #47B772

RGB 71 183 114

HSL 143.04, 0.44%, 0.5%

LAB 66.84, -47.45, 25.9

 

CMYK 38 / 61 / 0 / 28

HEX #7247B7

RGB 114 71 183

HSL 263.04, 0.44%, 0.5%

LAB 40.41, 42.58, -52.9

 

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

CMYK 36 / 0 / 61 / 28

HEX #76B747

RGB 118 183 71

HSL 94.82, 0.44%, 0.5%

LAB 68.15, -40.05, 49.24

 

CMYK 61 / 23 / 0 / 28

HEX #478CB7

RGB 71 140 183

HSL 203.04, 0.44%, 0.5%

LAB 55.6, -8.65, -29.04

 

CMYK 26 / 61 / 0 / 28

HEX #8847B7

RGB 136 71 183

HSL 274.82, 0.44%, 0.5%

LAB 43, 47.73, -48.6

 

CMYK 0 / 37 / 61 / 29

HEX #B67347

RGB 182 115 71

HSL 23.78, 0.44%, 0.5%

LAB 54.72, 22.05, 35.02

 

CMYK 54 / 0 / 61 / 28

HEX #54B747

RGB 84 183 71

HSL 113.04, 0.44%, 0.5%

LAB 66.68, -50.65, 47.18

 

CMYK 61 / 23 / 0 / 28

HEX #478CB7

RGB 71 140 183

HSL 203.04, 0.44%, 0.5%

LAB 55.6, -8.65, -29.04

 

CMYK 7 / 61 / 0 / 28

HEX #AA47B7

RGB 170 71 183

HSL 293.04, 0.44%, 0.5%

LAB 47.59, 56.13, -41.02

 

Description

Color code: HEX #B67347 | qconv.com Color code: HEX #B67347 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 115 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 115 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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