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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68090 it is the complementary color #497F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B68090 shade: #BB808B, #CC929E, #DDA4B1, #EEB6C4 and #FFC8D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B68090 shade: #B68090, #A56E7D, #945C6A, #834A57 and #723844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B68090 shade: #B68090, #B68082 and #B68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B68090 shade: #B68090, #B6809F, #B680AD, #B080B6 and #A280B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B68090 shade matches the following richer shades: #B68090, #C6708A, #D66083, #E6507C and #F64076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B68090 shade: #B68090, #A69097, #96A09D, #86B0A4 and #76C1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B68090 shade: #B680AD, #B6809F, #B68090, #B68082 and #B68D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B68090 shade: #915365, #A76679, #B68090, #C59AA7 and #D4B5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B68090 shade: #B68090, #B6B180 and #80A6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B68090 shade: #B68090, #90B680 and #8090B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B68090 shade: #B68090, #B6B180, #80B6A6 and #8086B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B68090 shade: #B68090, #ABB680, #80B6A6 and #8B80B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

Complementary color

CMYK 43 / 0 / 13 / 50

HEX #497F6F

RGB 73 127 111

HSL 162.22, 0.27%, 0.39%

LAB 49.18, -21.99, 3.09

 

CMYK 0 / 32 / 26 / 27

HEX #BB808B

RGB 187 128 139

HSL 348.81, 0.3%, 0.62%

LAB 59.77, 24.38, 3.34

 

CMYK 0 / 28 / 23 / 20

HEX #CC929E

RGB 204 146 158

HSL 347.59, 0.36%, 0.69%

LAB 66.42, 23.63, 2.42

 

CMYK 0 / 26 / 20 / 13

HEX #DDA4B1

RGB 221 164 177

HSL 346.32, 0.46%, 0.75%

LAB 72.96, 22.95, 1.57

 

CMYK 0 / 24 / 18 / 7

HEX #EEB6C4

RGB 238 182 196

HSL 345, 0.62%, 0.82%

LAB 79.4, 22.33, 0.79

 

CMYK 0 / 22 / 16 / 0

HEX #FFC8D7

RGB 255 200 215

HSL 343.64, 1%, 0.89%

LAB 85.74, 21.76, 0.05

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 33 / 24 / 35

HEX #A56E7D

RGB 165 110 125

HSL 343.64, 0.23%, 0.54%

LAB 52.54, 24.03, 0.68

 

CMYK 0 / 38 / 28 / 42

HEX #945C6A

RGB 148 92 106

HSL 345, 0.23%, 0.47%

LAB 45.62, 24.89, 1.71

 

CMYK 0 / 44 / 34 / 49

HEX #834A57

RGB 131 74 87

HSL 346.32, 0.28%, 0.4%

LAB 38.57, 25.85, 2.92

 

CMYK 0 / 51 / 40 / 55

HEX #723844

RGB 114 56 68

HSL 347.59, 0.34%, 0.33%

LAB 31.4, 26.89, 4.41

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 30 / 29 / 29

HEX #B68082

RGB 182 128 130

HSL 357.78, 0.27%, 0.61%

LAB 58.97, 21.18, 7.29

 

CMYK 0 / 30 / 30 / 29

HEX #B68080

RGB 182 128 128

HSL 0, 0.27%, 0.61%

LAB 58.92, 20.9, 8.37

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 30 / 13 / 29

HEX #B6809F

RGB 182 128 159

HSL 325.56, 0.27%, 0.61%

LAB 59.79, 25.71, -8.18

 

CMYK 0 / 30 / 5 / 29

HEX #B680AD

RGB 182 128 173

HSL 310, 0.27%, 0.61%

LAB 60.25, 28.19, -15.49

 

CMYK 3 / 30 / 0 / 29

HEX #B080B6

RGB 176 128 182

HSL 293.33, 0.27%, 0.61%

LAB 59.93, 27.88, -21.17

 

CMYK 11 / 30 / 0 / 29

HEX #A280B6

RGB 162 128 182

HSL 277.78, 0.27%, 0.61%

LAB 58.51, 23.26, -23.47

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 43 / 30 / 22

HEX #C6708A

RGB 198 112 138

HSL 341.86, 0.43%, 0.61%

LAB 57.49, 37.01, 0.78

 

CMYK 0 / 55 / 39 / 16

HEX #D66083

RGB 214 96 131

HSL 342.2, 0.59%, 0.61%

LAB 56.39, 49.79, 3.55

 

CMYK 0 / 65 / 46 / 10

HEX #E6507C

RGB 230 80 124

HSL 342.4, 0.75%, 0.61%

LAB 56.1, 61.2, 7.6

 

CMYK 0 / 74 / 52 / 4

HEX #F64076

RGB 246 64 118

HSL 342.2, 0.91%, 0.61%

LAB 56.65, 71.01, 12.32

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 13 / 9 / 35

HEX #A69097

RGB 166 144 151

HSL 340.91, 0.11%, 0.61%

LAB 61.9, 9.44, -0.67

 

CMYK 6 / 0 / 2 / 37

HEX #96A09D

RGB 150 160 157

HSL 162, 0.05%, 0.61%

LAB 65.01, -4.14, 0.33

 

CMYK 24 / 0 / 7 / 31

HEX #86B0A4

RGB 134 176 164

HSL 162.86, 0.21%, 0.61%

LAB 68.61, -16.64, 1.54

 

CMYK 39 / 0 / 12 / 24

HEX #76C1AA

RGB 118 193 170

HSL 161.6, 0.38%, 0.61%

LAB 72.82, -28.63, 4.26

 

CMYK 0 / 30 / 5 / 29

HEX #B680AD

RGB 182 128 173

HSL 310, 0.27%, 0.61%

LAB 60.25, 28.19, -15.49

 

CMYK 0 / 30 / 13 / 29

HEX #B6809F

RGB 182 128 159

HSL 325.56, 0.27%, 0.61%

LAB 59.79, 25.71, -8.18

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 30 / 29 / 29

HEX #B68082

RGB 182 128 130

HSL 357.78, 0.27%, 0.61%

LAB 58.97, 21.18, 7.29

 

CMYK 0 / 23 / 30 / 29

HEX #B68D80

RGB 182 141 128

HSL 14.44, 0.27%, 0.61%

LAB 62.13, 13.64, 12.9

 

CMYK 0 / 43 / 30 / 43

HEX #915365

RGB 145 83 101

HSL 342.58, 0.27%, 0.45%

LAB 42.98, 28.14, 0.88

 

CMYK 0 / 39 / 28 / 35

HEX #A76679

RGB 167 102 121

HSL 342.46, 0.27%, 0.53%

LAB 50.8, 28.7, 0.54

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 22 / 15 / 23

HEX #C59AA7

RGB 197 154 167

HSL 341.86, 0.27%, 0.69%

LAB 67.85, 18.06, -0.62

 

CMYK 0 / 15 / 10 / 17

HEX #D4B5BE

RGB 212 181 190

HSL 342.58, 0.26%, 0.77%

LAB 76.53, 12.61, -0.43

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 3 / 30 / 29

HEX #B6B180

RGB 182 177 128

HSL 54.44, 0.27%, 0.61%

LAB 71.52, -5.98, 25.77

 

CMYK 30 / 9 / 0 / 29

HEX #80A6B6

RGB 128 166 182

HSL 197.78, 0.27%, 0.61%

LAB 65.93, -9.06, -12.44

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 21 / 0 / 30 / 29

HEX #90B680

RGB 144 182 128

HSL 102.22, 0.27%, 0.61%

LAB 70.14, -22.99, 23.43

 

CMYK 30 / 21 / 0 / 29

HEX #8090B6

RGB 128 144 182

HSL 222.22, 0.27%, 0.61%

LAB 59.81, 3.2, -21.72

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 0 / 3 / 30 / 29

HEX #B6B180

RGB 182 177 128

HSL 54.44, 0.27%, 0.61%

LAB 71.52, -5.98, 25.77

 

CMYK 30 / 0 / 9 / 29

HEX #80B6A6

RGB 128 182 166

HSL 162.22, 0.27%, 0.61%

LAB 70.03, -21.15, 2.47

 

CMYK 30 / 26 / 0 / 29

HEX #8086B6

RGB 128 134 182

HSL 233.33, 0.27%, 0.61%

LAB 57.09, 8.99, -25.9

 

CMYK 0 / 30 / 21 / 29

HEX #B68090

RGB 182 128 144

HSL 342.22, 0.27%, 0.61%

LAB 59.34, 23.26, -0.22

 

CMYK 6 / 0 / 30 / 29

HEX #ABB680

RGB 171 182 128

HSL 72.22, 0.27%, 0.61%

LAB 72.01, -12.89, 26.28

 

CMYK 30 / 0 / 9 / 29

HEX #80B6A6

RGB 128 182 166

HSL 162.22, 0.27%, 0.61%

LAB 70.03, -21.15, 2.47

 

CMYK 24 / 30 / 0 / 29

HEX #8B80B6

RGB 139 128 182

HSL 252.22, 0.27%, 0.61%

LAB 56.39, 15.88, -26.91

 

Description

Color code: HEX #B68090 | qconv.com Color code: HEX #B68090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 128 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 128 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 21 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 21% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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