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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68095 it is the complementary color #497F6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B68095 shade: #BB8090, #CC92A3, #DDA4B6, #EEB6C9 and #FFC8DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B68095 shade: #B68095, #A56E82, #945C6F, #834A5C and #723849

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B68095 shade: #B68095, #B68087 and #B68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B68095 shade: #B68095, #B680A4, #B680B2, #AB80B6 and #9D80B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B68095 shade matches the following richer shades: #B68095, #C67092, #D6608E, #E6508A and #F64087

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B68095 shade: #B68095, #A69099, #96A09C, #86B0A0 and #76C1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B68095 shade: #B680B2, #B680A4, #B68096, #B68087 and #B68780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B68095 shade: #91536B, #A7667F, #B68095, #C59AAB and #D4B5C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B68095 shade: #B68095, #B6AB80 and #80ABB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B68095 shade: #B68095, #96B680 and #8096B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B68095 shade: #B68095, #B6AB80, #80B6A0 and #808BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B68095 shade: #B68095, #B1B680, #80B6A0 and #8680B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

Complementary color

CMYK 43 / 0 / 17 / 50

HEX #497F6A

RGB 73 127 106

HSL 156.67, 0.27%, 0.39%

LAB 49.05, -23.19, 5.84

 

CMYK 0 / 32 / 23 / 27

HEX #BB8090

RGB 187 128 144

HSL 343.73, 0.3%, 0.62%

LAB 59.9, 25.12, 0.67

 

CMYK 0 / 28 / 20 / 20

HEX #CC92A3

RGB 204 146 163

HSL 342.41, 0.36%, 0.69%

LAB 66.55, 24.39, -0.2

 

CMYK 0 / 26 / 18 / 13

HEX #DDA4B6

RGB 221 164 182

HSL 341.05, 0.46%, 0.75%

LAB 73.09, 23.72, -0.99

 

CMYK 0 / 24 / 16 / 7

HEX #EEB6C9

RGB 238 182 201

HSL 339.64, 0.62%, 0.82%

LAB 79.53, 23.1, -1.73

 

CMYK 0 / 22 / 14 / 0

HEX #FFC8DC

RGB 255 200 220

HSL 338.18, 1%, 0.89%

LAB 85.87, 22.54, -2.42

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 33 / 21 / 35

HEX #A56E82

RGB 165 110 130

HSL 338.18, 0.23%, 0.54%

LAB 52.69, 24.81, -2.05

 

CMYK 0 / 38 / 25 / 42

HEX #945C6F

RGB 148 92 111

HSL 339.64, 0.23%, 0.47%

LAB 45.77, 25.65, -1.11

 

CMYK 0 / 44 / 30 / 49

HEX #834A5C

RGB 131 74 92

HSL 341.05, 0.28%, 0.4%

LAB 38.72, 26.57, 0

 

CMYK 0 / 51 / 36 / 55

HEX #723849

RGB 114 56 73

HSL 342.41, 0.34%, 0.33%

LAB 31.55, 27.55, 1.37

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 30 / 26 / 29

HEX #B68087

RGB 182 128 135

HSL 352.22, 0.27%, 0.61%

LAB 59.1, 21.89, 4.6

 

CMYK 0 / 30 / 30 / 29

HEX #B68080

RGB 182 128 128

HSL 0, 0.27%, 0.61%

LAB 58.92, 20.9, 8.37

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 30 / 10 / 29

HEX #B680A4

RGB 182 128 164

HSL 320, 0.27%, 0.61%

LAB 59.95, 26.57, -10.8

 

CMYK 0 / 30 / 2 / 29

HEX #B680B2

RGB 182 128 178

HSL 304.44, 0.27%, 0.61%

LAB 60.42, 29.12, -18.08

 

CMYK 6 / 30 / 0 / 29

HEX #AB80B6

RGB 171 128 182

HSL 287.78, 0.27%, 0.61%

LAB 59.41, 26.23, -22.01

 

CMYK 14 / 30 / 0 / 29

HEX #9D80B6

RGB 157 128 182

HSL 272.22, 0.27%, 0.61%

LAB 58.02, 21.63, -24.26

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 43 / 26 / 22

HEX #C67092

RGB 198 112 146

HSL 336.28, 0.43%, 0.61%

LAB 57.72, 38.11, -3.53

 

CMYK 0 / 55 / 34 / 16

HEX #D6608E

RGB 214 96 142

HSL 336.61, 0.59%, 0.61%

LAB 56.7, 51.06, -2.45

 

CMYK 0 / 65 / 40 / 10

HEX #E6508A

RGB 230 80 138

HSL 336.8, 0.75%, 0.61%

LAB 56.48, 62.55, -0.12

 

CMYK 0 / 74 / 45 / 4

HEX #F64087

RGB 246 64 135

HSL 336.59, 0.91%, 0.61%

LAB 57.08, 72.39, 2.86

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 6 / 0 / 2 / 37

HEX #96A09C

RGB 150 160 156

HSL 156, 0.05%, 0.61%

LAB 64.98, -4.34, 0.85

 

CMYK 24 / 0 / 9 / 31

HEX #86B0A0

RGB 134 176 160

HSL 157.14, 0.21%, 0.61%

LAB 68.5, -17.48, 3.6

 

CMYK 39 / 0 / 16 / 24

HEX #76C1A3

RGB 118 193 163

HSL 156, 0.38%, 0.61%

LAB 72.65, -30.16, 7.82

 

CMYK 0 / 30 / 2 / 29

HEX #B680B2

RGB 182 128 178

HSL 304.44, 0.27%, 0.61%

LAB 60.42, 29.12, -18.08

 

CMYK 0 / 30 / 10 / 29

HEX #B680A4

RGB 182 128 164

HSL 320, 0.27%, 0.61%

LAB 59.95, 26.57, -10.8

 

CMYK 0 / 30 / 18 / 29

HEX #B68096

RGB 182 128 150

HSL 335.56, 0.27%, 0.61%

LAB 59.51, 24.21, -3.42

 

CMYK 0 / 30 / 26 / 29

HEX #B68087

RGB 182 128 135

HSL 352.22, 0.27%, 0.61%

LAB 59.1, 21.89, 4.6

 

CMYK 0 / 26 / 30 / 29

HEX #B68780

RGB 182 135 128

HSL 7.78, 0.27%, 0.61%

LAB 60.63, 16.98, 10.8

 

CMYK 0 / 43 / 26 / 43

HEX #91536B

RGB 145 83 107

HSL 336.77, 0.27%, 0.45%

LAB 43.16, 29.02, -2.54

 

CMYK 0 / 39 / 24 / 35

HEX #A7667F

RGB 167 102 127

HSL 336.92, 0.27%, 0.53%

LAB 50.98, 29.59, -2.76

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 22 / 13 / 23

HEX #C59AAB

RGB 197 154 171

HSL 336.28, 0.27%, 0.69%

LAB 67.96, 18.72, -2.69

 

CMYK 0 / 15 / 9 / 17

HEX #D4B5C1

RGB 212 181 193

HSL 336.77, 0.26%, 0.77%

LAB 76.62, 13.12, -1.95

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 6 / 30 / 29

HEX #B6AB80

RGB 182 171 128

HSL 47.78, 0.27%, 0.61%

LAB 69.92, -2.79, 23.61

 

CMYK 30 / 6 / 0 / 29

HEX #80ABB6

RGB 128 171 182

HSL 192.22, 0.27%, 0.61%

LAB 67.35, -11.75, -10.33

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 18 / 0 / 30 / 29

HEX #96B680

RGB 150 182 128

HSL 95.56, 0.27%, 0.61%

LAB 70.52, -20.81, 24.02

 

CMYK 30 / 18 / 0 / 29

HEX #8096B6

RGB 128 150 182

HSL 215.56, 0.27%, 0.61%

LAB 61.46, -0.21, -19.2

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 0 / 6 / 30 / 29

HEX #B6AB80

RGB 182 171 128

HSL 47.78, 0.27%, 0.61%

LAB 69.92, -2.79, 23.61

 

CMYK 30 / 0 / 12 / 29

HEX #80B6A0

RGB 128 182 160

HSL 155.56, 0.27%, 0.61%

LAB 69.88, -22.44, 5.55

 

CMYK 30 / 24 / 0 / 29

HEX #808BB6

RGB 128 139 182

HSL 227.78, 0.27%, 0.61%

LAB 58.44, 6.08, -23.82

 

CMYK 0 / 30 / 18 / 29

HEX #B68095

RGB 182 128 149

HSL 336.67, 0.27%, 0.61%

LAB 59.48, 24.05, -2.89

 

CMYK 3 / 0 / 30 / 29

HEX #B1B680

RGB 177 182 128

HSL 65.56, 0.27%, 0.61%

LAB 72.47, -10.57, 26.97

 

CMYK 30 / 0 / 12 / 29

HEX #80B6A0

RGB 128 182 160

HSL 155.56, 0.27%, 0.61%

LAB 69.88, -22.44, 5.55

 

CMYK 26 / 30 / 0 / 29

HEX #8680B6

RGB 134 128 182

HSL 246.67, 0.27%, 0.61%

LAB 55.97, 14.33, -27.59

 

Description

Color code: HEX #B68095 | qconv.com Color code: HEX #B68095 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 128 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 128 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 18 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 18% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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