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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68367 it is the complementary color #497C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B68367 shade: #BB8362, #CC9575, #DDA788, #EEB99B and #FFCBAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B68367 shade: #B68367, #A57154, #945F41, #834D2E and #723B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B68367 shade: #B68367, #B66E67 and #B66767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B68367 shade: #B68367, #B69867, #B6AD67, #A9B667 and #94B667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B68367 shade matches the following richer shades: #B68367, #C87E55, #DA7843, #EC7331 and #FE6E1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B68367 shade: #B68367, #A38879, #918D8B, #7F939D and #6D98B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B68367 shade: #B66775, #B66E67, #B68367, #B69767 and #B6AC67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B68367 shade: #895B42, #A46D4F, #B68367, #C39A83 and #D0B09F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B68367 shade: #B68367, #8AB667 and #676BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B68367 shade: #B68367, #67B683 and #8367B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B68367 shade: #B68367, #8AB667, #679AB6 and #9267B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B68367 shade: #B68367, #73B667, #679AB6 and #AA67B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

Complementary color

CMYK 52 / 18 / 0 / 40

HEX #497C98

RGB 73 124 152

HSL 201.27, 0.35%, 0.44%

LAB 49.62, -8.94, -20.36

 

CMYK 0 / 30 / 48 / 27

HEX #BB8362

RGB 187 131 98

HSL 22.25, 0.4%, 0.56%

LAB 59.6, 17.63, 26.42

 

CMYK 0 / 27 / 43 / 20

HEX #CC9575

RGB 204 149 117

HSL 22.07, 0.46%, 0.63%

LAB 66.23, 16.68, 25.02

 

CMYK 0 / 24 / 38 / 13

HEX #DDA788

RGB 221 167 136

HSL 21.88, 0.56%, 0.7%

LAB 72.75, 15.85, 23.75

 

CMYK 0 / 22 / 35 / 7

HEX #EEB99B

RGB 238 185 155

HSL 21.69, 0.71%, 0.77%

LAB 79.18, 15.12, 22.57

 

CMYK 0 / 20 / 32 / 0

HEX #FFCBAE

RGB 255 203 174

HSL 21.48, 1%, 0.84%

LAB 85.52, 14.46, 21.47

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 32 / 49 / 35

HEX #A57154

RGB 165 113 84

HSL 21.48, 0.33%, 0.49%

LAB 52.34, 17.1, 24.34

 

CMYK 0 / 36 / 56 / 42

HEX #945F41

RGB 148 95 65

HSL 21.69, 0.39%, 0.42%

LAB 45.44, 18.29, 25.97

 

CMYK 0 / 41 / 65 / 49

HEX #834D2E

RGB 131 77 46

HSL 21.88, 0.48%, 0.35%

LAB 38.43, 19.71, 27.81

 

CMYK 0 / 48 / 76 / 55

HEX #723B1B

RGB 114 59 27

HSL 22.07, 0.62%, 0.28%

LAB 31.31, 21.42, 29.81

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 40 / 43 / 29

HEX #B66E67

RGB 182 110 103

HSL 5.32, 0.35%, 0.56%

LAB 54.11, 27.77, 16.1

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 16 / 43 / 29

HEX #B69867

RGB 182 152 103

HSL 37.22, 0.35%, 0.56%

LAB 64.47, 4.46, 29.92

 

CMYK 0 / 5 / 43 / 29

HEX #B6AD67

RGB 182 173 103

HSL 53.16, 0.35%, 0.56%

LAB 70.04, -6.84, 37.03

 

CMYK 7 / 0 / 43 / 29

HEX #A9B667

RGB 169 182 103

HSL 69.87, 0.35%, 0.56%

LAB 71.47, -16.8, 38.59

 

CMYK 19 / 0 / 43 / 29

HEX #94B667

RGB 148 182 103

HSL 85.82, 0.35%, 0.56%

LAB 69.99, -25.03, 36.41

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 37 / 58 / 22

HEX #C87E55

RGB 200 126 85

HSL 21.39, 0.51%, 0.56%

LAB 59.76, 24.59, 34.11

 

CMYK 0 / 45 / 69 / 15

HEX #DA7843

RGB 218 120 67

HSL 21.06, 0.67%, 0.56%

LAB 60.55, 33.93, 45.11

 

CMYK 0 / 51 / 79 / 7

HEX #EC7331

RGB 236 115 49

HSL 21.18, 0.83%, 0.56%

LAB 61.93, 42.75, 55.86

 

CMYK 0 / 57 / 88 / 0

HEX #FE6E1E

RGB 254 110 30

HSL 21.43, 0.99%, 0.56%

LAB 63.6, 51.38, 65.6

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 17 / 26 / 36

HEX #A38879

RGB 163 136 121

HSL 21.43, 0.19%, 0.56%

LAB 58.77, 7.87, 11.88

 

CMYK 0 / 3 / 4 / 43

HEX #918D8B

RGB 145 141 139

HSL 20, 0.03%, 0.56%

LAB 58.91, 1.1, 1.58

 

CMYK 19 / 6 / 0 / 38

HEX #7F939D

RGB 127 147 157

HSL 200, 0.13%, 0.56%

LAB 59.72, -4.86, -7.66

 

CMYK 38 / 14 / 0 / 31

HEX #6D98B0

RGB 109 152 176

HSL 201.49, 0.3%, 0.56%

LAB 60.64, -8.42, -17.17

 

CMYK 0 / 43 / 36 / 29

HEX #B66775

RGB 182 103 117

HSL 349.37, 0.35%, 0.56%

LAB 52.87, 33.24, 6.15

 

CMYK 0 / 40 / 43 / 29

HEX #B66E67

RGB 182 110 103

HSL 5.32, 0.35%, 0.56%

LAB 54.11, 27.77, 16.1

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 17 / 43 / 29

HEX #B69767

RGB 182 151 103

HSL 36.46, 0.35%, 0.56%

LAB 64.21, 5.01, 29.58

 

CMYK 0 / 5 / 43 / 29

HEX #B6AC67

RGB 182 172 103

HSL 52.41, 0.35%, 0.56%

LAB 69.77, -6.31, 36.69

 

CMYK 0 / 34 / 52 / 46

HEX #895B42

RGB 137 91 66

HSL 21.13, 0.35%, 0.4%

LAB 43.05, 15.9, 22.05

 

CMYK 0 / 34 / 52 / 36

HEX #A46D4F

RGB 164 109 79

HSL 21.18, 0.35%, 0.48%

LAB 51.15, 18.46, 25.62

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 0 / 21 / 33 / 24

HEX #C39A83

RGB 195 154 131

HSL 21.56, 0.35%, 0.64%

LAB 66.79, 12.01, 17.9

 

CMYK 0 / 15 / 24 / 18

HEX #D0B09F

RGB 208 176 159

HSL 20.82, 0.34%, 0.72%

LAB 74.17, 8.96, 13

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 24 / 0 / 43 / 29

HEX #8AB667

RGB 138 182 103

HSL 93.42, 0.35%, 0.56%

LAB 69.35, -28.78, 35.48

 

CMYK 43 / 41 / 0 / 29

HEX #676BB6

RGB 103 107 182

HSL 236.96, 0.35%, 0.56%

LAB 47.98, 18.09, -40.28

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 43 / 0 / 28 / 29

HEX #67B683

RGB 103 182 131

HSL 141.27, 0.35%, 0.56%

LAB 68, -35.78, 18.55

 

CMYK 28 / 43 / 0 / 29

HEX #8367B6

RGB 131 103 182

HSL 261.27, 0.35%, 0.56%

LAB 49.38, 28.2, -37.91

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 24 / 0 / 43 / 29

HEX #8AB667

RGB 138 182 103

HSL 93.42, 0.35%, 0.56%

LAB 69.35, -28.78, 35.48

 

CMYK 43 / 15 / 0 / 29

HEX #679AB6

RGB 103 154 182

HSL 201.27, 0.35%, 0.56%

LAB 61.11, -9.49, -19.88

 

CMYK 20 / 43 / 0 / 29

HEX #9267B6

RGB 146 103 182

HSL 272.66, 0.35%, 0.56%

LAB 50.91, 32.6, -35.4

 

CMYK 0 / 28 / 43 / 29

HEX #B68367

RGB 182 131 103

HSL 21.27, 0.35%, 0.56%

LAB 59.12, 16.1, 22.89

 

CMYK 37 / 0 / 43 / 29

HEX #73B667

RGB 115 182 103

HSL 110.89, 0.35%, 0.56%

LAB 68.08, -36.81, 33.6

 

CMYK 43 / 15 / 0 / 29

HEX #679AB6

RGB 103 154 182

HSL 201.27, 0.35%, 0.56%

LAB 61.11, -9.49, -19.88

 

CMYK 7 / 43 / 0 / 29

HEX #AA67B6

RGB 170 103 182

HSL 290.89, 0.35%, 0.56%

LAB 53.63, 39.83, -30.95

 

Description

Color code: HEX #B68367 | qconv.com Color code: HEX #B68367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 131 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 131 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 43 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 43% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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