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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6947C it is the complementary color #496B83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6947C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6947C shade: #BB9477, #CCA68A, #DDB89D, #EECAB0 and #FFDCC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6947C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6947C shade: #B6947C, #A58269, #947056, #835E43 and #724C30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6947C shade: #B5947C, #B5847C and #B57C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6947C shade: #B5947C, #B5A37C, #B5B27C, #A8B57C and #99B57C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6947C shade matches the following richer shades: #B5947C, #C6916B, #D68E5B, #E78B4A and #F7883A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6947C shade: #B5947C, #A5968C, #94999D, #849CAD and #739FBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6947C shade: #B57C84, #B5847C, #B5937C, #B5A27C and #B5B17C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6947C shade: #8F6A50, #A67E62, #B5947C, #C4A996 and #D3BFB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6947C shade: #B6947C, #93B57C and #7C7CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6947C shade: #B6947C, #7CB593 and #937CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6947C shade: #B6947C, #93B57C, #7C9EB5 and #9E7CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6947C shade: #B6947C, #82B57C, #7C9EB5 and #AF7CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

Complementary color

CMYK 44 / 18 / 0 / 49

HEX #496B83

RGB 73 107 131

HSL 204.83, 0.28%, 0.4%

LAB 43.61, -5.4, -17.11

 

CMYK 0 / 21 / 36 / 27

HEX #BB9477

RGB 187 148 119

HSL 25.59, 0.33%, 0.6%

LAB 64.22, 10.58, 20.91

 

CMYK 0 / 19 / 32 / 20

HEX #CCA68A

RGB 204 166 138

HSL 25.45, 0.39%, 0.67%

LAB 70.83, 9.93, 19.76

 

CMYK 0 / 17 / 29 / 13

HEX #DDB89D

RGB 221 184 157

HSL 25.31, 0.48%, 0.74%

LAB 77.33, 9.36, 18.69

 

CMYK 0 / 15 / 26 / 7

HEX #EECAB0

RGB 238 202 176

HSL 25.16, 0.65%, 0.81%

LAB 83.73, 8.86, 17.7

 

CMYK 0 / 14 / 24 / 0

HEX #FFDCC3

RGB 255 220 195

HSL 25, 1%, 0.88%

LAB 90.04, 8.41, 16.76

 

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

CMYK 0 / 21 / 36 / 35

HEX #A58269

RGB 165 130 105

HSL 25, 0.25%, 0.53%

LAB 57.06, 9.87, 18.67

 

CMYK 0 / 24 / 42 / 42

HEX #947056

RGB 148 112 86

HSL 25.16, 0.26%, 0.46%

LAB 50.16, 10.64, 19.95

 

CMYK 0 / 28 / 49 / 49

HEX #835E43

RGB 131 94 67

HSL 25.31, 0.32%, 0.39%

LAB 43.12, 11.59, 21.4

 

CMYK 0 / 33 / 58 / 55

HEX #724C30

RGB 114 76 48

HSL 25.45, 0.41%, 0.32%

LAB 35.91, 12.76, 23.03

 

CMYK 0 / 18 / 31 / 29

HEX #B5947C

RGB 181 148 124

HSL 25.26, 0.28%, 0.6%

LAB 63.72, 8.81, 17.35

 

CMYK 0 / 27 / 31 / 29

HEX #B5847C

RGB 181 132 124

HSL 8.42, 0.28%, 0.6%

LAB 59.69, 17.72, 11.74

 

CMYK 0 / 31 / 31 / 29

HEX #B57C7C

RGB 181 124 124

HSL 0, 0.28%, 0.6%

LAB 57.75, 22.19, 8.99

 

CMYK 0 / 18 / 31 / 29

HEX #B5947C

RGB 181 148 124

HSL 25.26, 0.28%, 0.6%

LAB 63.72, 8.81, 17.35

 

CMYK 0 / 10 / 31 / 29

HEX #B5A37C

RGB 181 163 124

HSL 41.05, 0.28%, 0.6%

LAB 67.63, 0.59, 22.68

 

CMYK 0 / 2 / 31 / 29

HEX #B5B27C

RGB 181 178 124

HSL 56.84, 0.28%, 0.6%

LAB 71.64, -7.42, 28.05

 

CMYK 7 / 0 / 31 / 29

HEX #A8B57C

RGB 168 181 124

HSL 73.68, 0.28%, 0.6%

LAB 71.44, -14.09, 27.6

 

CMYK 15 / 0 / 31 / 29

HEX #99B57C

RGB 153 181 124

HSL 89.47, 0.28%, 0.6%

LAB 70.37, -19.8, 25.99

 

CMYK 0 / 18 / 31 / 29

HEX #B5947C

RGB 181 148 124

HSL 25.26, 0.28%, 0.6%

LAB 63.72, 8.81, 17.35

 

CMYK 0 / 27 / 46 / 22

HEX #C6916B

RGB 198 145 107

HSL 25.05, 0.44%, 0.6%

LAB 64.42, 15.36, 28

 

CMYK 0 / 34 / 57 / 16

HEX #D68E5B

RGB 214 142 91

HSL 24.88, 0.6%, 0.6%

LAB 65.28, 22.14, 38.08

 

CMYK 0 / 40 / 68 / 9

HEX #E78B4A

RGB 231 139 74

HSL 24.84, 0.77%, 0.6%

LAB 66.48, 29.57, 48.7

 

CMYK 0 / 45 / 77 / 3

HEX #F7883A

RGB 247 136 58

HSL 24.76, 0.92%, 0.6%

LAB 67.79, 36.8, 58.15

 

CMYK 0 / 18 / 31 / 29

HEX #B5947C

RGB 181 148 124

HSL 25.26, 0.28%, 0.6%

LAB 63.72, 8.81, 17.35

 

CMYK 0 / 9 / 15 / 35

HEX #A5968C

RGB 165 150 140

HSL 24, 0.12%, 0.6%

LAB 63.1, 3.81, 7.27

 

CMYK 6 / 3 / 0 / 38

HEX #94999D

RGB 148 153 157

HSL 206.67, 0.04%, 0.6%

LAB 62.94, -1, -2.73

 

CMYK 24 / 10 / 0 / 32

HEX #849CAD

RGB 132 156 173

HSL 204.88, 0.2%, 0.6%

LAB 63.09, -4.52, -11.64

 

CMYK 39 / 16 / 0 / 25

HEX #739FBE

RGB 115 159 190

HSL 204.8, 0.37%, 0.6%

LAB 63.47, -6.87, -20.7

 

CMYK 0 / 31 / 27 / 29

HEX #B57C84

RGB 181 124 132

HSL 351.58, 0.28%, 0.6%

LAB 57.95, 23.31, 4.66

 

CMYK 0 / 27 / 31 / 29

HEX #B5847C

RGB 181 132 124

HSL 8.42, 0.28%, 0.6%

LAB 59.69, 17.72, 11.74

 

CMYK 0 / 19 / 31 / 29

HEX #B5937C

RGB 181 147 124

HSL 24.21, 0.28%, 0.6%

LAB 63.46, 9.36, 16.99

 

CMYK 0 / 10 / 31 / 29

HEX #B5A27C

RGB 181 162 124

HSL 40, 0.28%, 0.6%

LAB 67.37, 1.13, 22.33

 

CMYK 0 / 2 / 31 / 29

HEX #B5B17C

RGB 181 177 124

HSL 55.79, 0.28%, 0.6%

LAB 71.37, -6.9, 27.69

 

CMYK 0 / 26 / 44 / 44

HEX #8F6A50

RGB 143 106 80

HSL 24.76, 0.28%, 0.44%

LAB 47.91, 11.27, 20.34

 

CMYK 0 / 24 / 41 / 35

HEX #A67E62

RGB 166 126 98

HSL 24.71, 0.28%, 0.52%

LAB 56, 11.69, 21.23

 

CMYK 0 / 18 / 31 / 29

HEX #B5947C

RGB 181 148 124

HSL 25.26, 0.28%, 0.6%

LAB 63.72, 8.81, 17.35

 

CMYK 0 / 14 / 23 / 23

HEX #C4A996

RGB 196 169 150

HSL 24.78, 0.28%, 0.68%

LAB 71.09, 6.84, 13.43

 

CMYK 0 / 9 / 16 / 17

HEX #D3BFB1

RGB 211 191 177

HSL 24.71, 0.28%, 0.76%

LAB 78.63, 4.78, 9.62

 

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

CMYK 19 / 0 / 31 / 29

HEX #93B57C

RGB 147 181 124

HSL 95.79, 0.28%, 0.6%

LAB 69.97, -22.02, 25.38

 

CMYK 31 / 31 / 0 / 29

HEX #7C7CB5

RGB 124 124 181

HSL 240, 0.28%, 0.6%

LAB 54.07, 13.41, -30.04

 

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

CMYK 31 / 0 / 19 / 29

HEX #7CB593

RGB 124 181 147

HSL 144.21, 0.28%, 0.6%

LAB 69.07, -25.85, 11.48

 

CMYK 19 / 31 / 0 / 29

HEX #937CB5

RGB 147 124 181

HSL 264.21, 0.28%, 0.6%

LAB 56.04, 20.5, -26.82

 

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

CMYK 19 / 0 / 31 / 29

HEX #93B57C

RGB 147 181 124

HSL 95.79, 0.28%, 0.6%

LAB 69.97, -22.02, 25.38

 

CMYK 31 / 13 / 0 / 29

HEX #7C9EB5

RGB 124 158 181

HSL 204.21, 0.28%, 0.6%

LAB 63.4, -6.12, -15.72

 

CMYK 13 / 31 / 0 / 29

HEX #9E7CB5

RGB 158 124 181

HSL 275.79, 0.28%, 0.6%

LAB 57.1, 24.03, -25.11

 

CMYK 0 / 19 / 32 / 29

HEX #B6947C

RGB 182 148 124

HSL 24.83, 0.28%, 0.6%

LAB 63.82, 9.21, 17.5

 

CMYK 28 / 0 / 31 / 29

HEX #82B57C

RGB 130 181 124

HSL 113.68, 0.28%, 0.6%

LAB 68.93, -28.06, 23.81

 

CMYK 31 / 13 / 0 / 29

HEX #7C9EB5

RGB 124 158 181

HSL 204.21, 0.28%, 0.6%

LAB 63.4, -6.12, -15.72

 

CMYK 3 / 31 / 0 / 29

HEX #AF7CB5

RGB 175 124 181

HSL 293.68, 0.28%, 0.6%

LAB 58.85, 29.6, -22.26

 

Description

Color code: HEX #B6947C | qconv.com Color code: HEX #B6947C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 148 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 148 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 32 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 32% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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