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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B694A5 it is the complementary color #496B5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B694A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B694A5 shade: #BB94A0, #CCA6B3, #DDB8C6, #EECAD9 and #FFDCEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B694A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B694A5 shade: #B694A5, #A58292, #94707F, #835E6C and #724C59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B694A5 shade: #B694A5, #B6949C and #B69494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B694A5 shade: #B694A5, #B694AE, #B594B6, #AC94B6 and #A394B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B694A5 shade matches the following richer shades: #B694A5, #C586A5, #D377A5, #E269A5 and #F05BA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B694A5 shade: #B694A5, #A8A3A5, #99B1A5, #8BC0A5 and #7CCEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B694A5 shade: #B594B6, #B694AE, #B694A5, #B6949C and #B69594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B694A5 shade: #94647C, #A57C91, #B694A5, #C7ADBA and #D8C5CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B694A5 shade: #B694A5, #B6AC94 and #94B3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B694A5 shade: #B694A5, #A5B694 and #94A5B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B694A5 shade: #B694A5, #B6AC94, #94B6A5 and #949EB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B694A5 shade: #B694A5, #B6B694, #94B6A5 and #9494B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

Complementary color

CMYK 32 / 0 / 16 / 58

HEX #496B5A

RGB 73 107 90

HSL 150, 0.19%, 0.35%

LAB 42.26, -16.27, 5.64

 

CMYK 0 / 21 / 14 / 27

HEX #BB94A0

RGB 187 148 160

HSL 341.54, 0.22%, 0.66%

LAB 65.19, 16.55, -0.71

 

CMYK 0 / 19 / 12 / 20

HEX #CCA6B3

RGB 204 166 179

HSL 339.47, 0.27%, 0.73%

LAB 71.8, 16.02, -1.42

 

CMYK 0 / 17 / 10 / 13

HEX #DDB8C6

RGB 221 184 198

HSL 337.3, 0.35%, 0.79%

LAB 78.3, 15.54, -2.09

 

CMYK 0 / 15 / 9 / 7

HEX #EECAD9

RGB 238 202 217

HSL 335, 0.51%, 0.86%

LAB 84.7, 15.1, -2.72

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCEC

RGB 255 220 236

HSL 332.57, 1%, 0.93%

LAB 91.01, 14.69, -3.33

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 21 / 12 / 35

HEX #A58292

RGB 165 130 146

HSL 332.57, 0.16%, 0.58%

LAB 58.07, 16.11, -3.44

 

CMYK 0 / 24 / 14 / 42

HEX #94707F

RGB 148 112 127

HSL 335, 0.14%, 0.51%

LAB 51.17, 16.71, -2.74

 

CMYK 0 / 28 / 18 / 49

HEX #835E6C

RGB 131 94 108

HSL 337.3, 0.16%, 0.44%

LAB 44.11, 17.39, -1.96

 

CMYK 0 / 33 / 22 / 55

HEX #724C59

RGB 114 76 89

HSL 339.47, 0.2%, 0.37%

LAB 36.87, 18.17, -1.09

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 19 / 14 / 29

HEX #B6949C

RGB 182 148 156

HSL 345.88, 0.19%, 0.65%

LAB 64.58, 14.02, 0.6

 

CMYK 0 / 19 / 19 / 29

HEX #B69494

RGB 182 148 148

HSL 0, 0.19%, 0.65%

LAB 64.37, 12.72, 4.8

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 19 / 4 / 29

HEX #B694AE

RGB 182 148 174

HSL 314.12, 0.19%, 0.65%

LAB 65.11, 17.19, -8.77

 

CMYK 1 / 19 / 0 / 29

HEX #B594B6

RGB 181 148 182

HSL 298.24, 0.19%, 0.65%

LAB 65.26, 18.36, -13.03

 

CMYK 5 / 19 / 0 / 29

HEX #AC94B6

RGB 172 148 182

HSL 282.35, 0.19%, 0.65%

LAB 64.43, 15.26, -14.38

 

CMYK 10 / 19 / 0 / 29

HEX #A394B6

RGB 163 148 182

HSL 266.47, 0.19%, 0.65%

LAB 63.63, 12.2, -15.66

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 32 / 16 / 23

HEX #C586A5

RGB 197 134 165

HSL 330.48, 0.35%, 0.65%

LAB 63.04, 28.75, -6.58

 

CMYK 0 / 44 / 22 / 17

HEX #D377A5

RGB 211 119 165

HSL 330, 0.51%, 0.65%

LAB 61.45, 41.66, -8.78

 

CMYK 0 / 54 / 27 / 11

HEX #E269A5

RGB 226 105 165

HSL 330.25, 0.68%, 0.65%

LAB 60.77, 53.54, -9.57

 

CMYK 0 / 62 / 31 / 6

HEX #F05BA5

RGB 240 91 165

HSL 330.2, 0.83%, 0.65%

LAB 60.54, 63.99, -9.7

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 3 / 2 / 34

HEX #A8A3A5

RGB 168 163 165

HSL 336, 0.03%, 0.65%

LAB 67.45, 2.17, -0.4

 

CMYK 14 / 0 / 7 / 31

HEX #99B1A5

RGB 153 177 165

HSL 150, 0.13%, 0.65%

LAB 70.13, -10.66, 3.35

 

CMYK 28 / 0 / 14 / 25

HEX #8BC0A5

RGB 139 192 165

HSL 149.43, 0.3%, 0.65%

LAB 73.48, -22.98, 8.07

 

CMYK 40 / 0 / 20 / 19

HEX #7CCEA5

RGB 124 206 165

HSL 150, 0.46%, 0.65%

LAB 76.77, -34.2, 12.63

 

CMYK 1 / 19 / 0 / 29

HEX #B594B6

RGB 181 148 182

HSL 298.24, 0.19%, 0.65%

LAB 65.26, 18.36, -13.03

 

CMYK 0 / 19 / 4 / 29

HEX #B694AE

RGB 182 148 174

HSL 314.12, 0.19%, 0.65%

LAB 65.11, 17.19, -8.77

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 19 / 14 / 29

HEX #B6949C

RGB 182 148 156

HSL 345.88, 0.19%, 0.65%

LAB 64.58, 14.02, 0.6

 

CMYK 0 / 18 / 19 / 29

HEX #B69594

RGB 182 149 148

HSL 1.76, 0.19%, 0.65%

LAB 64.63, 12.16, 5.17

 

CMYK 0 / 32 / 16 / 42

HEX #94647C

RGB 148 100 124

HSL 330, 0.19%, 0.49%

LAB 48.09, 23.15, -5.51

 

CMYK 0 / 25 / 12 / 35

HEX #A57C91

RGB 165 124 145

HSL 329.27, 0.19%, 0.57%

LAB 56.54, 19.35, -5.13

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 13 / 7 / 22

HEX #C7ADBA

RGB 199 173 186

HSL 330, 0.19%, 0.73%

LAB 73.27, 11.62, -3.17

 

CMYK 0 / 9 / 4 / 15

HEX #D8C5CF

RGB 216 197 207

HSL 328.42, 0.2%, 0.81%

LAB 81.31, 8.39, -2.58

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 5 / 19 / 29

HEX #B6AC94

RGB 182 172 148

HSL 42.35, 0.19%, 0.65%

LAB 70.59, -0.44, 13.64

 

CMYK 19 / 2 / 0 / 29

HEX #94B3B6

RGB 148 179 182

HSL 185.29, 0.19%, 0.65%

LAB 70.81, -9.84, -5.04

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 9 / 0 / 19 / 29

HEX #A5B694

RGB 165 182 148

HSL 90, 0.19%, 0.65%

LAB 71.96, -12.11, 15.37

 

CMYK 19 / 9 / 0 / 29

HEX #94A5B6

RGB 148 165 182

HSL 210, 0.19%, 0.65%

LAB 66.96, -2.28, -10.76

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 5 / 19 / 29

HEX #B6AC94

RGB 182 172 148

HSL 42.35, 0.19%, 0.65%

LAB 70.59, -0.44, 13.64

 

CMYK 19 / 0 / 9 / 29

HEX #94B6A5

RGB 148 182 165

HSL 150, 0.19%, 0.65%

LAB 71.19, -14.97, 4.85

 

CMYK 19 / 13 / 0 / 29

HEX #949EB6

RGB 148 158 182

HSL 222.35, 0.19%, 0.65%

LAB 65.06, 1.6, -13.62

 

CMYK 0 / 19 / 9 / 29

HEX #B694A5

RGB 182 148 165

HSL 330, 0.19%, 0.65%

LAB 64.84, 15.57, -4.1

 

CMYK 0 / 0 / 19 / 29

HEX #B6B694

RGB 182 182 148

HSL 60, 0.19%, 0.65%

LAB 73.25, -5.77, 17.36

 

CMYK 19 / 0 / 9 / 29

HEX #94B6A5

RGB 148 182 165

HSL 150, 0.19%, 0.65%

LAB 71.19, -14.97, 4.85

 

CMYK 19 / 19 / 0 / 29

HEX #9494B6

RGB 148 148 182

HSL 240, 0.19%, 0.65%

LAB 62.38, 7.22, -17.67

 

Description

Color code: HEX #B694A5 | qconv.com Color code: HEX #B694A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 148 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 148 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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