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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69239 it is the complementary color #496DC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69239 shade: #BB9234, #CCA447, #DDB65A, #EEC86D and #FFDA80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69239 shade: #B69239, #A58026, #946E13, #835C00 and #724A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69239 shade: #B69239, #B67039, #B64F39 and #B63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69239 shade: #B69239, #B6B339, #96B639, #75B639 and #53B639

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69239 shade matches the following richer shades: #B69239, #C99A26 and #DCA212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69239 shade: #B69239, #A28A4C, #8F8160, #7B7973 and #687187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69239 shade: #B64E39, #B66F39, #B69039, #B6B239 and #99B639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69239 shade: #775F25, #96792F, #B69239, #C8A550 and #D1B570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69239 shade: #B69239, #45B639 and #5E39B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69239 shade: #B69239, #39B690 and #9039B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69239 shade: #B69239, #45B639, #395EB6 and #A939B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69239 shade: #B69239, #39B652, #395EB6 and #B6399D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

Complementary color

CMYK 63 / 45 / 0 / 22

HEX #496DC6

RGB 73 109 198

HSL 222.72, 0.52%, 0.53%

LAB 47.53, 15.43, -50.34

 

CMYK 0 / 22 / 72 / 27

HEX #BB9234

RGB 187 146 52

HSL 41.78, 0.56%, 0.47%

LAB 62.82, 5.88, 53.37

 

CMYK 0 / 20 / 65 / 20

HEX #CCA447

RGB 204 164 71

HSL 41.95, 0.57%, 0.54%

LAB 69.36, 4.62, 52.41

 

CMYK 0 / 18 / 59 / 13

HEX #DDB65A

RGB 221 182 90

HSL 42.14, 0.66%, 0.61%

LAB 75.8, 3.55, 51.24

 

CMYK 0 / 16 / 54 / 7

HEX #EEC86D

RGB 238 200 109

HSL 42.33, 0.79%, 0.68%

LAB 82.16, 2.64, 50

 

CMYK 0 / 15 / 50 / 0

HEX #FFDA80

RGB 255 218 128

HSL 42.52, 1%, 0.75%

LAB 88.43, 1.85, 48.76

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 22 / 77 / 35

HEX #A58026

RGB 165 128 38

HSL 42.52, 0.63%, 0.4%

LAB 55.66, 5.31, 51.27

 

CMYK 0 / 26 / 87 / 42

HEX #946E13

RGB 148 110 19

HSL 42.33, 0.77%, 0.33%

LAB 48.88, 6.99, 51.12

 

CMYK 0 / 30 / 100 / 49

HEX #835C00

RGB 131 92 0

HSL 42.14, 1%, 0.26%

LAB 41.97, 8.98, 49.82

 

CMYK 0 / 35 / 100 / 55

HEX #724A00

RGB 114 74 0

HSL 38.95, 1%, 0.22%

LAB 34.95, 11.5, 44.08

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 38 / 69 / 29

HEX #B67039

RGB 182 112 57

HSL 26.4, 0.52%, 0.47%

LAB 53.84, 22.79, 41.37

 

CMYK 0 / 57 / 69 / 29

HEX #B64F39

RGB 182 79 57

HSL 10.56, 0.52%, 0.47%

LAB 46.75, 40.3, 33.28

 

CMYK 0 / 69 / 69 / 29

HEX #B63939

RGB 182 57 57

HSL 0, 0.52%, 0.47%

LAB 43.01, 50.25, 28.82

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 2 / 69 / 29

HEX #B6B339

RGB 182 179 57

HSL 58.56, 0.52%, 0.47%

LAB 71.2, -13.6, 59.62

 

CMYK 18 / 0 / 69 / 29

HEX #96B639

RGB 150 182 57

HSL 75.36, 0.52%, 0.47%

LAB 69.64, -28.52, 57.25

 

CMYK 36 / 0 / 69 / 29

HEX #75B639

RGB 117 182 57

HSL 91.2, 0.52%, 0.47%

LAB 67.68, -41.16, 54.61

 

CMYK 54 / 0 / 69 / 29

HEX #53B639

RGB 83 182 57

HSL 107.52, 0.52%, 0.47%

LAB 66.21, -51.9, 52.62

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 23 / 81 / 21

HEX #C99A26

RGB 201 154 38

HSL 42.7, 0.68%, 0.47%

LAB 66.27, 7.14, 62.4

 

CMYK 0 / 26 / 92 / 14

HEX #DCA212

RGB 220 162 18

HSL 42.77, 0.85%, 0.47%

LAB 70.25, 10.73, 71.5

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 15 / 53 / 36

HEX #A28A4C

RGB 162 138 76

HSL 43.26, 0.36%, 0.47%

LAB 58.4, 0.93, 36.27

 

CMYK 0 / 10 / 33 / 44

HEX #8F8160

RGB 143 129 96

HSL 42.13, 0.2%, 0.47%

LAB 54.43, 0.06, 19.86

 

CMYK 0 / 2 / 7 / 52

HEX #7B7973

RGB 123 121 115

HSL 45, 0.03%, 0.47%

LAB 50.83, -0.4, 3.55

 

CMYK 23 / 16 / 0 / 47

HEX #687187

RGB 104 113 135

HSL 222.58, 0.13%, 0.47%

LAB 47.63, 1.75, -13.2

 

CMYK 0 / 57 / 69 / 29

HEX #B64E39

RGB 182 78 57

HSL 10.08, 0.52%, 0.47%

LAB 46.56, 40.79, 33.05

 

CMYK 0 / 39 / 69 / 29

HEX #B66F39

RGB 182 111 57

HSL 25.92, 0.52%, 0.47%

LAB 53.61, 23.34, 41.11

 

CMYK 0 / 21 / 69 / 29

HEX #B69039

RGB 182 144 57

HSL 41.76, 0.52%, 0.47%

LAB 61.82, 5.03, 49.99

 

CMYK 0 / 2 / 69 / 29

HEX #B6B239

RGB 182 178 57

HSL 58.08, 0.52%, 0.47%

LAB 70.93, -13.09, 59.34

 

CMYK 16 / 0 / 69 / 29

HEX #99B639

RGB 153 182 57

HSL 73.92, 0.52%, 0.47%

LAB 69.84, -27.3, 57.53

 

CMYK 0 / 20 / 69 / 53

HEX #775F25

RGB 119 95 37

HSL 42.44, 0.53%, 0.31%

LAB 41.59, 2.81, 35.84

 

CMYK 0 / 19 / 69 / 41

HEX #96792F

RGB 150 121 47

HSL 43.11, 0.52%, 0.39%

LAB 52.25, 2.87, 43.42

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 0 / 18 / 60 / 22

HEX #C8A550

RGB 200 165 80

HSL 42.5, 0.52%, 0.55%

LAB 69.3, 2.97, 48.03

 

CMYK 0 / 13 / 46 / 18

HEX #D1B570

RGB 209 181 112

HSL 42.68, 0.51%, 0.63%

LAB 74.68, 0.96, 38.74

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 62 / 0 / 69 / 29

HEX #45B639

RGB 69 182 57

HSL 114.24, 0.52%, 0.47%

LAB 65.76, -55.42, 52.01

 

CMYK 48 / 69 / 0 / 29

HEX #5E39B6

RGB 94 57 182

HSL 257.76, 0.52%, 0.47%

LAB 35.37, 45.89, -60.59

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 69 / 0 / 21 / 29

HEX #39B690

RGB 57 182 144

HSL 161.76, 0.52%, 0.47%

LAB 66.78, -43.21, 9.52

 

CMYK 21 / 69 / 0 / 29

HEX #9039B6

RGB 144 57 182

HSL 281.76, 0.52%, 0.47%

LAB 41.58, 56.01, -50.23

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 62 / 0 / 69 / 29

HEX #45B639

RGB 69 182 57

HSL 114.24, 0.52%, 0.47%

LAB 65.76, -55.42, 52.01

 

CMYK 69 / 48 / 0 / 29

HEX #395EB6

RGB 57 94 182

HSL 222.24, 0.52%, 0.47%

LAB 41.61, 16.56, -50.6

 

CMYK 7 / 69 / 0 / 29

HEX #A939B6

RGB 169 57 182

HSL 293.76, 0.52%, 0.47%

LAB 45.27, 61.58, -44.12

 

CMYK 0 / 20 / 69 / 29

HEX #B69239

RGB 182 146 57

HSL 42.72, 0.52%, 0.47%

LAB 62.34, 3.94, 50.54

 

CMYK 69 / 0 / 55 / 29

HEX #39B652

RGB 57 182 82

HSL 132, 0.52%, 0.47%

LAB 65.7, -55.06, 40.7

 

CMYK 69 / 48 / 0 / 29

HEX #395EB6

RGB 57 94 182

HSL 222.24, 0.52%, 0.47%

LAB 41.61, 16.56, -50.6

 

CMYK 0 / 69 / 14 / 29

HEX #B6399D

RGB 182 57 157

HSL 312, 0.52%, 0.47%

LAB 46.05, 60.58, -27.95

 

Description

Color code: HEX #B69239 | qconv.com Color code: HEX #B69239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 146 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 146 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 69 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 69% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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