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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69E1F it is the complementary color #4961E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69E1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69E1F shade: #BB9E1A, #CCB02D, #DDC240, #EED453 and #FFE666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69E1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69E1F shade: #B69E1F, #A58C0C, #947A00, #836800 and #725600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69E1F shade: #B79E1F, #B7751F, #B74C1F, #B7231F and #B71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69E1F shade: #B79E1F, #A6B71F, #7DB71F, #54B71F and #2BB71F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69E1F shade matches the following richer shades: #B79E1F and #C8AA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69E1F shade: #B79E1F, #A59330, #948741, #837B53 and #716F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69E1F shade: #B74C1F, #B7751F, #B79D1F, #A7B71F and #7FB71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69E1F shade: #706113, #938019, #B79E1F, #DABD25 and #E0C748

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69E1F shade: #B69E1F, #1FB724 and #601FB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69E1F shade: #B69E1F, #1FB79D and #9D1FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69E1F shade: #B69E1F, #1FB724, #1F38B7 and #B71FB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69E1F shade: #B69E1F, #1FB751, #1F38B7 and #B71F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

Complementary color

CMYK 67 / 57 / 0 / 12

HEX #4961E0

RGB 73 97 224

HSL 230.46, 0.71%, 0.58%

LAB 46.11, 32.04, -67.49

 

CMYK 0 / 16 / 86 / 27

HEX #BB9E1A

RGB 187 158 26

HSL 49.19, 0.76%, 0.42%

LAB 65.82, -1.59, 64.89

 

CMYK 0 / 14 / 78 / 20

HEX #CCB02D

RGB 204 176 45

HSL 49.43, 0.64%, 0.49%

LAB 72.28, -3.03, 65.62

 

CMYK 0 / 12 / 71 / 13

HEX #DDC240

RGB 221 194 64

HSL 49.68, 0.7%, 0.56%

LAB 78.65, -4.26, 65.48

 

CMYK 0 / 11 / 65 / 7

HEX #EED453

RGB 238 212 83

HSL 49.94, 0.82%, 0.63%

LAB 84.94, -5.3, 64.84

 

CMYK 0 / 10 / 60 / 0

HEX #FFE666

RGB 255 230 102

HSL 50.2, 1%, 0.7%

LAB 91.15, -6.2, 63.94

 

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

CMYK 0 / 15 / 93 / 35

HEX #A58C0C

RGB 165 140 12

HSL 50.2, 0.86%, 0.35%

LAB 58.77, -2.1, 61.33

 

CMYK 0 / 18 / 100 / 42

HEX #947A00

RGB 148 122 0

HSL 49.46, 1%, 0.29%

LAB 52.08, -0.21, 57.71

 

CMYK 0 / 21 / 100 / 49

HEX #836800

RGB 131 104 0

HSL 47.63, 1%, 0.26%

LAB 45.26, 1.96, 52.08

 

CMYK 0 / 25 / 100 / 55

HEX #725600

RGB 114 86 0

HSL 45.26, 1%, 0.22%

LAB 38.26, 4.26, 46.32

 

CMYK 0 / 14 / 83 / 28

HEX #B79E1F

RGB 183 158 31

HSL 50.13, 0.71%, 0.42%

LAB 65.45, -3.24, 63.11

 

CMYK 0 / 36 / 83 / 28

HEX #B7751F

RGB 183 117 31

HSL 33.95, 0.71%, 0.42%

LAB 54.96, 19.29, 54.04

 

CMYK 0 / 58 / 83 / 28

HEX #B74C1F

RGB 183 76 31

HSL 17.76, 0.71%, 0.42%

LAB 46.09, 41.03, 46.13

 

CMYK 0 / 81 / 83 / 28

HEX #B7231F

RGB 183 35 31

HSL 1.58, 0.71%, 0.42%

LAB 40.19, 57.04, 40.68

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 14 / 83 / 28

HEX #B79E1F

RGB 183 158 31

HSL 50.13, 0.71%, 0.42%

LAB 65.45, -3.24, 63.11

 

CMYK 9 / 0 / 83 / 28

HEX #A6B71F

RGB 166 183 31

HSL 66.71, 0.71%, 0.42%

LAB 70.92, -23.57, 67.22

 

CMYK 32 / 0 / 83 / 28

HEX #7DB71F

RGB 125 183 31

HSL 82.89, 0.71%, 0.42%

LAB 68.26, -40.13, 63.87

 

CMYK 54 / 0 / 83 / 28

HEX #54B71F

RGB 84 183 31

HSL 99.08, 0.71%, 0.42%

LAB 66.41, -53.71, 61.51

 

CMYK 77 / 0 / 83 / 28

HEX #2BB71F

RGB 43 183 31

HSL 115.26, 0.71%, 0.42%

LAB 65.34, -62.54, 60.15

 

CMYK 0 / 14 / 83 / 28

HEX #B79E1F

RGB 183 158 31

HSL 50.13, 0.71%, 0.42%

LAB 65.45, -3.24, 63.11

 

CMYK 0 / 15 / 94 / 22

HEX #C8AA0D

RGB 200 170 13

HSL 50.37, 0.88%, 0.42%

LAB 70.22, -2.42, 71.34

 

CMYK 0 / 14 / 83 / 28

HEX #B79E1F

RGB 183 158 31

HSL 50.13, 0.71%, 0.42%

LAB 65.45, -3.24, 63.11

 

CMYK 0 / 11 / 71 / 35

HEX #A59330

RGB 165 147 48

HSL 50.77, 0.55%, 0.42%

LAB 60.85, -4.68, 52.33

 

CMYK 0 / 9 / 56 / 42

HEX #948741

RGB 148 135 65

HSL 50.6, 0.39%, 0.42%

LAB 56.09, -4.54, 38.88

 

CMYK 0 / 6 / 37 / 49

HEX #837B53

RGB 131 123 83

HSL 50, 0.22%, 0.42%

LAB 51.4, -3.36, 23

 

CMYK 0 / 2 / 12 / 56

HEX #716F64

RGB 113 111 100

HSL 50.77, 0.06%, 0.42%

LAB 46.71, -1.34, 6.4

 

CMYK 0 / 58 / 83 / 28

HEX #B74C1F

RGB 183 76 31

HSL 17.76, 0.71%, 0.42%

LAB 46.09, 41.03, 46.13

 

CMYK 0 / 36 / 83 / 28

HEX #B7751F

RGB 183 117 31

HSL 33.95, 0.71%, 0.42%

LAB 54.96, 19.29, 54.04

 

CMYK 0 / 14 / 83 / 28

HEX #B79D1F

RGB 183 157 31

HSL 49.74, 0.71%, 0.42%

LAB 65.18, -2.7, 62.88

 

CMYK 9 / 0 / 83 / 28

HEX #A7B71F

RGB 167 183 31

HSL 66.32, 0.71%, 0.42%

LAB 71, -23.14, 67.31

 

CMYK 31 / 0 / 83 / 28

HEX #7FB71F

RGB 127 183 31

HSL 82.11, 0.71%, 0.42%

LAB 68.37, -39.37, 64.01

 

CMYK 0 / 13 / 83 / 56

HEX #706113

RGB 112 97 19

HSL 50.32, 0.71%, 0.26%

LAB 41.28, -2.69, 43.02

 

CMYK 0 / 13 / 83 / 42

HEX #938019

RGB 147 128 25

HSL 50.66, 0.71%, 0.34%

LAB 53.72, -3.48, 53.39

 

CMYK 0 / 14 / 83 / 28

HEX #B79E1F

RGB 183 158 31

HSL 50.13, 0.71%, 0.42%

LAB 65.45, -3.24, 63.11

 

CMYK 0 / 13 / 83 / 15

HEX #DABD25

RGB 218 189 37

HSL 50.39, 0.71%, 0.5%

LAB 76.94, -3.98, 72.55

 

CMYK 0 / 11 / 68 / 12

HEX #E0C748

RGB 224 199 72

HSL 50.13, 0.71%, 0.58%

LAB 80.27, -5.15, 64.07

 

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

CMYK 83 / 0 / 80 / 28

HEX #1FB724

RGB 31 183 36

HSL 121.97, 0.71%, 0.42%

LAB 65.19, -63.8, 58.55

 

CMYK 48 / 83 / 0 / 28

HEX #601FB7

RGB 96 31 183

HSL 265.66, 0.71%, 0.42%

LAB 31.55, 58.25, -67.44

 

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

CMYK 83 / 0 / 14 / 28

HEX #1FB79D

RGB 31 183 157

HSL 169.74, 0.71%, 0.42%

LAB 66.97, -43.44, 2.59

 

CMYK 14 / 83 / 0 / 28

HEX #9D1FB7

RGB 157 31 183

HSL 289.74, 0.71%, 0.42%

LAB 40.52, 67.7, -52.43

 

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

CMYK 83 / 0 / 80 / 28

HEX #1FB724

RGB 31 183 36

HSL 121.97, 0.71%, 0.42%

LAB 65.19, -63.8, 58.55

 

CMYK 83 / 69 / 0 / 28

HEX #1F38B7

RGB 31 56 183

HSL 230.13, 0.71%, 0.42%

LAB 30.73, 38.68, -68.96

 

CMYK 0 / 83 / 3 / 28

HEX #B71FB2

RGB 183 31 178

HSL 301.97, 0.71%, 0.42%

LAB 44.61, 71.68, -42.69

 

CMYK 0 / 13 / 83 / 29

HEX #B69E1F

RGB 182 158 31

HSL 50.46, 0.71%, 0.42%

LAB 65.36, -3.69, 62.99

 

CMYK 83 / 0 / 56 / 28

HEX #1FB751

RGB 31 183 81

HSL 139.74, 0.71%, 0.42%

LAB 65.56, -59.26, 40.9

 

CMYK 83 / 69 / 0 / 28

HEX #1F38B7

RGB 31 56 183

HSL 230.13, 0.71%, 0.42%

LAB 30.73, 38.68, -68.96

 

CMYK 0 / 83 / 28 / 28

HEX #B71F84

RGB 183 31 132

HSL 320.13, 0.71%, 0.42%

LAB 42.33, 65.42, -18.56

 

Description

Color code: HEX #B69E1F | qconv.com Color code: HEX #B69E1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 158 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 158 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 83 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 83% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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