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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69EEF it is the complementary color #496110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69EEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69EEF shade: #BB9EEA, #CCB0FD, #DDC2FF, #EED4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69EEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69EEF shade: #B69EEF, #A58CDC, #947AC9, #8368B6 and #7256A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69EEF shade: #B69EEF, #CC9EEF, #E29EEF, #EF9EE6 and #EF9ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69EEF shade: #B69EEF, #A09EEF and #9E9EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69EEF shade matches the following richer shades: #B69EEF and #B295F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69EEF shade: #B69EEF, #BAA7E6, #BDB0DD, #C1B9D4 and #C5C2CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69EEF shade: #9EB2EF, #9F9EEF, #B59EEF, #CA9EEF and #E09EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69EEF shade: #8157E3, #9B7BE9, #B69EEF, #D1C1F5 and #EBE5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69EEF shade: #B69EEF, #EF9EC8 and #A7EF9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69EEF shade: #B69EEF, #EFB59E and #9EEFB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69EEF shade: #B69EEF, #EF9EC8, #D8EF9E and #9EEFC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69EEF shade: #B69EEF, #EF9EB0, #D8EF9E and #9EEFDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

Complementary color

CMYK 25 / 0 / 84 / 62

HEX #496110

RGB 73 97 16

HSL 77.78, 0.72%, 0.22%

LAB 37.85, -21.37, 39.67

 

CMYK 20 / 32 / 0 / 8

HEX #BB9EEA

RGB 187 158 234

HSL 262.89, 0.64%, 0.77%

LAB 70.15, 25.66, -34.35

 

CMYK 19 / 30 / 0 / 1

HEX #CCB0FD

RGB 204 176 253

HSL 261.82, 0.95%, 0.84%

LAB 76.67, 25.05, -34.44

 

CMYK 13 / 24 / 0 / 0

HEX #DDC2FF

RGB 221 194 255

HSL 266.56, 1%, 0.88%

LAB 82.47, 20.89, -26.47

 

CMYK 7 / 17 / 0 / 0

HEX #EED4FF

RGB 238 212 255

HSL 276.28, 1%, 0.92%

LAB 88.2, 16.67, -17.65

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 25 / 36 / 0 / 14

HEX #A58CDC

RGB 165 140 220

HSL 258.75, 0.53%, 0.71%

LAB 63.28, 26.02, -37.46

 

CMYK 26 / 39 / 0 / 21

HEX #947AC9

RGB 148 122 201

HSL 259.75, 0.42%, 0.63%

LAB 56.52, 26.77, -37.47

 

CMYK 28 / 43 / 0 / 29

HEX #8368B6

RGB 131 104 182

HSL 260.77, 0.35%, 0.56%

LAB 49.62, 27.61, -37.53

 

CMYK 30 / 47 / 0 / 36

HEX #7256A3

RGB 114 86 163

HSL 261.82, 0.31%, 0.49%

LAB 42.58, 28.55, -37.61

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 15 / 34 / 0 / 6

HEX #CC9EEF

RGB 204 158 239

HSL 274.07, 0.72%, 0.78%

LAB 71.91, 31.87, -34.22

 

CMYK 5 / 34 / 0 / 6

HEX #E29EEF

RGB 226 158 239

HSL 290.37, 0.72%, 0.78%

LAB 74.1, 38.59, -30.67

 

CMYK 0 / 34 / 4 / 6

HEX #EF9EE6

RGB 239 158 230

HSL 306.67, 0.72%, 0.78%

LAB 75.15, 40.99, -24.03

 

CMYK 0 / 34 / 13 / 6

HEX #EF9ED0

RGB 239 158 208

HSL 322.96, 0.72%, 0.78%

LAB 74.42, 37.29, -13.11

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 33 / 34 / 0 / 6

HEX #A09EEF

RGB 160 158 239

HSL 241.48, 0.72%, 0.78%

LAB 68.14, 19.09, -40.38

 

CMYK 34 / 34 / 0 / 6

HEX #9E9EEF

RGB 158 158 239

HSL 240, 0.72%, 0.78%

LAB 67.99, 18.54, -40.62

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 28 / 40 / 0 / 3

HEX #B295F8

RGB 178 149 248

HSL 257.58, 0.88%, 0.78%

LAB 67.83, 31.39, -45.68

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 19 / 27 / 0 / 10

HEX #BAA7E6

RGB 186 167 230

HSL 258.1, 0.56%, 0.78%

LAB 72.09, 19.45, -29.17

 

CMYK 14 / 20 / 0 / 13

HEX #BDB0DD

RGB 189 176 221

HSL 257.33, 0.4%, 0.78%

LAB 74.25, 13.45, -20.94

 

CMYK 9 / 13 / 0 / 17

HEX #C1B9D4

RGB 193 185 212

HSL 257.78, 0.24%, 0.78%

LAB 76.55, 7.97, -12.54

 

CMYK 2 / 4 / 0 / 21

HEX #C5C2CA

RGB 197 194 202

HSL 262.5, 0.07%, 0.78%

LAB 78.88, 2.53, -3.64

 

CMYK 34 / 26 / 0 / 6

HEX #9EB2EF

RGB 158 178 239

HSL 225.19, 0.72%, 0.78%

LAB 73.12, 7.3, -32.65

 

CMYK 33 / 34 / 0 / 6

HEX #9F9EEF

RGB 159 158 239

HSL 240.74, 0.72%, 0.78%

LAB 68.06, 18.82, -40.5

 

CMYK 24 / 34 / 0 / 6

HEX #B59EEF

RGB 181 158 239

HSL 257.04, 0.72%, 0.78%

LAB 69.83, 25.04, -37.61

 

CMYK 15 / 34 / 0 / 6

HEX #CA9EEF

RGB 202 158 239

HSL 272.59, 0.72%, 0.78%

LAB 71.72, 31.27, -34.53

 

CMYK 6 / 34 / 0 / 6

HEX #E09EEF

RGB 224 158 239

HSL 288.89, 0.72%, 0.78%

LAB 73.89, 37.97, -31

 

CMYK 43 / 62 / 0 / 11

HEX #8157E3

RGB 129 87 227

HSL 258, 0.71%, 0.62%

LAB 48.3, 48.78, -65.44

 

CMYK 33 / 47 / 0 / 9

HEX #9B7BE9

RGB 155 123 233

HSL 257.45, 0.71%, 0.7%

LAB 58.99, 36.2, -51.51

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 15 / 21 / 0 / 4

HEX #D1C1F5

RGB 209 193 245

HSL 258.46, 0.72%, 0.86%

LAB 80.9, 15.61, -23.63

 

CMYK 6 / 8 / 0 / 2

HEX #EBE5FA

RGB 235 229 250

HSL 257.14, 0.68%, 0.94%

LAB 91.95, 5.85, -9.44

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 0 / 34 / 16 / 6

HEX #EF9EC8

RGB 239 158 200

HSL 328.89, 0.72%, 0.78%

LAB 74.17, 36.02, -9.08

 

CMYK 30 / 0 / 34 / 6

HEX #A7EF9E

RGB 167 239 158

HSL 113.33, 0.72%, 0.78%

LAB 88.17, -37.53, 32.26

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 0 / 24 / 34 / 6

HEX #EFB59E

RGB 239 181 158

HSL 17.04, 0.72%, 0.78%

LAB 78.38, 17.98, 19.88

 

CMYK 34 / 0 / 24 / 6

HEX #9EEFB5

RGB 158 239 181

HSL 137.04, 0.72%, 0.78%

LAB 88.13, -36.5, 20.38

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 0 / 34 / 16 / 6

HEX #EF9EC8

RGB 239 158 200

HSL 328.89, 0.72%, 0.78%

LAB 74.17, 36.02, -9.08

 

CMYK 10 / 0 / 34 / 6

HEX #D8EF9E

RGB 216 239 158

HSL 77.04, 0.72%, 0.78%

LAB 91.14, -20.51, 36.74

 

CMYK 34 / 0 / 18 / 6

HEX #9EEFC5

RGB 158 239 197

HSL 148.89, 0.72%, 0.78%

LAB 88.46, -33.5, 12.56

 

CMYK 24 / 34 / 0 / 6

HEX #B69EEF

RGB 182 158 239

HSL 257.78, 0.72%, 0.78%

LAB 69.92, 25.33, -37.47

 

CMYK 0 / 34 / 26 / 6

HEX #EF9EB0

RGB 239 158 176

HSL 346.67, 0.72%, 0.78%

LAB 73.51, 32.51, 3.16

 

CMYK 10 / 0 / 34 / 6

HEX #D8EF9E

RGB 216 239 158

HSL 77.04, 0.72%, 0.78%

LAB 91.14, -20.51, 36.74

 

CMYK 34 / 0 / 8 / 6

HEX #9EEFDD

RGB 158 239 221

HSL 166.67, 0.72%, 0.78%

LAB 89.03, -28.56, 0.86

 

Description

Color code: HEX #B69EEF | qconv.com Color code: HEX #B69EEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 158 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 158 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 34 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 34% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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