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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A0AA it is the complementary color #495F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A0AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A0AA shade: #BBA0A5, #CCB2B8, #DDC4CB, #EED6DE and #FFE8F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A0AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A0AA shade: #B6A0AA, #A58E97, #947C84, #836A71 and #72585E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A0AA shade: #B59FA9, #B59FA3 and #B59F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A0AA shade: #B59FA9, #B59FAF, #B59FB5, #B09FB5 and #AA9FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A0AA shade matches the following richer shades: #B59FA9, #C392A8, #D184A7, #DE77A6 and #EC69A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A0AA shade: #B59FA9, #A8ADAB, #9ABBAC, #8CC8AD and #7FD6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A0AA shade: #B59FB5, #B59FAF, #B59FAA, #B59FA4 and #B5A19F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A0AA shade: #917180, #A38894, #B59FA9, #C7B7BE and #D9CED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A0AA shade: #B6A0AA, #B5AF9F and #9FB2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A0AA shade: #B6A0AA, #AAB59F and #9FAAB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A0AA shade: #B6A0AA, #B5AF9F, #9FB5AB and #9FA5B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A0AA shade: #B6A0AA, #B5B59F, #9FB5AB and #A09FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

Complementary color

CMYK 23 / 0 / 11 / 63

HEX #495F55

RGB 73 95 85

HSL 152.73, 0.13%, 0.33%

LAB 38.3, -10.63, 3

 

CMYK 0 / 14 / 12 / 27

HEX #BBA0A5

RGB 187 160 165

HSL 348.89, 0.17%, 0.68%

LAB 68.33, 10.75, 1.08

 

CMYK 0 / 13 / 10 / 20

HEX #CCB2B8

RGB 204 178 184

HSL 346.15, 0.2%, 0.75%

LAB 74.91, 10.34, 0.38

 

CMYK 0 / 11 / 8 / 13

HEX #DDC4CB

RGB 221 196 203

HSL 343.2, 0.27%, 0.82%

LAB 81.38, 9.97, -0.28

 

CMYK 0 / 10 / 7 / 7

HEX #EED6DE

RGB 238 214 222

HSL 340, 0.41%, 0.89%

LAB 87.75, 9.63, -0.91

 

CMYK 0 / 9 / 5 / 0

HEX #FFE8F1

RGB 255 232 241

HSL 336.52, 1%, 0.95%

LAB 94.02, 9.32, -1.52

 

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

CMYK 0 / 14 / 8 / 35

HEX #A58E97

RGB 165 142 151

HSL 336.52, 0.11%, 0.6%

LAB 61.29, 10.2, -1.58

 

CMYK 0 / 16 / 11 / 42

HEX #947C84

RGB 148 124 132

HSL 340, 0.1%, 0.53%

LAB 54.42, 10.64, -0.89

 

CMYK 0 / 19 / 14 / 49

HEX #836A71

RGB 131 106 113

HSL 343.2, 0.11%, 0.46%

LAB 47.4, 11.15, -0.16

 

CMYK 0 / 23 / 18 / 55

HEX #72585E

RGB 114 88 94

HSL 346.15, 0.13%, 0.4%

LAB 40.19, 11.73, 0.65

 

CMYK 0 / 12 / 7 / 29

HEX #B59FA9

RGB 181 159 169

HSL 332.73, 0.13%, 0.67%

LAB 67.64, 9.81, -2.23

 

CMYK 0 / 12 / 10 / 29

HEX #B59FA3

RGB 181 159 163

HSL 349.09, 0.13%, 0.67%

LAB 67.47, 8.75, 0.88

 

CMYK 0 / 12 / 12 / 29

HEX #B59F9F

RGB 181 159 159

HSL 0, 0.13%, 0.67%

LAB 67.37, 8.06, 2.96

 

CMYK 0 / 12 / 7 / 29

HEX #B59FA9

RGB 181 159 169

HSL 332.73, 0.13%, 0.67%

LAB 67.64, 9.81, -2.23

 

CMYK 0 / 12 / 3 / 29

HEX #B59FAF

RGB 181 159 175

HSL 316.36, 0.13%, 0.67%

LAB 67.81, 10.9, -5.32

 

CMYK 0 / 12 / 0 / 29

HEX #B59FB5

RGB 181 159 181

HSL 300, 0.13%, 0.67%

LAB 67.99, 12.03, -8.4

 

CMYK 3 / 12 / 0 / 29

HEX #B09FB5

RGB 176 159 181

HSL 286.36, 0.13%, 0.67%

LAB 67.55, 10.29, -9.1

 

CMYK 6 / 12 / 0 / 29

HEX #AA9FB5

RGB 170 159 181

HSL 270, 0.13%, 0.67%

LAB 67.04, 8.21, -9.92

 

CMYK 0 / 12 / 7 / 29

HEX #B59FA9

RGB 181 159 169

HSL 332.73, 0.13%, 0.67%

LAB 67.64, 9.81, -2.23

 

CMYK 0 / 25 / 14 / 24

HEX #C392A8

RGB 195 146 168

HSL 333.06, 0.29%, 0.67%

LAB 65.74, 21.91, -4.31

 

CMYK 0 / 37 / 20 / 18

HEX #D184A7

RGB 209 132 167

HSL 332.73, 0.46%, 0.67%

LAB 64.04, 34.39, -6.09

 

CMYK 0 / 46 / 25 / 13

HEX #DE77A6

RGB 222 119 166

HSL 332.62, 0.61%, 0.67%

LAB 62.91, 45.51, -7.02

 

CMYK 0 / 56 / 31 / 7

HEX #EC69A4

RGB 236 105 164

HSL 332.98, 0.78%, 0.67%

LAB 62.18, 56.55, -6.74

 

CMYK 0 / 12 / 7 / 29

HEX #B59FA9

RGB 181 159 169

HSL 332.73, 0.13%, 0.67%

LAB 67.64, 9.81, -2.23

 

CMYK 3 / 0 / 1 / 32

HEX #A8ADAB

RGB 168 173 171

HSL 156, 0.03%, 0.67%

LAB 70.28, -2.14, 0.4

 

CMYK 18 / 0 / 8 / 27

HEX #9ABBAC

RGB 154 187 172

HSL 152.73, 0.2%, 0.67%

LAB 73.15, -14.17, 3.89

 

CMYK 30 / 0 / 14 / 22

HEX #8CC8AD

RGB 140 200 173

HSL 153, 0.35%, 0.67%

LAB 76.01, -25, 7.37

 

CMYK 41 / 0 / 19 / 16

HEX #7FD6AE

RGB 127 214 174

HSL 152.41, 0.51%, 0.67%

LAB 79.42, -35.24, 11.61

 

CMYK 0 / 12 / 0 / 29

HEX #B59FB5

RGB 181 159 181

HSL 300, 0.13%, 0.67%

LAB 67.99, 12.03, -8.4

 

CMYK 0 / 12 / 3 / 29

HEX #B59FAF

RGB 181 159 175

HSL 316.36, 0.13%, 0.67%

LAB 67.81, 10.9, -5.32

 

CMYK 0 / 12 / 6 / 29

HEX #B59FAA

RGB 181 159 170

HSL 330, 0.13%, 0.67%

LAB 67.67, 9.99, -2.75

 

CMYK 0 / 12 / 9 / 29

HEX #B59FA4

RGB 181 159 164

HSL 346.36, 0.13%, 0.67%

LAB 67.5, 8.92, 0.36

 

CMYK 0 / 11 / 12 / 29

HEX #B5A19F

RGB 181 161 159

HSL 5.45, 0.13%, 0.67%

LAB 67.89, 6.96, 3.7

 

CMYK 0 / 22 / 12 / 43

HEX #917180

RGB 145 113 128

HSL 331.88, 0.13%, 0.51%

LAB 51.14, 15.16, -3.41

 

CMYK 0 / 17 / 9 / 36

HEX #A38894

RGB 163 136 148

HSL 333.33, 0.13%, 0.59%

LAB 59.46, 12.31, -2.57

 

CMYK 0 / 12 / 7 / 29

HEX #B59FA9

RGB 181 159 169

HSL 332.73, 0.13%, 0.67%

LAB 67.64, 9.81, -2.23

 

CMYK 0 / 8 / 5 / 22

HEX #C7B7BE

RGB 199 183 190

HSL 333.75, 0.13%, 0.75%

LAB 75.9, 6.91, -1.49

 

CMYK 0 / 5 / 3 / 15

HEX #D9CED3

RGB 217 206 211

HSL 332.73, 0.13%, 0.83%

LAB 83.76, 4.68, -1.12

 

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

CMYK 0 / 3 / 12 / 29

HEX #B5AF9F

RGB 181 175 159

HSL 43.64, 0.13%, 0.67%

LAB 71.55, -0.66, 8.96

 

CMYK 12 / 2 / 0 / 29

HEX #9FB2B5

RGB 159 178 181

HSL 188.18, 0.13%, 0.67%

LAB 71.25, -5.93, -3.77

 

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

CMYK 6 / 0 / 12 / 29

HEX #AAB59F

RGB 170 181 159

HSL 90, 0.13%, 0.67%

LAB 72.29, -7.89, 9.91

 

CMYK 12 / 6 / 0 / 29

HEX #9FAAB5

RGB 159 170 181

HSL 210, 0.13%, 0.67%

LAB 69.08, -1.6, -6.97

 

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

CMYK 0 / 3 / 12 / 29

HEX #B5AF9F

RGB 181 175 159

HSL 43.64, 0.13%, 0.67%

LAB 71.55, -0.66, 8.96

 

CMYK 12 / 0 / 6 / 29

HEX #9FB5AB

RGB 159 181 171

HSL 152.73, 0.13%, 0.67%

LAB 71.8, -9.54, 2.53

 

CMYK 12 / 9 / 0 / 29

HEX #9FA5B5

RGB 159 165 181

HSL 223.64, 0.13%, 0.67%

LAB 67.74, 1.14, -8.97

 

CMYK 0 / 12 / 7 / 29

HEX #B6A0AA

RGB 182 160 170

HSL 332.73, 0.13%, 0.67%

LAB 68.01, 9.8, -2.23

 

CMYK 0 / 0 / 12 / 29

HEX #B5B59F

RGB 181 181 159

HSL 60, 0.13%, 0.67%

LAB 73.14, -3.87, 11.22

 

CMYK 12 / 0 / 6 / 29

HEX #9FB5AB

RGB 159 181 171

HSL 152.73, 0.13%, 0.67%

LAB 71.8, -9.54, 2.53

 

CMYK 12 / 12 / 0 / 29

HEX #A09FB5

RGB 160 159 181

HSL 242.73, 0.13%, 0.67%

LAB 66.22, 4.8, -11.23

 

Description

Color code: HEX #B6A0AA | qconv.com Color code: HEX #B6A0AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 160 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 160 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 7% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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