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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A2AB it is the complementary color #495D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A2AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A2AB shade: #BBA2A6, #CCB4B9, #DDC6CC, #EED8DF and #FFEAF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A2AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A2AB shade: #B6A2AB, #A59098, #947E85, #836C72 and #725A5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A2AB shade: #B4A0A9, #B4A0A4 and #B4A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A2AB shade: #B4A0A9, #B4A0AF, #B4A0B4, #AFA0B4 and #AAA0B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A2AB shade matches the following richer shades: #B4A0A9, #C293A8, #D085A7, #DD77A5 and #EB6AA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A2AB shade: #B4A0A9, #A7AEAB, #99BBAC, #8CC9AD and #7ED7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A2AB shade: #B4A0B4, #B4A0AF, #B4A0A9, #B4A0A4 and #B4A2A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A2AB shade: #907280, #A28994, #B4A0A9, #C7B7BE and #D9CED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A2AB shade: #B6A2AB, #B4AFA0 and #A0B1B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A2AB shade: #B6A2AB, #A9B4A0 and #A0A9B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A2AB shade: #B6A2AB, #B4AFA0, #A0B4AB and #A0A5B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A2AB shade: #B6A2AB, #B3B4A0, #A0B4AB and #A1A0B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

Complementary color

CMYK 22 / 0 / 10 / 64

HEX #495D54

RGB 73 93 84

HSL 153, 0.12%, 0.33%

LAB 37.64, -9.7, 2.66

 

CMYK 0 / 13 / 11 / 27

HEX #BBA2A6

RGB 187 162 166

HSL 350.4, 0.16%, 0.68%

LAB 68.87, 9.82, 1.3

 

CMYK 0 / 12 / 9 / 20

HEX #CCB4B9

RGB 204 180 185

HSL 347.5, 0.19%, 0.75%

LAB 75.44, 9.43, 0.61

 

CMYK 0 / 10 / 8 / 13

HEX #DDC6CC

RGB 221 198 204

HSL 344.35, 0.25%, 0.82%

LAB 81.9, 9.08, -0.05

 

CMYK 0 / 9 / 6 / 7

HEX #EED8DF

RGB 238 216 223

HSL 340.91, 0.39%, 0.89%

LAB 88.26, 8.76, -0.68

 

CMYK 0 / 8 / 5 / 0

HEX #FFEAF2

RGB 255 234 242

HSL 337.14, 1%, 0.96%

LAB 94.53, 8.46, -1.29

 

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

CMYK 0 / 13 / 8 / 35

HEX #A59098

RGB 165 144 152

HSL 337.14, 0.1%, 0.61%

LAB 61.84, 9.25, -1.34

 

CMYK 0 / 15 / 10 / 42

HEX #947E85

RGB 148 126 133

HSL 340.91, 0.09%, 0.54%

LAB 54.98, 9.67, -0.66

 

CMYK 0 / 18 / 13 / 49

HEX #836C72

RGB 131 108 114

HSL 344.35, 0.1%, 0.47%

LAB 47.96, 10.15, 0.07

 

CMYK 0 / 21 / 17 / 55

HEX #725A5F

RGB 114 90 95

HSL 347.5, 0.12%, 0.4%

LAB 40.76, 10.7, 0.87

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 0 / 11 / 9 / 29

HEX #B4A0A4

RGB 180 160 164

HSL 348, 0.12%, 0.67%

LAB 67.67, 8, 0.59

 

CMYK 0 / 11 / 11 / 29

HEX #B4A0A0

RGB 180 160 160

HSL 0, 0.12%, 0.67%

LAB 67.56, 7.31, 2.67

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 0 / 11 / 3 / 29

HEX #B4A0AF

RGB 180 160 175

HSL 315, 0.12%, 0.67%

LAB 67.98, 9.99, -5.09

 

CMYK 0 / 11 / 0 / 29

HEX #B4A0B4

RGB 180 160 180

HSL 300, 0.12%, 0.67%

LAB 68.12, 10.94, -7.65

 

CMYK 3 / 11 / 0 / 29

HEX #AFA0B4

RGB 175 160 180

HSL 285, 0.12%, 0.67%

LAB 67.69, 9.19, -8.35

 

CMYK 6 / 11 / 0 / 29

HEX #AAA0B4

RGB 170 160 180

HSL 270, 0.12%, 0.67%

LAB 67.26, 7.45, -9.02

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 0 / 24 / 13 / 24

HEX #C293A8

RGB 194 147 168

HSL 333.19, 0.28%, 0.67%

LAB 65.88, 21, -4.12

 

CMYK 0 / 36 / 20 / 18

HEX #D085A7

RGB 208 133 167

HSL 332.8, 0.44%, 0.67%

LAB 64.14, 33.51, -5.95

 

CMYK 0 / 46 / 25 / 13

HEX #DD77A5

RGB 221 119 165

HSL 332.94, 0.6%, 0.67%

LAB 62.75, 45.03, -6.7

 

CMYK 0 / 55 / 30 / 8

HEX #EB6AA4

RGB 235 106 164

HSL 333.02, 0.76%, 0.67%

LAB 62.21, 55.77, -6.71

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 4 / 0 / 2 / 32

HEX #A7AEAB

RGB 167 174 171

HSL 154.29, 0.04%, 0.67%

LAB 70.47, -3.03, 0.67

 

CMYK 18 / 0 / 8 / 27

HEX #99BBAC

RGB 153 187 172

HSL 153.53, 0.2%, 0.67%

LAB 73.08, -14.5, 3.79

 

CMYK 30 / 0 / 14 / 21

HEX #8CC9AD

RGB 140 201 173

HSL 152.46, 0.36%, 0.67%

LAB 76.29, -25.49, 7.77

 

CMYK 41 / 0 / 19 / 16

HEX #7ED7AF

RGB 126 215 175

HSL 153.03, 0.53%, 0.67%

LAB 79.69, -35.76, 11.46

 

CMYK 0 / 11 / 0 / 29

HEX #B4A0B4

RGB 180 160 180

HSL 300, 0.12%, 0.67%

LAB 68.12, 10.94, -7.65

 

CMYK 0 / 11 / 3 / 29

HEX #B4A0AF

RGB 180 160 175

HSL 315, 0.12%, 0.67%

LAB 67.98, 9.99, -5.09

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 0 / 11 / 9 / 29

HEX #B4A0A4

RGB 180 160 164

HSL 348, 0.12%, 0.67%

LAB 67.67, 8, 0.59

 

CMYK 0 / 10 / 11 / 29

HEX #B4A2A0

RGB 180 162 160

HSL 6, 0.12%, 0.67%

LAB 68.08, 6.21, 3.42

 

CMYK 0 / 21 / 11 / 44

HEX #907280

RGB 144 114 128

HSL 332, 0.12%, 0.51%

LAB 51.29, 14.19, -3.2

 

CMYK 0 / 15 / 9 / 36

HEX #A28994

RGB 162 137 148

HSL 333.6, 0.12%, 0.59%

LAB 59.63, 11.37, -2.34

 

CMYK 0 / 11 / 6 / 29

HEX #B4A0A9

RGB 180 160 169

HSL 333, 0.12%, 0.67%

LAB 67.81, 8.89, -1.99

 

CMYK 0 / 8 / 5 / 22

HEX #C7B7BE

RGB 199 183 190

HSL 333.75, 0.13%, 0.75%

LAB 75.9, 6.91, -1.49

 

CMYK 0 / 5 / 3 / 15

HEX #D9CED3

RGB 217 206 211

HSL 332.73, 0.13%, 0.83%

LAB 83.76, 4.68, -1.12

 

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

CMYK 0 / 3 / 11 / 29

HEX #B4AFA0

RGB 180 175 160

HSL 45, 0.12%, 0.67%

LAB 71.49, -0.86, 8.32

 

CMYK 11 / 2 / 0 / 29

HEX #A0B1B4

RGB 160 177 180

HSL 189, 0.12%, 0.67%

LAB 71.02, -5.26, -3.55

 

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

CMYK 6 / 0 / 11 / 29

HEX #A9B4A0

RGB 169 180 160

HSL 93, 0.12%, 0.67%

LAB 71.97, -7.55, 8.89

 

CMYK 11 / 6 / 0 / 29

HEX #A0A9B4

RGB 160 169 180

HSL 213, 0.12%, 0.67%

LAB 68.86, -0.93, -6.74

 

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

CMYK 0 / 3 / 11 / 29

HEX #B4AFA0

RGB 180 175 160

HSL 45, 0.12%, 0.67%

LAB 71.49, -0.86, 8.32

 

CMYK 11 / 0 / 5 / 29

HEX #A0B4AB

RGB 160 180 171

HSL 153, 0.12%, 0.67%

LAB 71.59, -8.67, 2.24

 

CMYK 11 / 8 / 0 / 29

HEX #A0A5B4

RGB 160 165 180

HSL 225, 0.12%, 0.67%

LAB 67.78, 1.27, -8.33

 

CMYK 0 / 11 / 6 / 29

HEX #B6A2AB

RGB 182 162 171

HSL 333, 0.12%, 0.67%

LAB 68.55, 8.87, -1.99

 

CMYK 1 / 0 / 11 / 29

HEX #B3B4A0

RGB 179 180 160

HSL 63, 0.12%, 0.67%

LAB 72.74, -3.91, 10.08

 

CMYK 11 / 0 / 5 / 29

HEX #A0B4AB

RGB 160 180 171

HSL 153, 0.12%, 0.67%

LAB 71.59, -8.67, 2.24

 

CMYK 11 / 11 / 0 / 29

HEX #A1A0B4

RGB 161 160 180

HSL 243, 0.12%, 0.67%

LAB 66.53, 4.37, -10.2

 

Description

Color code: HEX #B6A2AB | qconv.com Color code: HEX #B6A2AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 162 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 162 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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