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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A3F0 it is the complementary color #495C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A3F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A3F0 shade: #BBA3EB, #CCB5FE, #DDC7FF, #EED9FF and #FFEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A3F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A3F0 shade: #B6A3F0, #A591DD, #947FCA, #836DB7 and #725BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A3F0 shade: #B5A2F0, #CAA2F0, #DFA2F0, #F0A2EB and #F0A2D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A3F0 shade: #B5A2F0 and #A2A2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A3F0 shade matches the following richer shades: #B5A2F0 and #B19AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A3F0 shade: #B5A2F0, #BAABE7, #BEB4DE, #C3BCD6 and #C7C5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A3F0 shade: #A2BAF0, #A2A5F0, #B4A2F0, #C9A2F0 and #DEA2F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A3F0 shade: #7D5BE4, #997FEA, #B5A2F0, #D2C6F5 and #EEE9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A3F0 shade: #B6A3F0, #F0A2CE and #AFF0A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A3F0 shade: #B6A3F0, #F0B4A2 and #A2F0B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A3F0 shade: #B6A3F0, #F0A2CE, #DEF0A2 and #A2F0C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A3F0 shade: #B6A3F0, #F0A2B7, #DEF0A2 and #A2F0DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

Complementary color

CMYK 21 / 0 / 84 / 64

HEX #495C0F

RGB 73 92 15

HSL 74.81, 0.72%, 0.21%

LAB 36.19, -18.8, 38.48

 

CMYK 20 / 31 / 0 / 8

HEX #BBA3EB

RGB 187 163 235

HSL 260, 0.64%, 0.78%

LAB 71.39, 23.11, -32.97

 

CMYK 20 / 29 / 0 / 0

HEX #CCB5FE

RGB 204 181 254

HSL 258.9, 0.97%, 0.85%

LAB 77.9, 22.54, -33.08

 

CMYK 13 / 22 / 0 / 0

HEX #DDC7FF

RGB 221 199 255

HSL 263.57, 1%, 0.89%

LAB 83.67, 18.21, -24.64

 

CMYK 7 / 15 / 0 / 0

HEX #EED9FF

RGB 238 217 255

HSL 273.16, 1%, 0.93%

LAB 89.4, 14.04, -15.85

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 25 / 34 / 0 / 13

HEX #A591DD

RGB 165 145 221

HSL 255.79, 0.53%, 0.72%

LAB 64.54, 23.41, -36.05

 

CMYK 27 / 37 / 0 / 21

HEX #947FCA

RGB 148 127 202

HSL 256.8, 0.41%, 0.65%

LAB 57.79, 24.12, -36.05

 

CMYK 28 / 40 / 0 / 28

HEX #836DB7

RGB 131 109 183

HSL 257.84, 0.34%, 0.57%

LAB 50.9, 24.91, -36.1

 

CMYK 30 / 45 / 0 / 36

HEX #725BA4

RGB 114 91 164

HSL 258.9, 0.29%, 0.5%

LAB 43.86, 25.8, -36.18

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 16 / 33 / 0 / 6

HEX #CAA2F0

RGB 202 162 240

HSL 270.77, 0.72%, 0.79%

LAB 72.69, 29.29, -33.58

 

CMYK 7 / 33 / 0 / 6

HEX #DFA2F0

RGB 223 162 240

HSL 286.92, 0.72%, 0.79%

LAB 74.71, 35.72, -30.29

 

CMYK 0 / 33 / 2 / 6

HEX #F0A2EB

RGB 240 162 235

HSL 303.85, 0.72%, 0.79%

LAB 76.29, 40.09, -25

 

CMYK 0 / 33 / 11 / 6

HEX #F0A2D6

RGB 240 162 214

HSL 320, 0.72%, 0.79%

LAB 75.59, 36.49, -14.62

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 33 / 33 / 0 / 6

HEX #A2A2F0

RGB 162 162 240

HSL 240, 0.72%, 0.79%

LAB 69.34, 17.63, -39.04

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 29 / 38 / 0 / 3

HEX #B19AF8

RGB 177 154 248

HSL 254.68, 0.87%, 0.79%

LAB 68.92, 28.31, -43.97

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 19 / 26 / 0 / 9

HEX #BAABE7

RGB 186 171 231

HSL 255, 0.56%, 0.79%

LAB 73.11, 17.46, -28.14

 

CMYK 14 / 19 / 0 / 13

HEX #BEB4DE

RGB 190 180 222

HSL 254.29, 0.39%, 0.79%

LAB 75.37, 11.79, -19.78

 

CMYK 9 / 12 / 0 / 16

HEX #C3BCD6

RGB 195 188 214

HSL 256.15, 0.24%, 0.79%

LAB 77.53, 7.41, -12.14

 

CMYK 3 / 4 / 0 / 20

HEX #C7C5CD

RGB 199 197 205

HSL 255, 0.07%, 0.79%

LAB 79.89, 2.18, -3.75

 

CMYK 33 / 23 / 0 / 6

HEX #A2BAF0

RGB 162 186 240

HSL 221.54, 0.72%, 0.79%

LAB 75.51, 4.26, -29.49

 

CMYK 33 / 31 / 0 / 6

HEX #A2A5F0

RGB 162 165 240

HSL 237.69, 0.72%, 0.79%

LAB 70.09, 15.94, -37.86

 

CMYK 25 / 33 / 0 / 6

HEX #B4A2F0

RGB 180 162 240

HSL 253.85, 0.72%, 0.79%

LAB 70.76, 22.75, -36.72

 

CMYK 16 / 33 / 0 / 6

HEX #C9A2F0

RGB 201 162 240

HSL 270, 0.72%, 0.79%

LAB 72.59, 28.99, -33.73

 

CMYK 8 / 33 / 0 / 6

HEX #DEA2F0

RGB 222 162 240

HSL 286.15, 0.72%, 0.79%

LAB 74.61, 35.41, -30.45

 

CMYK 45 / 60 / 0 / 11

HEX #7D5BE4

RGB 125 91 228

HSL 254.89, 0.72%, 0.63%

LAB 48.81, 46.04, -65.18

 

CMYK 35 / 46 / 0 / 8

HEX #997FEA

RGB 153 127 234

HSL 254.58, 0.72%, 0.71%

LAB 59.79, 33.66, -50.81

 

CMYK 25 / 33 / 0 / 6

HEX #B5A2F0

RGB 181 162 240

HSL 254.62, 0.72%, 0.79%

LAB 70.84, 23.04, -36.59

 

CMYK 14 / 19 / 0 / 4

HEX #D2C6F5

RGB 210 198 245

HSL 255.32, 0.7%, 0.87%

LAB 82.21, 13.23, -21.63

 

CMYK 5 / 7 / 0 / 2

HEX #EEE9FB

RGB 238 233 251

HSL 256.67, 0.69%, 0.95%

LAB 93.2, 4.94, -8.09

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 0 / 33 / 14 / 6

HEX #F0A2CE

RGB 240 162 206

HSL 326.15, 0.72%, 0.79%

LAB 75.34, 35.2, -10.62

 

CMYK 27 / 0 / 33 / 6

HEX #AFF0A2

RGB 175 240 162

HSL 110, 0.72%, 0.79%

LAB 88.94, -34.77, 31.35

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 0 / 25 / 33 / 6

HEX #F0B4A2

RGB 240 180 162

HSL 13.85, 0.72%, 0.79%

LAB 78.33, 19.39, 17.67

 

CMYK 33 / 0 / 25 / 6

HEX #A2F0B4

RGB 162 240 180

HSL 133.85, 0.72%, 0.79%

LAB 88.59, -35.94, 21.56

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 0 / 33 / 14 / 6

HEX #F0A2CE

RGB 240 162 206

HSL 326.15, 0.72%, 0.79%

LAB 75.34, 35.2, -10.62

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A2

RGB 222 240 162

HSL 73.85, 0.72%, 0.79%

LAB 91.89, -18.28, 35.8

 

CMYK 33 / 0 / 18 / 6

HEX #A2F0C4

RGB 162 240 196

HSL 146.15, 0.72%, 0.79%

LAB 88.92, -33, 13.75

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 0 / 33 / 24 / 6

HEX #F0A2B7

RGB 240 162 183

HSL 343.85, 0.72%, 0.79%

LAB 74.69, 31.74, 1.04

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A2

RGB 222 240 162

HSL 73.85, 0.72%, 0.79%

LAB 91.89, -18.28, 35.8

 

CMYK 33 / 0 / 9 / 6

HEX #A2F0DB

RGB 162 240 219

HSL 163.85, 0.72%, 0.79%

LAB 89.45, -28.36, 2.53

 

Description

Color code: HEX #B6A3F0 | qconv.com Color code: HEX #B6A3F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 163 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 163 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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