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Color name
HEX #B6ACFA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6ACFA it is the complementary color #495305. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6ACFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6ACFA shade: #BBACF5, #CCBEFF, #DDD0FF, #EEE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6ACFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6ACFA shade: #B6ACFA, #A59AE7, #9488D4, #8376C1 and #7264AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6ACFA shade: #B6ADFA, #CBADFA, #E0ADFA, #F5ADFA and #FAADEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6ACFA shade: #B6ADFA and #ADADFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6ACFA shade matches the following richer shades: #B6ADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6ACFA shade: #B6ADFA, #BCB4F3, #C1BBEC, #C6C2E5 and #CBC9DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6ACFA shade: #ADCDFA, #ADB8FA, #B6ADFA, #CAADFA and #DFADFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6ACFA shade: #725FF5, #9486F7, #B6ADFA, #D9D4FC and #FBFBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6ACFA shade: #B6ACFA, #FAADE1 and #C2FAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6ACFA shade: #B6ACFA, #FAB6AD and #ADFAB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6ACFA shade: #B6ACFA, #FAADE1, #F1FAAD and #ADFAC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6ACFA shade: #B6ACFA, #FAADCA, #F1FAAD and #ADFADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

Complementary color

CMYK 12 / 0 / 94 / 67

HEX #495305

RGB 73 83 5

HSL 67.69, 0.89%, 0.17%

LAB 33.17, -14.3, 39.01

 

CMYK 24 / 30 / 0 / 4

HEX #BBACF5

RGB 187 172 245

HSL 252.33, 0.78%, 0.82%

LAB 73.97, 20.41, -34.41

 

CMYK 20 / 25 / 0 / 0

HEX #CCBEFF

RGB 204 190 255

HSL 252.92, 1%, 0.87%

LAB 80.11, 17.86, -30.2

 

CMYK 13 / 18 / 0 / 0

HEX #DDD0FF

RGB 221 208 255

HSL 256.6, 1%, 0.91%

LAB 85.86, 13.4, -21.32

 

CMYK 7 / 11 / 0 / 0

HEX #EEE2FF

RGB 238 226 255

HSL 264.83, 1%, 0.94%

LAB 91.59, 9.33, -12.57

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

CMYK 29 / 33 / 0 / 9

HEX #A59AE7

RGB 165 154 231

HSL 248.57, 0.62%, 0.75%

LAB 67.19, 20.75, -37.44

 

CMYK 30 / 36 / 0 / 17

HEX #9488D4

RGB 148 136 212

HSL 249.47, 0.47%, 0.68%

LAB 60.48, 21.42, -37.47

 

CMYK 32 / 39 / 0 / 24

HEX #8376C1

RGB 131 118 193

HSL 250.4, 0.38%, 0.61%

LAB 53.63, 22.18, -37.55

 

CMYK 34 / 43 / 0 / 32

HEX #7264AE

RGB 114 100 174

HSL 251.35, 0.31%, 0.54%

LAB 46.64, 23.04, -37.67

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 19 / 31 / 0 / 2

HEX #CBADFA

RGB 203 173 250

HSL 263.38, 0.89%, 0.83%

LAB 75.75, 25.74, -34.25

 

CMYK 10 / 31 / 0 / 2

HEX #E0ADFA

RGB 224 173 250

HSL 279.74, 0.89%, 0.83%

LAB 77.66, 32.1, -31.15

 

CMYK 2 / 31 / 0 / 2

HEX #F5ADFA

RGB 245 173 250

HSL 296.1, 0.89%, 0.83%

LAB 79.73, 38.6, -27.79

 

CMYK 0 / 31 / 6 / 2

HEX #FAADEA

RGB 250 173 234

HSL 312.47, 0.89%, 0.83%

LAB 79.7, 37.35, -19.18

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 31 / 31 / 0 / 2

HEX #ADADFA

RGB 173 173 250

HSL 240, 0.89%, 0.83%

LAB 73.33, 17.04, -38.19

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 23 / 26 / 0 / 5

HEX #BCB4F3

RGB 188 180 243

HSL 247.62, 0.72%, 0.83%

LAB 75.95, 15.83, -30.27

 

CMYK 18 / 21 / 0 / 7

HEX #C1BBEC

RGB 193 187 236

HSL 247.35, 0.56%, 0.83%

LAB 77.84, 11.95, -23.57

 

CMYK 14 / 15 / 0 / 10

HEX #C6C2E5

RGB 198 194 229

HSL 246.86, 0.4%, 0.83%

LAB 79.75, 8.23, -16.87

 

CMYK 9 / 9 / 0 / 13

HEX #CBC9DE

RGB 203 201 222

HSL 245.71, 0.24%, 0.83%

LAB 81.7, 4.68, -10.16

 

CMYK 31 / 18 / 0 / 2

HEX #ADCDFA

RGB 173 205 250

HSL 215.06, 0.89%, 0.83%

LAB 81.54, -0.46, -25.55

 

CMYK 31 / 26 / 0 / 2

HEX #ADB8FA

RGB 173 184 250

HSL 231.43, 0.89%, 0.83%

LAB 76.11, 10.94, -33.89

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 19 / 31 / 0 / 2

HEX #CAADFA

RGB 202 173 250

HSL 262.6, 0.89%, 0.83%

LAB 75.67, 25.44, -34.39

 

CMYK 11 / 31 / 0 / 2

HEX #DFADFA

RGB 223 173 250

HSL 278.96, 0.89%, 0.83%

LAB 77.57, 31.8, -31.3

 

CMYK 53 / 61 / 0 / 4

HEX #725FF5

RGB 114 95 245

HSL 247.6, 0.88%, 0.67%

LAB 49.92, 46.6, -72.97

 

CMYK 40 / 46 / 0 / 3

HEX #9486F7

RGB 148 134 247

HSL 247.43, 0.88%, 0.75%

LAB 61.71, 31.86, -54.98

 

CMYK 27 / 31 / 0 / 2

HEX #B6ADFA

RGB 182 173 250

HSL 247.01, 0.89%, 0.83%

LAB 74.02, 19.58, -37.07

 

CMYK 14 / 16 / 0 / 1

HEX #D9D4FC

RGB 217 212 252

HSL 247.5, 0.87%, 0.91%

LAB 86.44, 9.41, -18.89

 

CMYK 1 / 1 / 0 / 0

HEX #FBFBFE

RGB 251 251 254

HSL 240, 0.6%, 0.99%

LAB 98.69, 0.53, -1.44

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

CMYK 0 / 31 / 10 / 2

HEX #FAADE1

RGB 250 173 225

HSL 319.48, 0.89%, 0.83%

LAB 79.41, 35.84, -14.75

 

CMYK 22 / 0 / 31 / 2

HEX #C2FAAD

RGB 194 250 173

HSL 103.64, 0.89%, 0.83%

LAB 92.95, -31.43, 31.36

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

CMYK 0 / 27 / 31 / 2

HEX #FAB6AD

RGB 250 182 173

HSL 7.01, 0.89%, 0.83%

LAB 80.07, 23.47, 14.33

 

CMYK 31 / 0 / 27 / 2

HEX #ADFAB6

RGB 173 250 182

HSL 127.01, 0.89%, 0.83%

LAB 91.97, -36.79, 25.28

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

CMYK 0 / 31 / 10 / 2

HEX #FAADE1

RGB 250 173 225

HSL 319.48, 0.89%, 0.83%

LAB 79.41, 35.84, -14.75

 

CMYK 4 / 0 / 31 / 2

HEX #F1FAAD

RGB 241 250 173

HSL 67.01, 0.89%, 0.83%

LAB 96.03, -14.78, 36.02

 

CMYK 31 / 0 / 21 / 2

HEX #ADFAC5

RGB 173 250 197

HSL 138.7, 0.89%, 0.83%

LAB 92.26, -34.18, 18.02

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFA

RGB 182 172 250

HSL 247.69, 0.89%, 0.83%

LAB 73.77, 20.14, -37.45

 

CMYK 0 / 31 / 19 / 2

HEX #FAADCA

RGB 250 173 202

HSL 337.4, 0.89%, 0.83%

LAB 78.74, 32.23, -3.28

 

CMYK 4 / 0 / 31 / 2

HEX #F1FAAD

RGB 241 250 173

HSL 67.01, 0.89%, 0.83%

LAB 96.03, -14.78, 36.02

 

CMYK 31 / 0 / 12 / 2

HEX #ADFADC

RGB 173 250 220

HSL 156.62, 0.89%, 0.83%

LAB 92.76, -29.78, 6.88

 

Description

Color code: HEX #B6ACFA | qconv.com Color code: HEX #B6ACFA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 172 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 172 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 31 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 31% 0% 2% C M Y K

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Provide designers and agencies with accurate color values.

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