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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B715 it is the complementary color #4948EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B715 shade: #BBB710, #CCC923, #DDDB36, #EEED49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B715 shade: #B6B715, #A5A502, #949300, #838100 and #726F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B715 shade: #B5B615, #B68C15, #B66015, #B63515 and #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B715 shade: #B5B615, #8AB615, #5EB615, #33B615 and #15B623

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B715 shade matches the following richer shades: #B5B615 and #C5C704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B715 shade: #B5B615, #A5A625, #949536, #848546 and #747457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B715 shade: #B66015, #B68B15, #B6B615, #8BB615 and #60B615

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B715 shade: #6C6C0C, #909111, #B5B615, #DADB19 and #E6E736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B715 shade: #B6B715, #15B635 and #7615B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B715 shade: #B6B715, #15B6B6 and #B615B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B715 shade: #B6B715, #15B635, #1515B6 and #B61596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B715 shade: #B6B715, #15B666, #1515B6 and #B61566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

Complementary color

CMYK 69 / 69 / 0 / 8

HEX #4948EA

RGB 73 72 234

HSL 240.37, 0.79%, 0.6%

LAB 41.2, 50.42, -81.17

 

CMYK 0 / 2 / 91 / 27

HEX #BBB710

RGB 187 183 16

HSL 58.6, 0.84%, 0.4%

LAB 72.54, -14.86, 72.17

 

CMYK 0 / 1 / 83 / 20

HEX #CCC923

RGB 204 201 35

HSL 58.93, 0.71%, 0.47%

LAB 78.89, -16.17, 74.2

 

CMYK 0 / 1 / 76 / 13

HEX #DDDB36

RGB 221 219 54

HSL 59.28, 0.71%, 0.54%

LAB 85.15, -17.28, 75.05

 

CMYK 0 / 0 / 69 / 7

HEX #EEED49

RGB 238 237 73

HSL 59.64, 0.83%, 0.61%

LAB 91.34, -18.23, 75.14

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

CMYK 0 / 0 / 99 / 35

HEX #A5A502

RGB 165 165 2

HSL 60, 0.98%, 0.33%

LAB 65.68, -15.53, 67.95

 

CMYK 0 / 1 / 100 / 42

HEX #949300

RGB 148 147 0

HSL 59.59, 1%, 0.29%

LAB 59.13, -13.84, 62.77

HEX #949300

CMYK 0 / 2 / 100 / 49

HEX #838100

RGB 131 129 0

HSL 59.08, 1%, 0.26%

LAB 52.43, -12.07, 57.2

HEX #838100

CMYK 0 / 3 / 100 / 55

HEX #726F00

RGB 114 111 0

HSL 58.42, 1%, 0.22%

LAB 45.56, -10.24, 51.5

HEX #726F00

CMYK 1 / 0 / 88 / 29

HEX #B5B615

RGB 181 182 21

HSL 60.37, 0.79%, 0.4%

LAB 71.78, -16.87, 70.54

 

CMYK 0 / 23 / 88 / 29

HEX #B68C15

RGB 182 140 21

HSL 44.35, 0.79%, 0.4%

LAB 60.57, 5.83, 61.64

 

CMYK 0 / 47 / 88 / 29

HEX #B66015

RGB 182 96 21

HSL 27.95, 0.79%, 0.4%

LAB 49.94, 30.1, 53.21

 

CMYK 0 / 71 / 88 / 29

HEX #B63515

RGB 182 53 21

HSL 11.93, 0.79%, 0.4%

LAB 42.07, 50.52, 47

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 1 / 0 / 88 / 29

HEX #B5B615

RGB 181 182 21

HSL 60.37, 0.79%, 0.4%

LAB 71.78, -16.87, 70.54

 

CMYK 24 / 0 / 88 / 29

HEX #8AB615

RGB 138 182 21

HSL 76.4, 0.79%, 0.4%

LAB 68.69, -34.96, 66.75

 

CMYK 48 / 0 / 88 / 29

HEX #5EB615

RGB 94 182 21

HSL 92.8, 0.79%, 0.4%

LAB 66.44, -50.77, 63.95

 

CMYK 72 / 0 / 88 / 29

HEX #33B615

RGB 51 182 21

HSL 108.82, 0.79%, 0.4%

LAB 65.13, -61.36, 62.31

 

CMYK 88 / 0 / 81 / 29

HEX #15B623

RGB 21 182 35

HSL 125.22, 0.79%, 0.4%

LAB 64.75, -64.49, 58.4

 

CMYK 1 / 0 / 88 / 29

HEX #B5B615

RGB 181 182 21

HSL 60.37, 0.79%, 0.4%

LAB 71.78, -16.87, 70.54

 

CMYK 1 / 0 / 98 / 22

HEX #C5C704

RGB 197 199 4

HSL 60.62, 0.96%, 0.4%

LAB 77.71, -18.7, 77.8

 

CMYK 1 / 0 / 88 / 29

HEX #B5B615

RGB 181 182 21

HSL 60.37, 0.79%, 0.4%

LAB 71.78, -16.87, 70.54

 

CMYK 1 / 0 / 78 / 35

HEX #A5A625

RGB 165 166 37

HSL 60.47, 0.64%, 0.4%

LAB 66.06, -15.24, 61.25

 

CMYK 1 / 0 / 64 / 42

HEX #949536

RGB 148 149 54

HSL 60.63, 0.47%, 0.4%

LAB 59.94, -12.95, 48.37

 

CMYK 1 / 0 / 47 / 48

HEX #848546

RGB 132 133 70

HSL 60.95, 0.31%, 0.4%

LAB 54.16, -10, 33.64

 

CMYK 0 / 0 / 25 / 55

HEX #747457

RGB 116 116 87

HSL 60, 0.14%, 0.4%

LAB 48.12, -5.19, 16.08

 

CMYK 0 / 47 / 88 / 29

HEX #B66015

RGB 182 96 21

HSL 27.95, 0.79%, 0.4%

LAB 49.94, 30.1, 53.21

 

CMYK 0 / 24 / 88 / 29

HEX #B68B15

RGB 182 139 21

HSL 43.98, 0.79%, 0.4%

LAB 60.31, 6.38, 61.44

 

CMYK 0 / 0 / 88 / 29

HEX #B6B615

RGB 182 182 21

HSL 60, 0.79%, 0.4%

LAB 71.86, -16.44, 70.64

 

CMYK 24 / 0 / 88 / 29

HEX #8BB615

RGB 139 182 21

HSL 76.02, 0.79%, 0.4%

LAB 68.75, -34.56, 66.82

 

CMYK 47 / 0 / 88 / 29

HEX #60B615

RGB 96 182 21

HSL 92.05, 0.79%, 0.4%

LAB 66.52, -50.15, 64.05

 

CMYK 0 / 0 / 89 / 58

HEX #6C6C0C

RGB 108 108 12

HSL 60, 0.8%, 0.24%

LAB 44.15, -11.14, 47.42

 

CMYK 1 / 0 / 88 / 43

HEX #909111

RGB 144 145 17

HSL 60.47, 0.79%, 0.32%

LAB 58.25, -14.3, 59.14

 

CMYK 1 / 0 / 88 / 29

HEX #B5B615

RGB 181 182 21

HSL 60.37, 0.79%, 0.4%

LAB 71.78, -16.87, 70.54

 

CMYK 0 / 0 / 89 / 14

HEX #DADB19

RGB 218 219 25

HSL 60.31, 0.8%, 0.48%

LAB 84.81, -19.35, 81.46

 

CMYK 0 / 0 / 77 / 9

HEX #E6E736

RGB 230 231 54

HSL 60.34, 0.79%, 0.56%

LAB 89.04, -19.4, 78.83

 

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

CMYK 88 / 0 / 71 / 29

HEX #15B635

RGB 21 182 53

HSL 131.93, 0.79%, 0.4%

LAB 64.86, -63.12, 52.38

 

CMYK 35 / 88 / 0 / 29

HEX #7615B6

RGB 118 21 182

HSL 276.15, 0.79%, 0.4%

LAB 33.49, 63.81, -63.54

 

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

CMYK 88 / 0 / 0 / 29

HEX #15B6B6

RGB 21 182 182

HSL 180, 0.79%, 0.4%

LAB 67.27, -36.53, -10.78

 

CMYK 0 / 88 / 0 / 29

HEX #B615B6

RGB 182 21 182

HSL 300, 0.79%, 0.4%

LAB 44.03, 73.96, -45.98

 

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

CMYK 88 / 0 / 71 / 29

HEX #15B635

RGB 21 182 53

HSL 131.93, 0.79%, 0.4%

LAB 64.86, -63.12, 52.38

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 0 / 88 / 18 / 29

HEX #B61596

RGB 182 21 150

HSL 311.93, 0.79%, 0.4%

LAB 42.28, 69.42, -29.63

 

CMYK 1 / 0 / 89 / 28

HEX #B6B715

RGB 182 183 21

HSL 60.37, 0.79%, 0.4%

LAB 72.14, -16.94, 70.86

 

CMYK 88 / 0 / 44 / 29

HEX #15B666

RGB 21 182 102

HSL 150.19, 0.79%, 0.4%

LAB 65.42, -56.36, 30.16

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 0 / 88 / 44 / 29

HEX #B61566

RGB 182 21 102

HSL 329.81, 0.79%, 0.4%

LAB 40.31, 64.07, -2.94

 

Description

Color code: HEX #B6B715 | qconv.com Color code: HEX #B6B715 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 183 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 183 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 89 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 89% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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