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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B9C3 it is the complementary color #49463C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B9C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B9C3 shade: #BBB9BE, #CCCBD1, #DDDDE4, #EEEFF7 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B9C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B9C3 shade: #B6B9C3, #A5A7B0, #94959D, #83838A and #727177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B9C3 shade: #B6B9C3, #B6B6C3, #BAB6C3, #BDB6C3 and #C1B6C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B9C3 shade: #B6B9C3 and #B6B6C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B9C3 shade matches the following richer shades: #B6B9C3, #ABB3CE, #A0ADD8, #95A7E3 and #8BA2EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B9C3 shade: #B6B9C3, #C0BEB8, #CBC4AD, #D6CAA3 and #E0D098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B9C3 shade: #B6C0C3, #B6BCC3, #B6B9C3, #B6B6C3 and #BAB6C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B9C3 shade: #888D9E, #9FA3B0, #B6B9C3, #CCCED5 and #E3E4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B9C3 shade: #B6B9C3, #C2B6C3 and #BEC3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B9C3 shade: #B6B9C3, #C3B6B9 and #B9C3B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B9C3 shade: #B6B9C3, #C2B6C3, #C3C0B6 and #B6C3B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B9C3 shade: #B6B9C3, #C3B6BF, #C3C0B6 and #B6C3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

Complementary color

CMYK 0 / 4 / 18 / 71

HEX #49463C

RGB 73 70 60

HSL 46.15, 0.1%, 0.26%

LAB 29.72, -0.75, 6.48

 

CMYK 2 / 3 / 0 / 25

HEX #BBB9BE

RGB 187 185 190

HSL 264, 0.04%, 0.74%

LAB 75.44, 1.64, -2.29

 

CMYK 2 / 3 / 0 / 18

HEX #CCCBD1

RGB 204 203 209

HSL 250, 0.06%, 0.81%

LAB 81.92, 1.45, -2.87

 

CMYK 3 / 3 / 0 / 11

HEX #DDDDE4

RGB 221 221 228

HSL 240, 0.11%, 0.88%

LAB 88.3, 1.28, -3.43

 

CMYK 4 / 3 / 0 / 3

HEX #EEEFF7

RGB 238 239 247

HSL 233.33, 0.36%, 0.95%

LAB 94.58, 1.12, -3.98

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 6 / 5 / 0 / 31

HEX #A5A7B0

RGB 165 167 176

HSL 229.09, 0.07%, 0.67%

LAB 68.59, 1.06, -4.88

 

CMYK 6 / 5 / 0 / 38

HEX #94959D

RGB 148 149 157

HSL 233.33, 0.04%, 0.6%

LAB 61.85, 1.23, -4.33

 

CMYK 5 / 5 / 0 / 46

HEX #83838A

RGB 131 131 138

HSL 240, 0.03%, 0.53%

LAB 54.96, 1.42, -3.77

 

CMYK 4 / 5 / 0 / 53

HEX #727177

RGB 114 113 119

HSL 250, 0.03%, 0.45%

LAB 47.9, 1.62, -3.18

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 7 / 7 / 0 / 24

HEX #B6B6C3

RGB 182 182 195

HSL 240, 0.1%, 0.74%

LAB 74.41, 2.51, -6.58

 

CMYK 5 / 7 / 0 / 24

HEX #BAB6C3

RGB 186 182 195

HSL 258.46, 0.1%, 0.74%

LAB 74.72, 3.87, -6.08

 

CMYK 3 / 7 / 0 / 24

HEX #BDB6C3

RGB 189 182 195

HSL 272.31, 0.1%, 0.74%

LAB 74.96, 4.89, -5.7

 

CMYK 1 / 7 / 0 / 24

HEX #C1B6C3

RGB 193 182 195

HSL 290.77, 0.1%, 0.74%

LAB 75.29, 6.27, -5.18

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 7 / 7 / 0 / 24

HEX #B6B6C3

RGB 182 182 195

HSL 240, 0.1%, 0.74%

LAB 74.41, 2.51, -6.58

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 17 / 13 / 0 / 19

HEX #ABB3CE

RGB 171 179 206

HSL 226.29, 0.26%, 0.74%

LAB 73.12, 2.79, -14.59

 

CMYK 26 / 20 / 0 / 15

HEX #A0ADD8

RGB 160 173 216

HSL 226.07, 0.42%, 0.74%

LAB 71.09, 4.95, -23.22

 

CMYK 34 / 26 / 0 / 11

HEX #95A7E3

RGB 149 167 227

HSL 226.15, 0.58%, 0.74%

LAB 69.16, 7.85, -32.27

 

CMYK 42 / 32 / 0 / 7

HEX #8BA2EE

RGB 139 162 238

HSL 226.06, 0.74%, 0.74%

LAB 67.65, 10.98, -40.7

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 0 / 1 / 4 / 25

HEX #C0BEB8

RGB 192 190 184

HSL 45, 0.06%, 0.74%

LAB 76.98, -0.38, 3.26

 

CMYK 0 / 3 / 15 / 20

HEX #CBC4AD

RGB 203 196 173

HSL 46, 0.22%, 0.74%

LAB 79.15, -1.43, 12.42

 

CMYK 0 / 6 / 24 / 16

HEX #D6CAA3

RGB 214 202 163

HSL 45.88, 0.38%, 0.74%

LAB 81.39, -1.97, 21.01

 

CMYK 0 / 7 / 32 / 12

HEX #E0D098

RGB 224 208 152

HSL 46.67, 0.54%, 0.74%

LAB 83.56, -2.71, 29.86

 

CMYK 7 / 2 / 0 / 24

HEX #B6C0C3

RGB 182 192 195

HSL 193.85, 0.1%, 0.74%

LAB 77.03, -2.85, -2.71

 

CMYK 7 / 4 / 0 / 24

HEX #B6BCC3

RGB 182 188 195

HSL 212.31, 0.1%, 0.74%

LAB 75.98, -0.72, -4.26

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 7 / 7 / 0 / 24

HEX #B6B6C3

RGB 182 182 195

HSL 240, 0.1%, 0.74%

LAB 74.41, 2.51, -6.58

 

CMYK 5 / 7 / 0 / 24

HEX #BAB6C3

RGB 186 182 195

HSL 258.46, 0.1%, 0.74%

LAB 74.72, 3.87, -6.08

 

CMYK 14 / 11 / 0 / 38

HEX #888D9E

RGB 136 141 158

HSL 226.36, 0.1%, 0.58%

LAB 58.74, 1.77, -9.62

 

CMYK 10 / 7 / 0 / 31

HEX #9FA3B0

RGB 159 163 176

HSL 225.88, 0.1%, 0.66%

LAB 67.05, 1.19, -7.21

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 4 / 3 / 0 / 16

HEX #CCCED5

RGB 204 206 213

HSL 226.67, 0.1%, 0.82%

LAB 82.8, 0.63, -3.71

 

CMYK 2 / 2 / 0 / 9

HEX #E3E4E8

RGB 227 228 232

HSL 228, 0.1%, 0.9%

LAB 90.62, 0.39, -2.07

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 1 / 7 / 0 / 24

HEX #C2B6C3

RGB 194 182 195

HSL 295.38, 0.1%, 0.74%

LAB 75.37, 6.62, -5.05

 

CMYK 3 / 0 / 7 / 24

HEX #BEC3B6

RGB 190 195 182

HSL 83.08, 0.1%, 0.74%

LAB 78.08, -4.09, 5.92

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 0 / 7 / 5 / 24

HEX #C3B6B9

RGB 195 182 185

HSL 346.15, 0.1%, 0.74%

LAB 75.18, 5.14, 0.13

 

CMYK 5 / 0 / 7 / 24

HEX #B9C3B6

RGB 185 195 182

HSL 106.15, 0.1%, 0.74%

LAB 77.71, -5.85, 5.34

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 1 / 7 / 0 / 24

HEX #C2B6C3

RGB 194 182 195

HSL 295.38, 0.1%, 0.74%

LAB 75.37, 6.62, -5.05

 

CMYK 0 / 2 / 7 / 24

HEX #C3C0B6

RGB 195 192 182

HSL 46.15, 0.1%, 0.74%

LAB 77.68, -0.73, 5.4

 

CMYK 7 / 0 / 7 / 24

HEX #B6C3B6

RGB 182 195 182

HSL 120, 0.1%, 0.74%

LAB 77.49, -6.89, 4.99

 

CMYK 7 / 5 / 0 / 24

HEX #B6B9C3

RGB 182 185 195

HSL 226.15, 0.1%, 0.74%

LAB 75.19, 0.89, -5.42

 

CMYK 0 / 7 / 2 / 24

HEX #C3B6BF

RGB 195 182 191

HSL 318.46, 0.1%, 0.74%

LAB 75.34, 6.23, -2.9

 

CMYK 0 / 2 / 7 / 24

HEX #C3C0B6

RGB 195 192 182

HSL 46.15, 0.1%, 0.74%

LAB 77.68, -0.73, 5.4

 

CMYK 7 / 0 / 5 / 24

HEX #B6C3B9

RGB 182 195 185

HSL 133.85, 0.1%, 0.74%

LAB 77.57, -6.34, 3.48

 

Description

Color code: HEX #B6B9C3 | qconv.com Color code: HEX #B6B9C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 185 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 185 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 5 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 5% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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