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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B0DE it is the complementary color #494F21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B0DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B0DE shade: #BBB0D9, #CCC2EC, #DDD4FF, #EEE6FF and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B0DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B0DE shade: #B6B0DE, #A59ECB, #948CB8, #837AA5 and #726892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B0DE shade: #B5AFDD, #C2AFDD, #CEAFDD, #DBAFDD and #DDAFD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B0DE shade: #B5AFDD and #AFAFDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B0DE shade matches the following richer shades: #B5AFDD, #AFA6E6, #A89DF0 and #A194F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B0DE shade: #B5AFDD, #BCB8D4, #C3C2CB, #CACBC2 and #D0D4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B0DE shade: #AFC3DD, #AFB6DD, #B5AFDD, #C1AFDD and #CDAFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B0DE shade: #8075C5, #9B92D1, #B5AFDD, #D0CCEA and #EBEAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B0DE shade: #B6B0DE, #DDAFCF and #BCDDAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B0DE shade: #B6B0DE, #DDB5AF and #AFDDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B0DE shade: #B6B0DE, #DDAFCF, #D8DDAF and #AFDDBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B0DE shade: #B6B0DE, #DDAFC1, #D8DDAF and #AFDDCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

Complementary color

CMYK 8 / 0 / 58 / 69

HEX #494F21

RGB 73 79 33

HSL 67.83, 0.41%, 0.22%

LAB 32.07, -10.16, 26

 

CMYK 14 / 19 / 0 / 15

HEX #BBB0D9

RGB 187 176 217

HSL 256.1, 0.35%, 0.77%

LAB 73.95, 11.96, -19.23

 

CMYK 14 / 18 / 0 / 7

HEX #CCC2EC

RGB 204 194 236

HSL 254.29, 0.53%, 0.84%

LAB 80.45, 11.6, -19.53

 

CMYK 13 / 17 / 0 / 0

HEX #DDD4FF

RGB 221 212 255

HSL 252.56, 1%, 0.92%

LAB 86.84, 11.28, -19.84

 

CMYK 7 / 10 / 0 / 0

HEX #EEE6FF

RGB 238 230 255

HSL 259.2, 1%, 0.95%

LAB 92.57, 7.25, -11.11

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

CMYK 19 / 22 / 0 / 20

HEX #A59ECB

RGB 165 158 203

HSL 249.33, 0.3%, 0.71%

LAB 67.1, 11.84, -22.11

 

CMYK 20 / 24 / 0 / 28

HEX #948CB8

RGB 148 140 184

HSL 250.91, 0.24%, 0.64%

LAB 60.35, 12.26, -21.9

 

CMYK 21 / 26 / 0 / 35

HEX #837AA5

RGB 131 122 165

HSL 252.56, 0.19%, 0.56%

LAB 53.45, 12.72, -21.71

 

CMYK 22 / 29 / 0 / 43

HEX #726892

RGB 114 104 146

HSL 254.29, 0.17%, 0.49%

LAB 46.38, 13.25, -21.56

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 12 / 21 / 0 / 13

HEX #C2AFDD

RGB 194 175 221

HSL 264.78, 0.4%, 0.78%

LAB 74.41, 15.6, -20.65

 

CMYK 7 / 21 / 0 / 13

HEX #CEAFDD

RGB 206 175 221

HSL 280.43, 0.4%, 0.78%

LAB 75.45, 19.5, -18.97

 

CMYK 1 / 21 / 0 / 13

HEX #DBAFDD

RGB 219 175 221

HSL 297.39, 0.4%, 0.78%

LAB 76.64, 23.78, -17.06

 

CMYK 0 / 21 / 4 / 13

HEX #DDAFD4

RGB 221 175 212

HSL 311.74, 0.4%, 0.78%

LAB 76.55, 22.81, -12.29

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 21 / 21 / 0 / 13

HEX #AFAFDD

RGB 175 175 221

HSL 240, 0.4%, 0.78%

LAB 72.89, 9.6, -23.11

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 24 / 28 / 0 / 10

HEX #AFA6E6

RGB 175 166 230

HSL 248.44, 0.56%, 0.78%

LAB 70.94, 16.68, -31.01

 

CMYK 30 / 35 / 0 / 6

HEX #A89DF0

RGB 168 157 240

HSL 247.95, 0.73%, 0.78%

LAB 68.56, 22.13, -40.23

 

CMYK 35 / 41 / 0 / 2

HEX #A194F9

RGB 161 148 249

HSL 247.72, 0.89%, 0.78%

LAB 66.21, 27.65, -48.87

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 11 / 13 / 0 / 17

HEX #BCB8D4

RGB 188 184 212

HSL 248.57, 0.25%, 0.78%

LAB 75.9, 6.87, -13.56

 

CMYK 4 / 4 / 0 / 20

HEX #C3C2CB

RGB 195 194 203

HSL 246.67, 0.08%, 0.78%

LAB 78.75, 2.04, -4.39

 

CMYK 0 / 0 / 4 / 20

HEX #CACBC2

RGB 202 203 194

HSL 66.67, 0.08%, 0.78%

LAB 81.38, -1.96, 4.35

 

CMYK 2 / 0 / 13 / 17

HEX #D0D4B9

RGB 208 212 185

HSL 68.89, 0.24%, 0.78%

LAB 83.97, -6.03, 12.9

 

CMYK 21 / 12 / 0 / 13

HEX #AFC3DD

RGB 175 195 221

HSL 213.91, 0.4%, 0.78%

LAB 78.09, -1.27, -15.23

 

CMYK 21 / 18 / 0 / 13

HEX #AFB6DD

RGB 175 182 221

HSL 230.87, 0.4%, 0.78%

LAB 74.69, 5.75, -20.37

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 13 / 21 / 0 / 13

HEX #C1AFDD

RGB 193 175 221

HSL 263.48, 0.4%, 0.78%

LAB 74.33, 15.28, -20.78

 

CMYK 7 / 21 / 0 / 13

HEX #CDAFDD

RGB 205 175 221

HSL 279.13, 0.4%, 0.78%

LAB 75.36, 19.17, -19.12

 

CMYK 35 / 41 / 0 / 23

HEX #8075C5

RGB 128 117 197

HSL 248.25, 0.41%, 0.62%

LAB 53.32, 23.01, -40.34

 

CMYK 26 / 30 / 0 / 18

HEX #9B92D1

RGB 155 146 209

HSL 248.57, 0.41%, 0.7%

LAB 63.45, 16.96, -31.13

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDD

RGB 181 175 221

HSL 247.83, 0.4%, 0.78%

LAB 73.35, 11.47, -22.36

 

CMYK 11 / 13 / 0 / 8

HEX #D0CCEA

RGB 208 204 234

HSL 248, 0.42%, 0.86%

LAB 83.2, 7.12, -14.29

 

CMYK 4 / 5 / 0 / 4

HEX #EBEAF6

RGB 235 234 246

HSL 245, 0.4%, 0.94%

LAB 93.09, 2.52, -5.68

 

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

CMYK 0 / 21 / 6 / 13

HEX #DDAFCF

RGB 221 175 207

HSL 318.26, 0.4%, 0.78%

LAB 76.4, 21.92, -9.79

 

CMYK 15 / 0 / 21 / 13

HEX #BCDDAF

RGB 188 221 175

HSL 103.04, 0.4%, 0.78%

LAB 84.74, -19.26, 19.04

 

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

CMYK 0 / 18 / 21 / 13

HEX #DDB5AF

RGB 221 181 175

HSL 7.83, 0.4%, 0.78%

LAB 76.99, 13.5, 8.48

 

CMYK 21 / 0 / 18 / 13

HEX #AFDDB5

RGB 175 221 181

HSL 127.83, 0.4%, 0.78%

LAB 84.05, -22.64, 14.81

 

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

CMYK 0 / 21 / 6 / 13

HEX #DDAFCF

RGB 221 175 207

HSL 318.26, 0.4%, 0.78%

LAB 76.4, 21.92, -9.79

 

CMYK 2 / 0 / 21 / 13

HEX #D8DDAF

RGB 216 221 175

HSL 66.52, 0.4%, 0.78%

LAB 86.71, -9.27, 22.07

 

CMYK 21 / 0 / 14 / 13

HEX #AFDDBE

RGB 175 221 190

HSL 139.57, 0.4%, 0.78%

LAB 84.25, -21, 10.35

 

CMYK 18 / 21 / 0 / 13

HEX #B6B0DE

RGB 182 176 222

HSL 247.83, 0.41%, 0.78%

LAB 73.72, 11.45, -22.34

 

CMYK 0 / 21 / 13 / 13

HEX #DDAFC1

RGB 221 175 193

HSL 336.52, 0.4%, 0.78%

LAB 76, 19.55, -2.76

 

CMYK 2 / 0 / 21 / 13

HEX #D8DDAF

RGB 216 221 175

HSL 66.52, 0.4%, 0.78%

LAB 86.71, -9.27, 22.07

 

CMYK 21 / 0 / 8 / 13

HEX #AFDDCC

RGB 175 221 204

HSL 157.83, 0.4%, 0.78%

LAB 84.58, -18.31, 3.44

 

Description

Color code: HEX #B6B0DE | qconv.com Color code: HEX #B6B0DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 176 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 176 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 21 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 21% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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