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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C5C8 it is the complementary color #493A37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C5C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C5C8 shade: #BBC5C3, #CCD7D6, #DDE9E9, #EEFBFC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C5C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C5C8 shade: #B6C5C8, #A5B3B5, #94A1A2, #838F8F and #727D7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C5C8 shade: #B6C5C8, #B6C0C8, #B6BBC8, #B6B6C8 and #BAB6C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C5C8 shade: #B6C5C8, #B6C0C8, #B6BBC8, #B6B6C8 and #B6B6C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C5C8 shade matches the following richer shades: #B6C5C8, #ACCCD2, #A1D2DC, #97D9E7 and #8DE0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C5C8 shade: #B6C5C8, #C0BEBD, #CAB7B3, #D5B0A9 and #DFA99E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C5C8 shade: #B6C8C1, #B6C8C6, #B6C5C8, #B6C0C8 and #B6BBC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C5C8 shade: #879FA4, #9EB2B6, #B6C5C8, #CDD7D9 and #E5EAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C5C8 shade: #B6C5C8, #BCB6C8 and #C8C4B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C5C8 shade: #B6C5C8, #C8B6C5 and #C5C8B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C5C8 shade: #B6C5C8, #BCB6C8, #C8B9B6 and #C1C8B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C5C8 shade: #B6C5C8, #C2B6C8, #C8B9B6 and #BCC8B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

Complementary color

CMYK 0 / 21 / 25 / 71

HEX #493A37

RGB 73 58 55

HSL 10, 0.14%, 0.25%

LAB 25.92, 6.05, 4.35

 

CMYK 5 / 0 / 1 / 23

HEX #BBC5C3

RGB 187 197 195

HSL 168, 0.08%, 0.75%

LAB 78.72, -3.8, -0.19

 

CMYK 5 / 0 / 0 / 16

HEX #CCD7D6

RGB 204 215 214

HSL 174.55, 0.12%, 0.82%

LAB 85.15, -3.89, -0.8

 

CMYK 5 / 0 / 0 / 9

HEX #DDE9E9

RGB 221 233 233

HSL 180, 0.21%, 0.89%

LAB 91.47, -3.97, -1.39

 

CMYK 6 / 0 / 0 / 1

HEX #EEFBFC

RGB 238 251 252

HSL 184.29, 0.7%, 0.96%

LAB 97.71, -4.06, -1.96

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 9 / 1 / 0 / 29

HEX #A5B3B5

RGB 165 179 181

HSL 187.5, 0.1%, 0.68%

LAB 71.94, -4.44, -2.69

 

CMYK 9 / 1 / 0 / 36

HEX #94A1A2

RGB 148 161 162

HSL 184.29, 0.07%, 0.61%

LAB 65.27, -4.38, -2.1

 

CMYK 8 / 0 / 0 / 44

HEX #838F8F

RGB 131 143 143

HSL 180, 0.05%, 0.54%

LAB 58.46, -4.32, -1.49

 

CMYK 9 / 0 / 1 / 51

HEX #727D7C

RGB 114 125 124

HSL 174.55, 0.05%, 0.47%

LAB 51.5, -4.27, -0.86

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 9 / 4 / 0 / 22

HEX #B6C0C8

RGB 182 192 200

HSL 206.67, 0.14%, 0.75%

LAB 77.17, -1.86, -5.21

 

CMYK 9 / 7 / 0 / 22

HEX #B6BBC8

RGB 182 187 200

HSL 223.33, 0.14%, 0.75%

LAB 75.86, 0.81, -7.15

 

CMYK 9 / 9 / 0 / 22

HEX #B6B6C8

RGB 182 182 200

HSL 240, 0.14%, 0.75%

LAB 74.55, 3.51, -9.09

 

CMYK 7 / 9 / 0 / 22

HEX #BAB6C8

RGB 186 182 200

HSL 253.33, 0.14%, 0.75%

LAB 74.87, 4.85, -8.59

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 9 / 4 / 0 / 22

HEX #B6C0C8

RGB 182 192 200

HSL 206.67, 0.14%, 0.75%

LAB 77.17, -1.86, -5.21

 

CMYK 9 / 7 / 0 / 22

HEX #B6BBC8

RGB 182 187 200

HSL 223.33, 0.14%, 0.75%

LAB 75.86, 0.81, -7.15

 

CMYK 9 / 9 / 0 / 22

HEX #B6B6C8

RGB 182 182 200

HSL 240, 0.14%, 0.75%

LAB 74.55, 3.51, -9.09

 

CMYK 9 / 9 / 0 / 22

HEX #B6B6C8

RGB 182 182 200

HSL 240, 0.14%, 0.75%

LAB 74.55, 3.51, -9.09

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 18 / 3 / 0 / 18

HEX #ACCCD2

RGB 172 204 210

HSL 189.47, 0.3%, 0.75%

LAB 79.96, -9.35, -6.55

 

CMYK 27 / 5 / 0 / 14

HEX #A1D2DC

RGB 161 210 220

HSL 190.17, 0.46%, 0.75%

LAB 81.2, -13.57, -10.13

 

CMYK 35 / 6 / 0 / 9

HEX #97D9E7

RGB 151 217 231

HSL 190.5, 0.63%, 0.75%

LAB 82.9, -17.36, -13.51

 

CMYK 41 / 7 / 0 / 5

HEX #8DE0F1

RGB 141 224 241

HSL 190.2, 0.78%, 0.75%

LAB 84.65, -20.96, -16.23

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 0 / 1 / 2 / 25

HEX #C0BEBD

RGB 192 190 189

HSL 20, 0.02%, 0.75%

LAB 77.11, 0.52, 0.74

 

CMYK 0 / 9 / 11 / 21

HEX #CAB7B3

RGB 202 183 179

HSL 10.43, 0.18%, 0.75%

LAB 75.87, 6.08, 4.48

 

CMYK 0 / 17 / 21 / 16

HEX #D5B0A9

RGB 213 176 169

HSL 9.55, 0.34%, 0.75%

LAB 74.86, 12.32, 8.61

 

CMYK 0 / 24 / 29 / 13

HEX #DFA99E

RGB 223 169 158

HSL 10.15, 0.5%, 0.75%

LAB 73.89, 18.29, 13.37

 

CMYK 9 / 0 / 4 / 22

HEX #B6C8C1

RGB 182 200 193

HSL 156.67, 0.14%, 0.75%

LAB 79.1, -7.45, 1.4

 

CMYK 9 / 0 / 1 / 22

HEX #B6C8C6

RGB 182 200 198

HSL 173.33, 0.14%, 0.75%

LAB 79.23, -6.48, -1.1

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 9 / 4 / 0 / 22

HEX #B6C0C8

RGB 182 192 200

HSL 206.67, 0.14%, 0.75%

LAB 77.17, -1.86, -5.21

 

CMYK 9 / 7 / 0 / 22

HEX #B6BBC8

RGB 182 187 200

HSL 223.33, 0.14%, 0.75%

LAB 75.86, 0.81, -7.15

 

CMYK 18 / 3 / 0 / 36

HEX #879FA4

RGB 135 159 164

HSL 190.34, 0.14%, 0.59%

LAB 63.86, -7.26, -5.42

 

CMYK 13 / 2 / 0 / 29

HEX #9EB2B6

RGB 158 178 182

HSL 190, 0.14%, 0.67%

LAB 71.21, -6.05, -4.39

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 6 / 1 / 0 / 15

HEX #CDD7D9

RGB 205 215 217

HSL 190, 0.14%, 0.83%

LAB 85.3, -2.99, -2.16

 

CMYK 3 / 0 / 0 / 8

HEX #E5EAEB

RGB 229 234 235

HSL 190, 0.13%, 0.91%

LAB 92.35, -1.48, -1.08

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 6 / 9 / 0 / 22

HEX #BCB6C8

RGB 188 182 200

HSL 260, 0.14%, 0.75%

LAB 75.02, 5.53, -8.34

 

CMYK 0 / 2 / 9 / 22

HEX #C8C4B6

RGB 200 196 182

HSL 46.67, 0.14%, 0.75%

LAB 79.12, -1.05, 7.51

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 0 / 9 / 1 / 22

HEX #C8B6C5

RGB 200 182 197

HSL 310, 0.14%, 0.75%

LAB 75.93, 9.07, -5.26

 

CMYK 1 / 0 / 9 / 22

HEX #C5C8B6

RGB 197 200 182

HSL 70, 0.14%, 0.75%

LAB 79.93, -4.23, 8.64

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 6 / 9 / 0 / 22

HEX #BCB6C8

RGB 188 182 200

HSL 260, 0.14%, 0.75%

LAB 75.02, 5.53, -8.34

 

CMYK 0 / 8 / 9 / 22

HEX #C8B9B6

RGB 200 185 182

HSL 10, 0.14%, 0.75%

LAB 76.29, 4.79, 3.43

 

CMYK 4 / 0 / 9 / 22

HEX #C1C8B6

RGB 193 200 182

HSL 83.33, 0.14%, 0.75%

LAB 79.63, -5.65, 8.17

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 3 / 9 / 0 / 22

HEX #C2B6C8

RGB 194 182 200

HSL 280, 0.14%, 0.75%

LAB 75.51, 7.57, -7.56

 

CMYK 0 / 8 / 9 / 22

HEX #C8B9B6

RGB 200 185 182

HSL 10, 0.14%, 0.75%

LAB 76.29, 4.79, 3.43

 

CMYK 6 / 0 / 9 / 22

HEX #BCC8B6

RGB 188 200 182

HSL 100, 0.14%, 0.75%

LAB 79.26, -7.41, 7.59

 

Description

Color code: HEX #B6C5C8 | qconv.com Color code: HEX #B6C5C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 197 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 197 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 1 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 1% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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