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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C3C8 it is the complementary color #493C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C3C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C3C8 shade: #BBC3C3, #CCD5D6, #DDE7E9, #EEF9FC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C3C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C3C8 shade: #B6C3C8, #A5B1B5, #949FA2, #838D8F and #727B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C3C8 shade: #B6C3C8, #B6BEC8, #B6B9C8, #B7B6C8 and #BCB6C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C3C8 shade: #B6C3C8, #B6BEC8, #B6B9C8 and #B6B6C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C3C8 shade matches the following richer shades: #B6C3C8, #ACC7D2, #A1CCDC, #97D0E7 and #8DD5F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C3C8 shade: #B6C3C8, #C0BEBD, #CABAB3, #D5B5A9 and #DFB09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C3C8 shade: #B6C8C3, #B6C8C8, #B6C3C8, #B6BEC8 and #B6B9C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C3C8 shade: #879CA4, #9EAFB6, #B6C3C8, #CDD6D9 and #E5E9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C3C8 shade: #B6C3C8, #BEB6C8 and #C8C5B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C3C8 shade: #B6C3C8, #C8B6C3 and #C3C8B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C3C8 shade: #B6C3C8, #BEB6C8, #C8BBB6 and #BFC8B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C3C8 shade: #B6C3C8, #C4B6C8, #C8BBB6 and #BAC8B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

Complementary color

CMYK 0 / 18 / 25 / 71

HEX #493C37

RGB 73 60 55

HSL 16.67, 0.14%, 0.25%

LAB 26.52, 4.74, 5.21

 

CMYK 4 / 0 / 0 / 24

HEX #BBC3C3

RGB 187 195 195

HSL 180, 0.06%, 0.75%

LAB 78.19, -2.74, -0.96

 

CMYK 5 / 0 / 0 / 16

HEX #CCD5D6

RGB 204 213 214

HSL 186, 0.11%, 0.82%

LAB 84.63, -2.85, -1.56

 

CMYK 5 / 1 / 0 / 9

HEX #DDE7E9

RGB 221 231 233

HSL 190, 0.21%, 0.89%

LAB 90.97, -2.95, -2.14

 

CMYK 6 / 1 / 0 / 1

HEX #EEF9FC

RGB 238 249 252

HSL 192.86, 0.7%, 0.96%

LAB 97.21, -3.05, -2.7

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 9 / 2 / 0 / 29

HEX #A5B1B5

RGB 165 177 181

HSL 195, 0.1%, 0.68%

LAB 71.41, -3.37, -3.49

 

CMYK 9 / 2 / 0 / 36

HEX #949FA2

RGB 148 159 162

HSL 192.86, 0.07%, 0.61%

LAB 64.72, -3.29, -2.91

 

CMYK 8 / 1 / 0 / 44

HEX #838D8F

RGB 131 141 143

HSL 190, 0.05%, 0.54%

LAB 57.9, -3.21, -2.32

 

CMYK 8 / 1 / 0 / 51

HEX #727B7C

RGB 114 123 124

HSL 186, 0.04%, 0.47%

LAB 50.92, -3.13, -1.7

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 9 / 5 / 0 / 22

HEX #B6BEC8

RGB 182 190 200

HSL 213.33, 0.14%, 0.75%

LAB 76.64, -0.8, -5.99

 

CMYK 9 / 8 / 0 / 22

HEX #B6B9C8

RGB 182 185 200

HSL 230, 0.14%, 0.75%

LAB 75.33, 1.89, -7.93

 

CMYK 9 / 9 / 0 / 22

HEX #B7B6C8

RGB 183 182 200

HSL 243.33, 0.14%, 0.75%

LAB 74.63, 3.84, -8.96

 

CMYK 6 / 9 / 0 / 22

HEX #BCB6C8

RGB 188 182 200

HSL 260, 0.14%, 0.75%

LAB 75.02, 5.53, -8.34

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 9 / 5 / 0 / 22

HEX #B6BEC8

RGB 182 190 200

HSL 213.33, 0.14%, 0.75%

LAB 76.64, -0.8, -5.99

 

CMYK 9 / 8 / 0 / 22

HEX #B6B9C8

RGB 182 185 200

HSL 230, 0.14%, 0.75%

LAB 75.33, 1.89, -7.93

 

CMYK 9 / 9 / 0 / 22

HEX #B6B6C8

RGB 182 182 200

HSL 240, 0.14%, 0.75%

LAB 74.55, 3.51, -9.09

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 18 / 5 / 0 / 18

HEX #ACC7D2

RGB 172 199 210

HSL 197.37, 0.3%, 0.75%

LAB 78.62, -6.73, -8.54

 

CMYK 27 / 7 / 0 / 14

HEX #A1CCDC

RGB 161 204 220

HSL 196.27, 0.46%, 0.75%

LAB 79.57, -10.47, -12.56

 

CMYK 35 / 10 / 0 / 9

HEX #97D0E7

RGB 151 208 231

HSL 197.25, 0.63%, 0.75%

LAB 80.44, -12.75, -17.21

 

CMYK 41 / 12 / 0 / 5

HEX #8DD5F1

RGB 141 213 241

HSL 196.8, 0.78%, 0.75%

LAB 81.62, -15.4, -20.8

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 0 / 1 / 2 / 25

HEX #C0BEBD

RGB 192 190 189

HSL 20, 0.02%, 0.75%

LAB 77.11, 0.52, 0.74

 

CMYK 0 / 8 / 11 / 21

HEX #CABAB3

RGB 202 186 179

HSL 18.26, 0.18%, 0.75%

LAB 76.64, 4.48, 5.58

 

CMYK 0 / 15 / 21 / 16

HEX #D5B5A9

RGB 213 181 169

HSL 16.36, 0.34%, 0.75%

LAB 76.11, 9.63, 10.38

 

CMYK 0 / 21 / 29 / 13

HEX #DFB09E

RGB 223 176 158

HSL 16.62, 0.5%, 0.75%

LAB 75.58, 14.53, 15.74

 

CMYK 9 / 0 / 3 / 22

HEX #B6C8C3

RGB 182 200 195

HSL 163.33, 0.14%, 0.75%

LAB 79.15, -7.06, 0.4

 

CMYK 9 / 0 / 0 / 22

HEX #B6C8C8

RGB 182 200 200

HSL 180, 0.14%, 0.75%

LAB 79.28, -6.09, -2.1

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 9 / 5 / 0 / 22

HEX #B6BEC8

RGB 182 190 200

HSL 213.33, 0.14%, 0.75%

LAB 76.64, -0.8, -5.99

 

CMYK 9 / 8 / 0 / 22

HEX #B6B9C8

RGB 182 185 200

HSL 230, 0.14%, 0.75%

LAB 75.33, 1.89, -7.93

 

CMYK 18 / 5 / 0 / 36

HEX #879CA4

RGB 135 156 164

HSL 196.55, 0.14%, 0.59%

LAB 63.02, -5.62, -6.66

 

CMYK 13 / 4 / 0 / 29

HEX #9EAFB6

RGB 158 175 182

HSL 197.5, 0.14%, 0.67%

LAB 70.39, -4.44, -5.59

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 6 / 1 / 0 / 15

HEX #CDD6D9

RGB 205 214 217

HSL 195, 0.14%, 0.83%

LAB 85.04, -2.47, -2.54

 

CMYK 3 / 1 / 0 / 8

HEX #E5E9EB

RGB 229 233 235

HSL 200, 0.13%, 0.91%

LAB 92.1, -0.97, -1.45

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 5 / 9 / 0 / 22

HEX #BEB6C8

RGB 190 182 200

HSL 266.67, 0.14%, 0.75%

LAB 75.19, 6.2, -8.08

 

CMYK 0 / 1 / 9 / 22

HEX #C8C5B6

RGB 200 197 182

HSL 50, 0.14%, 0.75%

LAB 79.38, -1.58, 7.88

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 0 / 9 / 3 / 22

HEX #C8B6C3

RGB 200 182 195

HSL 316.67, 0.14%, 0.75%

LAB 75.87, 8.71, -4.25

 

CMYK 3 / 0 / 9 / 22

HEX #C3C8B6

RGB 195 200 182

HSL 76.67, 0.14%, 0.75%

LAB 79.78, -4.94, 8.4

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 5 / 9 / 0 / 22

HEX #BEB6C8

RGB 190 182 200

HSL 266.67, 0.14%, 0.75%

LAB 75.19, 6.2, -8.08

 

CMYK 0 / 7 / 9 / 22

HEX #C8BBB6

RGB 200 187 182

HSL 16.67, 0.14%, 0.75%

LAB 76.8, 3.72, 4.17

 

CMYK 5 / 0 / 9 / 22

HEX #BFC8B6

RGB 191 200 182

HSL 90, 0.14%, 0.75%

LAB 79.48, -6.35, 7.93

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 2 / 9 / 0 / 22

HEX #C4B6C8

RGB 196 182 200

HSL 286.67, 0.14%, 0.75%

LAB 75.68, 8.25, -7.3

 

CMYK 0 / 7 / 9 / 22

HEX #C8BBB6

RGB 200 187 182

HSL 16.67, 0.14%, 0.75%

LAB 76.8, 3.72, 4.17

 

CMYK 7 / 0 / 9 / 22

HEX #BAC8B6

RGB 186 200 182

HSL 106.67, 0.14%, 0.75%

LAB 79.11, -8.11, 7.36

 

Description

Color code: HEX #B6C3C8 | qconv.com Color code: HEX #B6C3C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 195 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 195 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 3 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 3% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 日本オラクル | Hardware an...
Link: http://www.oracle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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