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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6CAD1 it is the complementary color #49352E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6CAD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6CAD1 shade: #BBCACC, #CCDCDF, #DDEEF2, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6CAD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6CAD1 shade: #B6CAD1, #A5B8BE, #94A6AB, #839498 and #728285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6CAD1 shade: #B6CAD1, #B6C3D1, #B6BCD1, #B8B6D1 and #BFB6D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6CAD1 shade: #B6CAD1, #B6C3D1, #B6BCD1 and #B6B6D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6CAD1 shade matches the following richer shades: #B6CAD1, #ADCFDB, #A3D3E4, #9AD8EE and #90DDF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6CAD1 shade: #B6CAD1, #C0C6C8, #C9C1BE, #D3BDB5 and #DCB8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6CAD1 shade: #B6D1CA, #B6D1D1, #B6CBD1, #B6C3D1 and #B6BCD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6CAD1 shade: #84A6B2, #9DB8C1, #B6CAD1, #D0DDE1 and #E9EFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6CAD1 shade: #B6CAD1, #C3B6D1 and #D1CDB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6CAD1 shade: #B6CAD1, #D1B6CB and #CBD1B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6CAD1 shade: #B6CAD1, #C3B6D1, #D1BDB6 and #C5D1B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6CAD1 shade: #B6CAD1, #CBB6D1, #D1BDB6 and #BDD1B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

Complementary color

CMYK 0 / 27 / 37 / 71

HEX #49352E

RGB 73 53 46

HSL 15.56, 0.23%, 0.23%

LAB 24.19, 7.82, 7.9

 

CMYK 8 / 1 / 0 / 20

HEX #BBCACC

RGB 187 202 204

HSL 187.06, 0.14%, 0.77%

LAB 80.27, -4.69, -2.75

 

CMYK 9 / 1 / 0 / 13

HEX #CCDCDF

RGB 204 220 223

HSL 189.47, 0.23%, 0.84%

LAB 86.68, -4.76, -3.32

 

CMYK 9 / 2 / 0 / 5

HEX #DDEEF2

RGB 221 238 242

HSL 191.43, 0.45%, 0.91%

LAB 92.98, -4.83, -3.86

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 13 / 3 / 0 / 25

HEX #A5B8BE

RGB 165 184 190

HSL 194.4, 0.16%, 0.7%

LAB 73.54, -5.27, -5.26

 

CMYK 13 / 3 / 0 / 33

HEX #94A6AB

RGB 148 166 171

HSL 193.04, 0.12%, 0.63%

LAB 66.91, -5.23, -4.72

 

CMYK 14 / 3 / 0 / 40

HEX #839498

RGB 131 148 152

HSL 191.43, 0.09%, 0.55%

LAB 60.13, -5.19, -4.17

 

CMYK 14 / 2 / 0 / 48

HEX #728285

RGB 114 130 133

HSL 189.47, 0.08%, 0.48%

LAB 53.21, -5.16, -3.6

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 13 / 7 / 0 / 18

HEX #B6C3D1

RGB 182 195 209

HSL 211.11, 0.23%, 0.77%

LAB 78.22, -1.63, -8.52

 

CMYK 13 / 10 / 0 / 18

HEX #B6BCD1

RGB 182 188 209

HSL 226.67, 0.23%, 0.77%

LAB 76.38, 2.12, -11.25

 

CMYK 12 / 13 / 0 / 18

HEX #B8B6D1

RGB 184 182 209

HSL 244.44, 0.23%, 0.77%

LAB 74.98, 6.02, -13.33

 

CMYK 9 / 13 / 0 / 18

HEX #BFB6D1

RGB 191 182 209

HSL 260, 0.23%, 0.77%

LAB 75.54, 8.33, -12.45

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 13 / 7 / 0 / 18

HEX #B6C3D1

RGB 182 195 209

HSL 211.11, 0.23%, 0.77%

LAB 78.22, -1.63, -8.52

 

CMYK 13 / 10 / 0 / 18

HEX #B6BCD1

RGB 182 188 209

HSL 226.67, 0.23%, 0.77%

LAB 76.38, 2.12, -11.25

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D1

RGB 182 182 209

HSL 240, 0.23%, 0.77%

LAB 74.83, 5.36, -13.58

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 21 / 5 / 0 / 14

HEX #ADCFDB

RGB 173 207 219

HSL 195.65, 0.39%, 0.77%

LAB 81.08, -8.66, -9.69

 

CMYK 29 / 7 / 0 / 11

HEX #A3D3E4

RGB 163 211 228

HSL 195.69, 0.55%, 0.77%

LAB 81.83, -11.67, -13.46

 

CMYK 35 / 9 / 0 / 7

HEX #9AD8EE

RGB 154 216 238

HSL 195.71, 0.71%, 0.77%

LAB 83, -14.35, -17.07

 

CMYK 42 / 11 / 0 / 3

HEX #90DDF7

RGB 144 221 247

HSL 195.15, 0.87%, 0.77%

LAB 84.15, -17.2, -20.14

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 4 / 1 / 0 / 22

HEX #C0C6C8

RGB 192 198 200

HSL 195, 0.07%, 0.77%

LAB 79.48, -1.68, -1.73

 

CMYK 0 / 4 / 5 / 21

HEX #C9C1BE

RGB 201 193 190

HSL 16.36, 0.09%, 0.77%

LAB 78.62, 2.27, 2.49

 

CMYK 0 / 10 / 14 / 17

HEX #D3BDB5

RGB 211 189 181

HSL 16, 0.25%, 0.77%

LAB 78.22, 6.48, 6.87

 

CMYK 0 / 16 / 22 / 14

HEX #DCB8AB

RGB 220 184 171

HSL 15.92, 0.41%, 0.77%

LAB 77.54, 10.94, 11.42

 

CMYK 13 / 0 / 3 / 18

HEX #B6D1CA

RGB 182 209 202

HSL 164.44, 0.23%, 0.77%

LAB 81.73, -10.37, 0.42

 

CMYK 13 / 0 / 0 / 18

HEX #B6D1D1

RGB 182 209 209

HSL 180, 0.23%, 0.77%

LAB 81.92, -8.97, -3.05

 

CMYK 13 / 3 / 0 / 18

HEX #B6CBD1

RGB 182 203 209

HSL 193.33, 0.23%, 0.77%

LAB 80.33, -5.85, -5.4

 

CMYK 13 / 7 / 0 / 18

HEX #B6C3D1

RGB 182 195 209

HSL 211.11, 0.23%, 0.77%

LAB 78.22, -1.63, -8.52

 

CMYK 13 / 10 / 0 / 18

HEX #B6BCD1

RGB 182 188 209

HSL 226.67, 0.23%, 0.77%

LAB 76.38, 2.12, -11.25

 

CMYK 26 / 7 / 0 / 30

HEX #84A6B2

RGB 132 166 178

HSL 195.65, 0.23%, 0.61%

LAB 66.05, -8.81, -10.01

 

CMYK 19 / 5 / 0 / 24

HEX #9DB8C1

RGB 157 184 193

HSL 195, 0.23%, 0.69%

LAB 73.09, -7.23, -7.64

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 8 / 2 / 0 / 12

HEX #D0DDE1

RGB 208 221 225

HSL 194.12, 0.22%, 0.85%

LAB 87.27, -3.58, -3.47

 

CMYK 3 / 1 / 0 / 5

HEX #E9EFF1

RGB 233 239 241

HSL 195, 0.22%, 0.93%

LAB 94.06, -1.62, -1.67

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 7 / 13 / 0 / 18

HEX #C3B6D1

RGB 195 182 209

HSL 268.89, 0.23%, 0.77%

LAB 75.86, 9.66, -11.93

 

CMYK 0 / 2 / 13 / 18

HEX #D1CDB6

RGB 209 205 182

HSL 51.11, 0.23%, 0.77%

LAB 82.16, -2.52, 11.95

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 0 / 13 / 3 / 18

HEX #D1B6CB

RGB 209 182 203

HSL 313.33, 0.23%, 0.77%

LAB 76.87, 13.29, -7.03

 

CMYK 3 / 0 / 13 / 18

HEX #CBD1B6

RGB 203 209 182

HSL 73.33, 0.23%, 0.77%

LAB 82.74, -6.76, 12.7

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 7 / 13 / 0 / 18

HEX #C3B6D1

RGB 195 182 209

HSL 268.89, 0.23%, 0.77%

LAB 75.86, 9.66, -11.93

 

CMYK 0 / 10 / 13 / 18

HEX #D1BDB6

RGB 209 189 182

HSL 15.56, 0.23%, 0.77%

LAB 78.07, 5.91, 6.1

 

CMYK 6 / 0 / 13 / 18

HEX #C5D1B6

RGB 197 209 182

HSL 86.67, 0.23%, 0.77%

LAB 82.3, -8.89, 12.01

 

CMYK 13 / 3 / 0 / 18

HEX #B6CAD1

RGB 182 202 209

HSL 195.56, 0.23%, 0.77%

LAB 80.06, -5.33, -5.79

 

CMYK 3 / 13 / 0 / 18

HEX #CBB6D1

RGB 203 182 209

HSL 286.67, 0.23%, 0.77%

LAB 76.53, 12.35, -10.86

 

CMYK 0 / 10 / 13 / 18

HEX #D1BDB6

RGB 209 189 182

HSL 15.56, 0.23%, 0.77%

LAB 78.07, 5.91, 6.1

 

CMYK 10 / 0 / 13 / 18

HEX #BDD1B6

RGB 189 209 182

HSL 104.44, 0.23%, 0.77%

LAB 81.73, -11.7, 11.13

 

Description

Color code: HEX #B6CAD1 | qconv.com Color code: HEX #B6CAD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 202 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 202 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 3% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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