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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D7A7 it is the complementary color #492858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D7A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D7A7 shade: #BBD7A2, #CCE9B5, #DDFBC8, #EEFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D7A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D7A7 shade: #B6D7A7, #A5C594, #94B381, #83A16E and #728F5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D7A7 shade: #B6D7A7, #C3D7A7, #D0D7A7, #D7D1A7 and #D7C4A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D7A7 shade: #B6D7A7, #A9D7A7, #A7D7B2, #A7D7BF and #A7D7CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D7A7 shade matches the following richer shades: #B6D7A7, #B2E19C, #AEEC92 and #AAF688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D7A7 shade: #B6D7A7, #BACDB1, #BDC2BB, #C1B8C5 and #C5AED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D7A7 shade: #D0D7A7, #C3D7A7, #B6D7A7, #A9D7A7 and #A7D7B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D7A7 shade: #87BD6E, #9ECA8A, #B6D7A7, #CDE4C3 and #E5F1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D7A7 shade: #B6D7A7, #A7D7D1 and #D7A7C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D7A7 shade: #B6D7A7, #A7B6D7 and #D7A7B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D7A7 shade: #B6D7A7, #A7D7D1, #C8A7D7 and #D7A7AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D7A7 shade: #B6D7A7, #A7CED7, #C8A7D7 and #D7AFA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

Complementary color

CMYK 17 / 55 / 0 / 65

HEX #492858

RGB 73 40 88

HSL 281.25, 0.38%, 0.25%

LAB 22.44, 24.95, -22.92

 

CMYK 13 / 0 / 25 / 16

HEX #BBD7A2

RGB 187 215 162

HSL 91.7, 0.4%, 0.74%

LAB 82.79, -18.7, 23.14

 

CMYK 12 / 0 / 22 / 9

HEX #CCE9B5

RGB 204 233 181

HSL 93.46, 0.54%, 0.81%

LAB 89.14, -18.65, 22.18

 

CMYK 12 / 0 / 20 / 2

HEX #DDFBC8

RGB 221 251 200

HSL 95.29, 0.86%, 0.88%

LAB 95.39, -18.61, 21.26

 

CMYK 7 / 0 / 14 / 0

HEX #EEFFDB

RGB 238 255 219

HSL 88.33, 1%, 0.93%

LAB 97.96, -11.74, 15.33

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 16 / 0 / 25 / 23

HEX #A5C594

RGB 165 197 148

HSL 99.18, 0.3%, 0.68%

LAB 76.11, -19.77, 21.12

 

CMYK 17 / 0 / 28 / 30

HEX #94B381

RGB 148 179 129

HSL 97.2, 0.25%, 0.6%

LAB 69.56, -19.87, 22.15

 

CMYK 19 / 0 / 32 / 37

HEX #83A16E

RGB 131 161 110

HSL 95.29, 0.21%, 0.53%

LAB 62.88, -19.98, 23.25

 

CMYK 20 / 0 / 36 / 44

HEX #728F5B

RGB 114 143 91

HSL 93.46, 0.22%, 0.46%

LAB 56.07, -20.08, 24.42

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 9 / 0 / 22 / 16

HEX #C3D7A7

RGB 195 215 167

HSL 85, 0.38%, 0.75%

LAB 83.44, -15.06, 21.5

 

CMYK 3 / 0 / 22 / 16

HEX #D0D7A7

RGB 208 215 167

HSL 68.75, 0.38%, 0.75%

LAB 84.38, -10.32, 22.95

 

CMYK 0 / 3 / 22 / 16

HEX #D7D1A7

RGB 215 209 167

HSL 52.5, 0.38%, 0.75%

LAB 83.36, -4.65, 21.63

 

CMYK 0 / 9 / 22 / 16

HEX #D7C4A7

RGB 215 196 167

HSL 36.25, 0.38%, 0.75%

LAB 80.02, 2.12, 17

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 21 / 0 / 22 / 16

HEX #A9D7A7

RGB 169 215 167

HSL 117.5, 0.38%, 0.75%

LAB 81.74, -24.14, 18.89

 

CMYK 22 / 0 / 17 / 16

HEX #A7D7B2

RGB 167 215 178

HSL 133.75, 0.38%, 0.75%

LAB 81.85, -22.86, 13.23

 

CMYK 22 / 0 / 11 / 16

HEX #A7D7BF

RGB 167 215 191

HSL 150, 0.38%, 0.75%

LAB 82.15, -20.41, 6.76

 

CMYK 22 / 0 / 5 / 16

HEX #A7D7CC

RGB 167 215 204

HSL 166.25, 0.38%, 0.75%

LAB 82.47, -17.79, 0.32

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 21 / 0 / 31 / 12

HEX #B2E19C

RGB 178 225 156

HSL 100.87, 0.53%, 0.75%

LAB 84.85, -27.64, 28.95

 

CMYK 26 / 0 / 38 / 7

HEX #AEEC92

RGB 174 236 146

HSL 101.33, 0.7%, 0.75%

LAB 87.52, -35.58, 37.5

 

CMYK 31 / 0 / 45 / 4

HEX #AAF688

RGB 170 246 136

HSL 101.45, 0.86%, 0.75%

LAB 89.97, -42.7, 45.49

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 9 / 0 / 14 / 20

HEX #BACDB1

RGB 186 205 177

HSL 100.71, 0.22%, 0.75%

LAB 80.33, -11.56, 11.78

 

CMYK 3 / 0 / 4 / 24

HEX #BDC2BB

RGB 189 194 187

HSL 102.86, 0.05%, 0.75%

LAB 77.87, -3.02, 2.9

 

CMYK 2 / 7 / 0 / 23

HEX #C1B8C5

RGB 193 184 197

HSL 281.54, 0.1%, 0.75%

LAB 75.85, 5.57, -5.43

 

CMYK 5 / 16 / 0 / 18

HEX #C5AED0

RGB 197 174 208

HSL 280.59, 0.27%, 0.75%

LAB 74, 14.49, -14.16

 

CMYK 3 / 0 / 22 / 16

HEX #D0D7A7

RGB 208 215 167

HSL 68.75, 0.38%, 0.75%

LAB 84.38, -10.32, 22.95

 

CMYK 9 / 0 / 22 / 16

HEX #C3D7A7

RGB 195 215 167

HSL 85, 0.38%, 0.75%

LAB 83.44, -15.06, 21.5

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 21 / 0 / 22 / 16

HEX #A9D7A7

RGB 169 215 167

HSL 117.5, 0.38%, 0.75%

LAB 81.74, -24.14, 18.89

 

CMYK 22 / 0 / 18 / 16

HEX #A7D7B1

RGB 167 215 177

HSL 132.5, 0.38%, 0.75%

LAB 81.83, -23.05, 13.73

 

CMYK 29 / 0 / 42 / 26

HEX #87BD6E

RGB 135 189 110

HSL 101.01, 0.37%, 0.59%

LAB 71.33, -32.24, 34.37

 

CMYK 22 / 0 / 32 / 21

HEX #9ECA8A

RGB 158 202 138

HSL 101.25, 0.38%, 0.67%

LAB 76.89, -26.28, 27.38

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 10 / 0 / 14 / 11

HEX #CDE4C3

RGB 205 228 195

HSL 101.82, 0.38%, 0.83%

LAB 88.16, -13.56, 13.56

 

CMYK 5 / 0 / 7 / 5

HEX #E5F1DF

RGB 229 241 223

HSL 100, 0.39%, 0.91%

LAB 93.84, -7.16, 7.31

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 22 / 0 / 3 / 16

HEX #A7D7D1

RGB 167 215 209

HSL 172.5, 0.38%, 0.75%

LAB 82.6, -16.75, -2.15

 

CMYK 0 / 22 / 7 / 16

HEX #D7A7C9

RGB 215 167 201

HSL 317.5, 0.38%, 0.75%

LAB 73.74, 23.13, -10.54

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 22 / 15 / 0 / 16

HEX #A7B6D7

RGB 167 182 215

HSL 221.25, 0.38%, 0.75%

LAB 73.92, 1.91, -18.33

 

CMYK 0 / 22 / 15 / 16

HEX #D7A7B6

RGB 215 167 182

HSL 341.25, 0.38%, 0.75%

LAB 73.2, 19.94, -0.91

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 22 / 0 / 3 / 16

HEX #A7D7D1

RGB 167 215 209

HSL 172.5, 0.38%, 0.75%

LAB 82.6, -16.75, -2.15

 

CMYK 7 / 22 / 0 / 16

HEX #C8A7D7

RGB 200 167 215

HSL 281.25, 0.38%, 0.75%

LAB 72.78, 20.72, -19.81

 

CMYK 0 / 22 / 20 / 16

HEX #D7A7AC

RGB 215 167 172

HSL 353.75, 0.38%, 0.75%

LAB 72.93, 18.37, 4.21

 

CMYK 15 / 0 / 22 / 16

HEX #B6D7A7

RGB 182 215 167

HSL 101.25, 0.38%, 0.75%

LAB 82.56, -19.68, 20.15

 

CMYK 22 / 4 / 0 / 16

HEX #A7CED7

RGB 167 206 215

HSL 191.25, 0.38%, 0.75%

LAB 80.33, -10.85, -8.72

 

CMYK 7 / 22 / 0 / 16

HEX #C8A7D7

RGB 200 167 215

HSL 281.25, 0.38%, 0.75%

LAB 72.78, 20.72, -19.81

 

CMYK 0 / 19 / 22 / 16

HEX #D7AFA7

RGB 215 175 167

HSL 10, 0.38%, 0.75%

LAB 74.76, 13.3, 9.58

 

Description

Color code: HEX #B6D7A7 | qconv.com Color code: HEX #B6D7A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 215 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 215 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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