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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6DE30 it is the complementary color #4921CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6DE30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6DE30 shade: #BBDE2B, #CCF03E, #DDFF51, #EEFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6DE30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6DE30 shade: #B6DE30, #A5CC1D, #94BA0A, #83A800 and #729600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6DE30 shade: #B6DE2F, #DED72F, #DEA82F, #DE792F and #DE4A2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6DE30 shade: #B6DE2F, #87DE2F, #58DE2F, #2FDE36 and #2FDE65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6DE30 shade matches the following richer shades: #B6DE2F and #C0F21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6DE30 shade: #B6DE2F, #ABCB43, #A1B756, #96A469 and #8C917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6DE30 shade: #DEA72F, #DED52F, #B8DE2F, #8ADE2F and #5BDE2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6DE30 shade: #82A219, #9FC61E, #B6DE2F, #C2E453 and #CFE977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6DE30 shade: #B6DE30, #2FDE78 and #BE2FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6DE30 shade: #B6DE30, #2FB8DE and #DE2FB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6DE30 shade: #B6DE30, #2FDE78, #552FDE and #DE2F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6DE30 shade: #B6DE30, #2FDEAD, #552FDE and #DE2F61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

Complementary color

CMYK 65 / 84 / 0 / 19

HEX #4921CF

RGB 73 33 207

HSL 253.79, 0.73%, 0.47%

LAB 31.83, 61.34, -81.16

 

CMYK 16 / 0 / 81 / 13

HEX #BBDE2B

RGB 187 222 43

HSL 71.73, 0.73%, 0.52%

LAB 83.43, -33.06, 75.65

 

CMYK 15 / 0 / 74 / 6

HEX #CCF03E

RGB 204 240 62

HSL 72.13, 0.86%, 0.59%

LAB 89.63, -33.82, 76.29

 

CMYK 13 / 0 / 68 / 0

HEX #DDFF51

RGB 221 255 81

HSL 71.72, 1%, 0.66%

LAB 94.94, -33.08, 75.48

 

CMYK 7 / 0 / 61 / 0

HEX #EEFF64

RGB 238 255 100

HSL 66.58, 1%, 0.7%

LAB 96.25, -25.28, 69.96

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

CMYK 19 / 0 / 86 / 20

HEX #A5CC1D

RGB 165 204 29

HSL 73.37, 0.75%, 0.46%

LAB 76.84, -34.02, 72.66

 

CMYK 20 / 0 / 95 / 27

HEX #94BA0A

RGB 148 186 10

HSL 72.95, 0.9%, 0.38%

LAB 70.48, -32.98, 70.09

 

CMYK 22 / 0 / 100 / 34

HEX #83A800

RGB 131 168 0

HSL 73.21, 1%, 0.33%

LAB 64.02, -31.72, 65.85

 

CMYK 24 / 0 / 100 / 41

HEX #729600

RGB 114 150 0

HSL 74.4, 1%, 0.29%

LAB 57.45, -30.3, 60.38

 

CMYK 18 / 0 / 79 / 13

HEX #B6DE2F

RGB 182 222 47

HSL 73.71, 0.73%, 0.53%

LAB 83.12, -34.9, 74.19

 

CMYK 0 / 3 / 79 / 13

HEX #DED72F

RGB 222 215 47

HSL 57.6, 0.73%, 0.53%

LAB 84.14, -15.14, 76.21

 

CMYK 0 / 24 / 79 / 13

HEX #DEA82F

RGB 222 168 47

HSL 41.49, 0.73%, 0.53%

LAB 72.05, 9.11, 65.42

 

CMYK 0 / 45 / 79 / 13

HEX #DE792F

RGB 222 121 47

HSL 25.37, 0.73%, 0.53%

LAB 61.14, 34.13, 55.28

 

CMYK 0 / 67 / 79 / 13

HEX #DE4A2F

RGB 222 74 47

HSL 9.26, 0.73%, 0.53%

LAB 52.54, 56.28, 46.91

 

CMYK 18 / 0 / 79 / 13

HEX #B6DE2F

RGB 182 222 47

HSL 73.71, 0.73%, 0.53%

LAB 83.12, -34.9, 74.19

 

CMYK 39 / 0 / 79 / 13

HEX #87DE2F

RGB 135 222 47

HSL 89.83, 0.73%, 0.53%

LAB 80.52, -52.17, 70.85

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 0 / 76 / 13

HEX #2FDE36

RGB 47 222 54

HSL 122.4, 0.73%, 0.53%

LAB 77.94, -72.39, 65.37

 

CMYK 79 / 0 / 55 / 13

HEX #2FDE65

RGB 47 222 101

HSL 138.51, 0.73%, 0.53%

LAB 78.34, -67.55, 46.86

 

CMYK 18 / 0 / 79 / 13

HEX #B6DE2F

RGB 182 222 47

HSL 73.71, 0.73%, 0.53%

LAB 83.12, -34.9, 74.19

 

CMYK 21 / 0 / 88 / 5

HEX #C0F21C

RGB 192 242 28

HSL 74.02, 0.89%, 0.53%

LAB 89.3, -40.52, 83.81

 

CMYK 18 / 0 / 79 / 13

HEX #B6DE2F

RGB 182 222 47

HSL 73.71, 0.73%, 0.53%

LAB 83.12, -34.9, 74.19

 

CMYK 16 / 0 / 67 / 20

HEX #ABCB43

RGB 171 203 67

HSL 74.12, 0.57%, 0.53%

LAB 77.15, -29.43, 61.51

 

CMYK 12 / 0 / 53 / 28

HEX #A1B756

RGB 161 183 86

HSL 73.61, 0.4%, 0.53%

LAB 70.95, -22.27, 46.22

 

CMYK 9 / 0 / 36 / 36

HEX #96A469

RGB 150 164 105

HSL 74.24, 0.24%, 0.53%

LAB 65.01, -14.88, 29.01

 

CMYK 3 / 0 / 14 / 43

HEX #8C917D

RGB 140 145 125

HSL 75, 0.08%, 0.53%

LAB 59.26, -5.56, 10

 

CMYK 0 / 25 / 79 / 13

HEX #DEA72F

RGB 222 167 47

HSL 41.14, 0.73%, 0.53%

LAB 71.81, 9.64, 65.19

 

CMYK 0 / 4 / 79 / 13

HEX #DED52F

RGB 222 213 47

HSL 56.91, 0.73%, 0.53%

LAB 83.61, -14.15, 75.74

 

CMYK 17 / 0 / 79 / 13

HEX #B8DE2F

RGB 184 222 47

HSL 73.03, 0.73%, 0.53%

LAB 83.25, -34.11, 74.35

 

CMYK 38 / 0 / 79 / 13

HEX #8ADE2F

RGB 138 222 47

HSL 88.8, 0.73%, 0.53%

LAB 80.66, -51.16, 71.03

 

CMYK 59 / 0 / 79 / 13

HEX #5BDE2F

RGB 91 222 47

HSL 104.91, 0.73%, 0.53%

LAB 78.85, -64.86, 68.7

 

CMYK 20 / 0 / 85 / 36

HEX #82A219

RGB 130 162 25

HSL 74.01, 0.73%, 0.37%

LAB 62.22, -28.75, 60.21

 

CMYK 20 / 0 / 85 / 22

HEX #9FC61E

RGB 159 198 30

HSL 73.93, 0.74%, 0.45%

LAB 74.73, -33.64, 70.51

 

CMYK 18 / 0 / 79 / 13

HEX #B6DE2F

RGB 182 222 47

HSL 73.71, 0.73%, 0.53%

LAB 83.12, -34.9, 74.19

 

CMYK 15 / 0 / 64 / 11

HEX #C2E453

RGB 194 228 83

HSL 74.07, 0.73%, 0.61%

LAB 85.8, -31.01, 64.72

 

CMYK 11 / 0 / 49 / 9

HEX #CFE977

RGB 207 233 119

HSL 73.68, 0.72%, 0.69%

LAB 88.39, -25.36, 52.12

 

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

CMYK 79 / 0 / 46 / 13

HEX #2FDE78

RGB 47 222 120

HSL 145.03, 0.73%, 0.53%

LAB 78.58, -64.67, 38.02

 

CMYK 14 / 79 / 0 / 13

HEX #BE2FDE

RGB 190 47 222

HSL 289.03, 0.73%, 0.53%

LAB 49.8, 76.23, -59.79

 

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

CMYK 79 / 17 / 0 / 13

HEX #2FB8DE

RGB 47 184 222

HSL 193.03, 0.73%, 0.53%

LAB 69.58, -22.89, -29.23

 

CMYK 0 / 79 / 17 / 13

HEX #DE2FB8

RGB 222 47 184

HSL 313.03, 0.73%, 0.53%

LAB 52.98, 76.74, -32.56

 

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

CMYK 79 / 0 / 46 / 13

HEX #2FDE78

RGB 47 222 120

HSL 145.03, 0.73%, 0.53%

LAB 78.58, -64.67, 38.02

 

CMYK 62 / 79 / 0 / 13

HEX #552FDE

RGB 85 47 222

HSL 253.03, 0.73%, 0.53%

LAB 36.44, 60.82, -82.16

 

CMYK 0 / 79 / 33 / 13

HEX #DE2F95

RGB 222 47 149

HSL 325.03, 0.73%, 0.53%

LAB 51.53, 72.56, -14.16

 

CMYK 18 / 0 / 78 / 13

HEX #B6DE30

RGB 182 222 48

HSL 73.79, 0.73%, 0.53%

LAB 83.13, -34.86, 73.91

 

CMYK 79 / 0 / 22 / 13

HEX #2FDEAD

RGB 47 222 173

HSL 163.2, 0.73%, 0.53%

LAB 79.54, -53.97, 12

 

CMYK 62 / 79 / 0 / 13

HEX #552FDE

RGB 85 47 222

HSL 253.03, 0.73%, 0.53%

LAB 36.44, 60.82, -82.16

 

CMYK 0 / 79 / 56 / 13

HEX #DE2F61

RGB 222 47 97

HSL 342.86, 0.73%, 0.53%

LAB 50.01, 67.96, 15.05

 

Description

Color code: HEX #B6DE30 | qconv.com Color code: HEX #B6DE30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 222 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 222 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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