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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E46B it is the complementary color #491B94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E46B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E46B shade: #BBE466, #CCF679, #DDFF8C, #EEFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E46B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E46B shade: #B6E46B, #A5D258, #94C045, #83AE32 and #729C1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E46B shade: #B6E46C, #D6E46C, #E4D16C, #E4B06C and #E4906C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E46B shade: #B6E46C, #96E46C, #76E46C, #6CE483 and #6CE4A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E46B shade matches the following richer shades: #B6E46C and #B9F25E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E46B shade: #B6E46C, #B3D67A, #AFC888, #ACBA96 and #A9ACA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E46B shade: #E4D06C, #D8E46C, #B8E46C, #98E46C and #78E46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E46B shade: #94D627, #A5DD49, #B6E46C, #C7EA8F and #D9F0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E46B shade: #B6E46B, #6CE4B0 and #E06CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E46B shade: #B6E46B, #6CB8E4 and #E46CB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E46B shade: #B6E46B, #6CE4B0, #986CE4 and #E46CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E46B shade: #B6E46B, #6CE4D4, #986CE4 and #E46C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

Complementary color

CMYK 51 / 82 / 0 / 42

HEX #491B94

RGB 73 27 148

HSL 262.81, 0.69%, 0.34%

LAB 24.76, 47.77, -57.52

 

CMYK 18 / 0 / 55 / 11

HEX #BBE466

RGB 187 228 102

HSL 79.52, 0.7%, 0.65%

LAB 85.51, -32.21, 56.19

 

CMYK 17 / 0 / 51 / 4

HEX #CCF679

RGB 204 246 121

HSL 80.16, 0.87%, 0.72%

LAB 91.74, -32.39, 55.15

 

CMYK 13 / 0 / 45 / 0

HEX #DDFF8C

RGB 221 255 140

HSL 77.74, 1%, 0.77%

LAB 95.49, -28.36, 51.12

 

CMYK 7 / 0 / 38 / 0

HEX #EEFF9F

RGB 238 255 159

HSL 70.63, 1%, 0.81%

LAB 96.9, -19.98, 44.02

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

CMYK 21 / 0 / 58 / 18

HEX #A5D258

RGB 165 210 88

HSL 82.13, 0.58%, 0.58%

LAB 78.92, -33.45, 54.54

 

CMYK 23 / 0 / 64 / 25

HEX #94C045

RGB 148 192 69

HSL 81.46, 0.49%, 0.51%

LAB 72.51, -33.19, 55.37

 

CMYK 25 / 0 / 71 / 32

HEX #83AE32

RGB 131 174 50

HSL 80.81, 0.55%, 0.44%

LAB 66, -32.8, 55.86

 

CMYK 27 / 0 / 80 / 39

HEX #729C1F

RGB 114 156 31

HSL 80.16, 0.67%, 0.37%

LAB 59.39, -32.22, 55.65

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 6 / 0 / 53 / 11

HEX #D6E46C

RGB 214 228 108

HSL 67, 0.69%, 0.66%

LAB 87.42, -21.23, 56.17

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 0 / 23 / 53 / 11

HEX #E4B06C

RGB 228 176 108

HSL 34, 0.69%, 0.66%

LAB 75.22, 11.05, 41.86

 

CMYK 0 / 37 / 53 / 11

HEX #E4906C

RGB 228 144 108

HSL 18, 0.69%, 0.66%

LAB 67.67, 28.12, 32.34

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 34 / 0 / 53 / 11

HEX #96E46C

RGB 150 228 108

HSL 99, 0.69%, 0.66%

LAB 83.47, -44.83, 50.54

 

CMYK 48 / 0 / 53 / 11

HEX #76E46C

RGB 118 228 108

HSL 115, 0.69%, 0.66%

LAB 82.07, -54.61, 48.52

 

CMYK 53 / 0 / 43 / 11

HEX #6CE483

RGB 108 228 131

HSL 131.5, 0.69%, 0.66%

LAB 82.01, -54.03, 37.25

 

CMYK 53 / 0 / 29 / 11

HEX #6CE4A3

RGB 108 228 163

HSL 147.5, 0.69%, 0.66%

LAB 82.55, -48.42, 21.66

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 24 / 0 / 61 / 5

HEX #B9F25E

RGB 185 242 94

HSL 83.11, 0.85%, 0.66%

LAB 89.22, -39.97, 63.77

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 16 / 0 / 43 / 16

HEX #B3D67A

RGB 179 214 122

HSL 82.83, 0.53%, 0.66%

LAB 81.34, -26.57, 41.58

 

CMYK 13 / 0 / 32 / 22

HEX #AFC888

RGB 175 200 136

HSL 83.44, 0.37%, 0.66%

LAB 77.4, -19.41, 29.3

 

CMYK 8 / 0 / 19 / 27

HEX #ACBA96

RGB 172 186 150

HSL 83.33, 0.21%, 0.66%

LAB 73.6, -11.29, 16.66

 

CMYK 2 / 0 / 5 / 33

HEX #A9ACA4

RGB 169 172 164

HSL 82.5, 0.05%, 0.66%

LAB 69.91, -2.55, 3.73

 

CMYK 0 / 9 / 53 / 11

HEX #E4D06C

RGB 228 208 108

HSL 50, 0.69%, 0.66%

LAB 83.28, -5.64, 51.59

 

CMYK 5 / 0 / 53 / 11

HEX #D8E46C

RGB 216 228 108

HSL 66, 0.69%, 0.66%

LAB 87.57, -20.44, 56.38

 

CMYK 19 / 0 / 53 / 11

HEX #B8E46C

RGB 184 228 108

HSL 82, 0.69%, 0.66%

LAB 85.38, -32.78, 53.27

 

CMYK 33 / 0 / 53 / 11

HEX #98E46C

RGB 152 228 108

HSL 98, 0.69%, 0.66%

LAB 83.57, -44.17, 50.68

 

CMYK 47 / 0 / 53 / 11

HEX #78E46C

RGB 120 228 108

HSL 114, 0.69%, 0.66%

LAB 82.14, -54.06, 48.63

 

CMYK 31 / 0 / 82 / 16

HEX #94D627

RGB 148 214 39

HSL 82.63, 0.69%, 0.5%

LAB 78.77, -44.66, 71.64

 

CMYK 25 / 0 / 67 / 13

HEX #A5DD49

RGB 165 221 73

HSL 82.7, 0.69%, 0.58%

LAB 81.94, -39.6, 64.04

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 15 / 0 / 39 / 8

HEX #C7EA8F

RGB 199 234 143

HSL 83.08, 0.68%, 0.74%

LAB 88.43, -26.21, 40.47

 

CMYK 10 / 0 / 26 / 6

HEX #D9F0B2

RGB 217 240 178

HSL 82.26, 0.67%, 0.82%

LAB 91.81, -17.93, 27.53

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

CMYK 53 / 0 / 23 / 11

HEX #6CE4B0

RGB 108 228 176

HSL 154, 0.69%, 0.66%

LAB 82.81, -45.79, 15.24

 

CMYK 2 / 53 / 0 / 11

HEX #E06CE4

RGB 224 108 228

HSL 298, 0.69%, 0.66%

LAB 63.49, 61.3, -41.12

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

CMYK 53 / 19 / 0 / 11

HEX #6CB8E4

RGB 108 184 228

HSL 202, 0.69%, 0.66%

LAB 71.6, -11.44, -29.24

 

CMYK 0 / 53 / 19 / 11

HEX #E46CB8

RGB 228 108 184

HSL 322, 0.69%, 0.66%

LAB 62.24, 55.36, -18.21

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

CMYK 53 / 0 / 23 / 11

HEX #6CE4B0

RGB 108 228 176

HSL 154, 0.69%, 0.66%

LAB 82.81, -45.79, 15.24

 

CMYK 33 / 53 / 0 / 11

HEX #986CE4

RGB 152 108 228

HSL 262, 0.69%, 0.66%

LAB 55.07, 42.62, -54.97

 

CMYK 0 / 53 / 30 / 11

HEX #E46CA0

RGB 228 108 160

HSL 334, 0.69%, 0.66%

LAB 61.44, 52.11, -5.66

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46B

RGB 182 228 107

HSL 82.81, 0.69%, 0.66%

LAB 85.25, -33.62, 53.54

 

CMYK 53 / 0 / 7 / 11

HEX #6CE4D4

RGB 108 228 212

HSL 172, 0.69%, 0.66%

LAB 83.67, -37.57, -2.5

 

CMYK 33 / 53 / 0 / 11

HEX #986CE4

RGB 152 108 228

HSL 262, 0.69%, 0.66%

LAB 55.07, 42.62, -54.97

 

CMYK 0 / 53 / 46 / 11

HEX #E46C7C

RGB 228 108 124

HSL 352, 0.69%, 0.66%

LAB 60.49, 48.07, 13.74

 

Description

Color code: HEX #B6E46B | qconv.com Color code: HEX #B6E46B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 228 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 228 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 53 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 53% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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