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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E797 it is the complementary color #491868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E797 shade: #BBE792, #CCF9A5, #DDFFB8, #EEFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E797 shade: #B6E797, #A5D584, #94C371, #83B15E and #729F4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E797 shade: #B6E797, #CBE797, #E1E797, #E7D797 and #E7C197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E797 shade: #B6E797, #A0E797, #97E7A3, #97E7B8 and #97E7CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E797 shade matches the following richer shades: #B6E797, #B3F18C and #B1FC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E797 shade: #B6E797, #B8DDA1, #BAD2AB, #BDC8B6 and #BFBEC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E797 shade: #E2E797, #CCE797, #B7E797, #A1E797 and #97E7A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E797 shade: #87D853, #9EDF75, #B6E797, #CDEFB8 and #E5F6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E797 shade: #B6E797, #97E7D7 and #E797D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E797 shade: #B6E797, #97B7E7 and #E797B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E797 shade: #B6E797, #97E7D7, #C797E7 and #E797A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E797 shade: #B6E797, #97DFE7, #C797E7 and #E79F97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

Complementary color

CMYK 30 / 77 / 0 / 59

HEX #491868

RGB 73 24 104

HSL 276.75, 0.63%, 0.25%

LAB 20.32, 37.7, -36.85

 

CMYK 19 / 0 / 37 / 9

HEX #BBE792

RGB 187 231 146

HSL 91.06, 0.64%, 0.74%

LAB 86.89, -28.74, 36.83

 

CMYK 18 / 0 / 34 / 2

HEX #CCF9A5

RGB 204 249 165

HSL 92.14, 0.88%, 0.81%

LAB 93.15, -28.67, 35.74

 

CMYK 13 / 0 / 28 / 0

HEX #DDFFB8

RGB 221 255 184

HSL 88.73, 1%, 0.86%

LAB 96.14, -22.92, 30.41

 

CMYK 7 / 0 / 20 / 0

HEX #EEFFCB

RGB 238 255 203

HSL 79.62, 1%, 0.9%

LAB 97.64, -14.21, 23.04

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 23 / 0 / 38 / 16

HEX #A5D584

RGB 165 213 132

HSL 95.56, 0.49%, 0.68%

LAB 80.32, -29.93, 35.08

 

CMYK 24 / 0 / 42 / 24

HEX #94C371

RGB 148 195 113

HSL 94.39, 0.41%, 0.6%

LAB 73.88, -30.03, 36.25

 

CMYK 26 / 0 / 47 / 31

HEX #83B15E

RGB 131 177 94

HSL 93.25, 0.35%, 0.53%

LAB 67.34, -30.1, 37.45

 

CMYK 28 / 0 / 53 / 38

HEX #729F4B

RGB 114 159 75

HSL 92.14, 0.36%, 0.46%

LAB 60.68, -30.13, 38.65

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 12 / 0 / 35 / 9

HEX #CBE797

RGB 203 231 151

HSL 81, 0.63%, 0.75%

LAB 88.01, -22.3, 35.97

 

CMYK 3 / 0 / 35 / 9

HEX #E1E797

RGB 225 231 151

HSL 64.5, 0.63%, 0.75%

LAB 89.58, -14.08, 38.32

 

CMYK 0 / 7 / 35 / 9

HEX #E7D797

RGB 231 215 151

HSL 48, 0.63%, 0.75%

LAB 85.92, -3.72, 33.62

 

CMYK 0 / 16 / 35 / 9

HEX #E7C197

RGB 231 193 151

HSL 31.5, 0.63%, 0.75%

LAB 80.38, 7.7, 26.22

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 31 / 0 / 35 / 9

HEX #A0E797

RGB 160 231 151

HSL 113.25, 0.63%, 0.75%

LAB 85.43, -37.23, 32.1

 

CMYK 35 / 0 / 29 / 9

HEX #97E7A3

RGB 151 231 163

HSL 129, 0.63%, 0.75%

LAB 85.19, -38.12, 25.56

 

CMYK 35 / 0 / 20 / 9

HEX #97E7B8

RGB 151 231 184

HSL 144.75, 0.63%, 0.75%

LAB 85.6, -34.33, 15.24

 

CMYK 35 / 0 / 11 / 9

HEX #97E7CE

RGB 151 231 206

HSL 161.25, 0.63%, 0.75%

LAB 86.1, -29.9, 4.42

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 26 / 0 / 42 / 5

HEX #B3F18C

RGB 179 241 140

HSL 96.83, 0.78%, 0.75%

LAB 89.11, -36.94, 42.56

 

CMYK 30 / 0 / 48 / 1

HEX #B1FC82

RGB 177 252 130

HSL 96.89, 0.95%, 0.75%

LAB 91.94, -43.7, 50.87

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 17 / 0 / 27 / 13

HEX #B8DDA1

RGB 184 221 161

HSL 97, 0.47%, 0.75%

LAB 84.21, -22.87, 25.57

 

CMYK 11 / 0 / 19 / 18

HEX #BAD2AB

RGB 186 210 171

HSL 96.92, 0.3%, 0.75%

LAB 81.55, -15.12, 16.68

 

CMYK 5 / 0 / 9 / 22

HEX #BDC8B6

RGB 189 200 182

HSL 96.67, 0.14%, 0.75%

LAB 79.33, -7.06, 7.7

 

CMYK 1 / 1 / 0 / 25

HEX #BFBEC0

RGB 191 190 192

HSL 270, 0.02%, 0.75%

LAB 77.11, 0.72, -0.89

 

CMYK 2 / 0 / 35 / 9

HEX #E2E797

RGB 226 231 151

HSL 63.75, 0.63%, 0.75%

LAB 89.65, -13.7, 38.43

 

CMYK 12 / 0 / 35 / 9

HEX #CCE797

RGB 204 231 151

HSL 80.25, 0.63%, 0.75%

LAB 88.08, -21.93, 36.08

 

CMYK 21 / 0 / 35 / 9

HEX #B7E797

RGB 183 231 151

HSL 96, 0.63%, 0.75%

LAB 86.73, -29.47, 34.05

 

CMYK 30 / 0 / 35 / 9

HEX #A1E797

RGB 161 231 151

HSL 112.5, 0.63%, 0.75%

LAB 85.49, -36.9, 32.18

 

CMYK 35 / 0 / 30 / 9

HEX #97E7A1

RGB 151 231 161

HSL 127.5, 0.63%, 0.75%

LAB 85.15, -38.46, 26.54

 

CMYK 38 / 0 / 62 / 15

HEX #87D853

RGB 135 216 83

HSL 96.54, 0.63%, 0.59%

LAB 78.98, -47.25, 56.32

 

CMYK 29 / 0 / 48 / 13

HEX #9EDF75

RGB 158 223 117

HSL 96.79, 0.62%, 0.67%

LAB 82.56, -38.9, 45.27

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 14 / 0 / 23 / 6

HEX #CDEFB8

RGB 205 239 184

HSL 97.09, 0.63%, 0.83%

LAB 90.86, -20.77, 23.03

 

CMYK 7 / 0 / 11 / 4

HEX #E5F6DA

RGB 229 246 218

HSL 96.43, 0.61%, 0.91%

LAB 95.01, -10.51, 11.57

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 35 / 0 / 7 / 9

HEX #97E7D7

RGB 151 231 215

HSL 168, 0.63%, 0.75%

LAB 86.32, -27.95, 0.02

 

CMYK 0 / 35 / 7 / 9

HEX #E797D7

RGB 231 151 215

HSL 312, 0.63%, 0.75%

LAB 72.25, 39.51, -20.32

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 35 / 21 / 0 / 9

HEX #97B7E7

RGB 151 183 231

HSL 216, 0.63%, 0.75%

LAB 73.69, 0.57, -27.48

 

CMYK 0 / 35 / 21 / 9

HEX #E797B7

RGB 231 151 183

HSL 336, 0.63%, 0.75%

LAB 71.24, 34.38, -4.13

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 35 / 0 / 7 / 9

HEX #97E7D7

RGB 151 231 215

HSL 168, 0.63%, 0.75%

LAB 86.32, -27.95, 0.02

 

CMYK 14 / 35 / 0 / 9

HEX #C797E7

RGB 199 151 231

HSL 276, 0.63%, 0.75%

LAB 69.5, 32.5, -33.61

 

CMYK 0 / 35 / 28 / 9

HEX #E797A7

RGB 231 151 167

HSL 348, 0.63%, 0.75%

LAB 70.81, 32.11, 4.13

 

CMYK 21 / 0 / 35 / 9

HEX #B6E797

RGB 182 231 151

HSL 96.75, 0.63%, 0.75%

LAB 86.67, -29.82, 33.96

 

CMYK 35 / 3 / 0 / 9

HEX #97DFE7

RGB 151 223 231

HSL 186, 0.63%, 0.75%

LAB 84.55, -20.37, -11.05

 

CMYK 14 / 35 / 0 / 9

HEX #C797E7

RGB 199 151 231

HSL 276, 0.63%, 0.75%

LAB 69.5, 32.5, -33.61

 

CMYK 0 / 31 / 35 / 9

HEX #E79F97

RGB 231 159 151

HSL 6, 0.63%, 0.75%

LAB 72.24, 25.79, 15.02

 

Description

Color code: HEX #B6E797 | qconv.com Color code: HEX #B6E797 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 231 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 231 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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