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Color name
HEX #B6F593

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6F593 it is the complementary color #490A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6F593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6F593 shade: #BBF58E, #CCFFA1, #DDFFB4, #EEFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6F593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6F593 shade: #B6F593, #A5E380, #94D16D, #83BF5A and #72AD47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6F593 shade: #B6F593, #D0F593, #EAF593, #F5E493 and #F5CA93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6F593 shade: #B6F593, #9CF593, #93F5A5, #93F5BF and #93F5D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6F593 shade matches the following richer shades: #B6F593 and #B3FE8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6F593 shade: #B6F593, #B9EB9D, #BBE2A6, #BED8B0 and #C1CFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6F593 shade: #EBF593, #D1F593, #B7F593, #9DF593 and #93F5A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6F593 shade: #83EE48, #9CF16D, #B6F593, #CFF8B9 and #E9FCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6F593 shade: #B6F593, #93F5E4 and #F593DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6F593 shade: #B6F593, #93B7F5 and #F593B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6F593 shade: #B6F593, #93F5E4, #D193F5 and #F593A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6F593 shade: #B6F593, #93E8F5, #D193F5 and #F5A093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

Complementary color

CMYK 32 / 91 / 0 / 58

HEX #490A6C

RGB 73 10 108

HSL 278.57, 0.83%, 0.23%

LAB 18.87, 43.83, -41.82

 

CMYK 24 / 0 / 42 / 4

HEX #BBF58E

RGB 187 245 142

HSL 93.79, 0.84%, 0.76%

LAB 90.7, -35.74, 43.71

 

CMYK 20 / 0 / 37 / 0

HEX #CCFFA1

RGB 204 255 161

HSL 92.55, 1%, 0.82%

LAB 94.71, -31.99, 39.77

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB4

RGB 221 255 180

HSL 87.2, 1%, 0.85%

LAB 96.07, -23.48, 32.33

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC7

RGB 238 255 199

HSL 78.21, 1%, 0.89%

LAB 97.56, -14.8, 24.96

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 27 / 0 / 44 / 11

HEX #A5E380

RGB 165 227 128

HSL 97.58, 0.64%, 0.7%

LAB 84.22, -36.94, 42.08

 

CMYK 29 / 0 / 48 / 18

HEX #94D16D

RGB 148 209 109

HSL 96.6, 0.52%, 0.62%

LAB 77.88, -37.03, 43.25

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 34 / 0 / 59 / 32

HEX #72AD47

RGB 114 173 71

HSL 94.71, 0.42%, 0.48%

LAB 64.9, -37.03, 45.51

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 15 / 0 / 40 / 4

HEX #D0F593

RGB 208 245 147

HSL 82.65, 0.83%, 0.77%

LAB 92.05, -27.65, 43.26

 

CMYK 4 / 0 / 40 / 4

HEX #EAF593

RGB 234 245 147

HSL 66.73, 0.83%, 0.77%

LAB 93.84, -17.98, 45.9

 

CMYK 0 / 7 / 40 / 4

HEX #F5E493

RGB 245 228 147

HSL 49.59, 0.83%, 0.77%

LAB 90.32, -5.33, 41.59

 

CMYK 0 / 18 / 40 / 4

HEX #F5CA93

RGB 245 202 147

HSL 33.67, 0.83%, 0.77%

LAB 83.84, 8, 33.16

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 36 / 0 / 40 / 4

HEX #9CF593

RGB 156 245 147

HSL 114.49, 0.83%, 0.77%

LAB 89.15, -45.26, 38.94

 

CMYK 40 / 0 / 33 / 4

HEX #93F5A5

RGB 147 245 165

HSL 131.02, 0.83%, 0.77%

LAB 89.03, -45.15, 29.71

 

CMYK 40 / 0 / 22 / 4

HEX #93F5BF

RGB 147 245 191

HSL 146.94, 0.83%, 0.77%

LAB 89.52, -40.48, 17.08

 

CMYK 40 / 0 / 11 / 4

HEX #93F5D9

RGB 147 245 217

HSL 162.86, 0.83%, 0.77%

LAB 90.1, -35.16, 4.44

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 30 / 0 / 46 / 0

HEX #B3FE8A

RGB 179 254 138

HSL 98.79, 0.98%, 0.77%

LAB 92.71, -42.97, 48.06

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 21 / 0 / 33 / 8

HEX #B9EB9D

RGB 185 235 157

HSL 98.46, 0.66%, 0.77%

LAB 88.05, -29.81, 32.79

 

CMYK 17 / 0 / 27 / 11

HEX #BBE2A6

RGB 187 226 166

HSL 99, 0.51%, 0.77%

LAB 85.86, -23.48, 25.26

 

CMYK 12 / 0 / 19 / 15

HEX #BED8B0

RGB 190 216 176

HSL 99, 0.34%, 0.77%

LAB 83.54, -15.91, 16.87

 

CMYK 7 / 0 / 11 / 19

HEX #C1CFB9

RGB 193 207 185

HSL 98.18, 0.19%, 0.77%

LAB 81.55, -8.76, 9.31

 

CMYK 4 / 0 / 40 / 4

HEX #EBF593

RGB 235 245 147

HSL 66.12, 0.83%, 0.77%

LAB 93.91, -17.6, 46.01

 

CMYK 15 / 0 / 40 / 4

HEX #D1F593

RGB 209 245 147

HSL 82.04, 0.83%, 0.77%

LAB 92.12, -27.29, 43.35

 

CMYK 25 / 0 / 40 / 4

HEX #B7F593

RGB 183 245 147

HSL 97.96, 0.83%, 0.77%

LAB 90.54, -36.48, 41.01

 

CMYK 36 / 0 / 40 / 4

HEX #9DF593

RGB 157 245 147

HSL 113.88, 0.83%, 0.77%

LAB 89.2, -44.95, 39.01

 

CMYK 40 / 0 / 33 / 4

HEX #93F5A3

RGB 147 245 163

HSL 129.8, 0.83%, 0.77%

LAB 88.99, -45.48, 30.67

 

CMYK 45 / 0 / 70 / 7

HEX #83EE48

RGB 131 238 72

HSL 98.67, 0.83%, 0.61%

LAB 85.22, -58.19, 67.27

 

CMYK 35 / 0 / 55 / 5

HEX #9CF16D

RGB 156 241 109

HSL 98.64, 0.83%, 0.69%

LAB 87.53, -48.26, 54.95

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 17 / 0 / 25 / 3

HEX #CFF8B9

RGB 207 248 185

HSL 99.05, 0.82%, 0.85%

LAB 93.41, -24.27, 26.04

 

CMYK 8 / 0 / 12 / 1

HEX #E9FCDF

RGB 233 252 223

HSL 99.31, 0.83%, 0.93%

LAB 96.93, -11.3, 11.78

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 40 / 0 / 7 / 4

HEX #93F5E4

RGB 147 245 228

HSL 169.59, 0.83%, 0.77%

LAB 90.37, -32.73, -0.89

 

CMYK 0 / 40 / 9 / 4

HEX #F593DE

RGB 245 147 222

HSL 314.08, 0.83%, 0.77%

LAB 73.26, 47.21, -22.48

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 40 / 25 / 0 / 4

HEX #93B7F5

RGB 147 183 245

HSL 217.96, 0.83%, 0.77%

LAB 73.97, 3.17, -34.63

 

CMYK 0 / 40 / 25 / 4

HEX #F593B7

RGB 245 147 183

HSL 337.96, 0.83%, 0.77%

LAB 72.03, 41.32, -2.79

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 40 / 0 / 7 / 4

HEX #93F5E4

RGB 147 245 228

HSL 169.59, 0.83%, 0.77%

LAB 90.37, -32.73, -0.89

 

CMYK 15 / 40 / 0 / 4

HEX #D193F5

RGB 209 147 245

HSL 277.96, 0.83%, 0.77%

LAB 70.19, 40.59, -40.14

 

CMYK 0 / 40 / 33 / 4

HEX #F593A3

RGB 245 147 163

HSL 350.2, 0.83%, 0.77%

LAB 71.5, 38.73, 7.57

 

CMYK 26 / 0 / 40 / 4

HEX #B6F593

RGB 182 245 147

HSL 98.57, 0.83%, 0.77%

LAB 90.49, -36.82, 40.93

 

CMYK 40 / 5 / 0 / 4

HEX #93E8F5

RGB 147 232 245

HSL 187.96, 0.83%, 0.77%

LAB 87.25, -22.47, -14.41

 

CMYK 15 / 40 / 0 / 4

HEX #D193F5

RGB 209 147 245

HSL 277.96, 0.83%, 0.77%

LAB 70.19, 40.59, -40.14

 

CMYK 0 / 35 / 40 / 4

HEX #F5A093

RGB 245 160 147

HSL 7.96, 0.83%, 0.77%

LAB 73.97, 30.09, 19.86

 

Description

Color code: HEX #B6F593 | qconv.com Color code: HEX #B6F593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 245 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 245 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 40% 4% C M Y K

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Provide designers and agencies with accurate color values.

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