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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6F9B2 it is the complementary color #49064D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6F9B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6F9B2 shade: #BBF9AD, #CCFFC0, #DDFFD3, #EEFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6F9B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6F9B2 shade: #B6F9B2, #A5E79F, #94D58C, #83C379 and #72B166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6F9B2 shade: #B7F9B3, #C9F9B3, #DCF9B3, #EFF9B3 and #F9EFB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6F9B2 shade: #B7F9B3, #B3F9C2, #B3F9D5, #B3F9E7 and #B3F7F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6F9B2 shade matches the following richer shades: #B7F9B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6F9B2 shade: #B7F9B3, #BCF2B9, #C2ECC0, #C8E5C6 and #CEDECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6F9B2 shade: #DDF9B3, #CAF9B3, #B7F9B3, #B3F9C1 and #B3F9D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6F9B2 shade: #6EF366, #92F68C, #B7F9B3 and #DBFCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6F9B2 shade: #B6F9B2, #B3EFF9 and #F9B3D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6F9B2 shade: #B6F9B2, #B3B7F9 and #F9B3B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6F9B2 shade: #B6F9B2, #B3EFF9, #F4B3F9 and #F9BCB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6F9B2 shade: #B6F9B2, #B3DAF9, #F4B3F9 and #F9D1B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

Complementary color

CMYK 5 / 92 / 0 / 70

HEX #49064D

RGB 73 6 77

HSL 296.62, 0.86%, 0.16%

LAB 15.91, 38.54, -25.87

 

CMYK 25 / 0 / 31 / 2

HEX #BBF9AD

RGB 187 249 173

HSL 108.95, 0.86%, 0.83%

LAB 92.28, -33.3, 30.39

 

CMYK 20 / 0 / 25 / 0

HEX #CCFFC0

RGB 204 255 192

HSL 108.57, 1%, 0.88%

LAB 95.23, -27.53, 24.95

 

CMYK 13 / 0 / 17 / 0

HEX #DDFFD3

RGB 221 255 211

HSL 106.36, 1%, 0.91%

LAB 96.65, -18.79, 17.42

 

CMYK 7 / 0 / 10 / 0

HEX #EEFFE6

RGB 238 255 230

HSL 100.8, 1%, 0.95%

LAB 98.2, -9.94, 10.04

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

CMYK 29 / 0 / 31 / 9

HEX #A5E79F

RGB 165 231 159

HSL 115, 0.6%, 0.76%

LAB 85.83, -34.37, 28.61

 

CMYK 31 / 0 / 34 / 16

HEX #94D58C

RGB 148 213 140

HSL 113.42, 0.46%, 0.69%

LAB 79.49, -34.59, 29.71

 

CMYK 33 / 0 / 38 / 24

HEX #83C379

RGB 131 195 121

HSL 111.89, 0.38%, 0.62%

LAB 73.05, -34.81, 30.87

 

CMYK 36 / 0 / 42 / 31

HEX #72B166

RGB 114 177 102

HSL 110.4, 0.32%, 0.55%

LAB 66.51, -35.01, 32.09

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 19 / 0 / 28 / 2

HEX #C9F9B3

RGB 201 249 179

HSL 101.14, 0.85%, 0.84%

LAB 93.2, -27.7, 28.74

 

CMYK 12 / 0 / 28 / 2

HEX #DCF9B3

RGB 220 249 179

HSL 84.86, 0.85%, 0.84%

LAB 94.41, -21.1, 30.58

 

CMYK 4 / 0 / 28 / 2

HEX #EFF9B3

RGB 239 249 179

HSL 68.57, 0.85%, 0.84%

LAB 95.73, -14.26, 32.58

 

CMYK 0 / 4 / 28 / 2

HEX #F9EFB3

RGB 249 239 179

HSL 51.43, 0.85%, 0.84%

LAB 93.94, -5.61, 30.3

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 28 / 0 / 22 / 2

HEX #B3F9C2

RGB 179 249 194

HSL 132.86, 0.85%, 0.84%

LAB 92.23, -32.42, 19.57

 

CMYK 28 / 0 / 14 / 2

HEX #B3F9D5

RGB 179 249 213

HSL 149.14, 0.85%, 0.84%

LAB 92.64, -28.93, 10.36

 

CMYK 28 / 0 / 7 / 2

HEX #B3F9E7

RGB 179 249 231

HSL 164.57, 0.85%, 0.84%

LAB 93.06, -25.34, 1.66

 

CMYK 28 / 1 / 0 / 2

HEX #B3F7F9

RGB 179 247 249

HSL 181.71, 0.85%, 0.84%

LAB 92.99, -20.52, -7.78

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 22 / 0 / 24 / 5

HEX #BCF2B9

RGB 188 242 185

HSL 116.84, 0.69%, 0.84%

LAB 90.64, -27.79, 22.05

 

CMYK 18 / 0 / 19 / 7

HEX #C2ECC0

RGB 194 236 192

HSL 117.27, 0.54%, 0.84%

LAB 89.52, -21.75, 16.92

 

CMYK 13 / 0 / 14 / 10

HEX #C8E5C6

RGB 200 229 198

HSL 116.13, 0.37%, 0.84%

LAB 88.16, -15.25, 11.94

 

CMYK 7 / 0 / 8 / 13

HEX #CEDECD

RGB 206 222 205

HSL 116.47, 0.2%, 0.84%

LAB 86.88, -8.46, 6.5

 

CMYK 11 / 0 / 28 / 2

HEX #DDF9B3

RGB 221 249 179

HSL 84, 0.85%, 0.84%

LAB 94.47, -20.74, 30.68

 

CMYK 19 / 0 / 28 / 2

HEX #CAF9B3

RGB 202 249 179

HSL 100.29, 0.85%, 0.84%

LAB 93.26, -27.36, 28.83

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 28 / 0 / 22 / 2

HEX #B3F9C1

RGB 179 249 193

HSL 132, 0.85%, 0.84%

LAB 92.21, -32.59, 20.05

 

CMYK 28 / 0 / 15 / 2

HEX #B3F9D3

RGB 179 249 211

HSL 147.43, 0.85%, 0.84%

LAB 92.59, -29.31, 11.32

 

CMYK 55 / 0 / 58 / 5

HEX #6EF366

RGB 110 243 102

HSL 116.6, 0.85%, 0.68%

LAB 86.19, -63.07, 56.04

 

CMYK 41 / 0 / 43 / 4

HEX #92F68C

RGB 146 246 140

HSL 116.6, 0.85%, 0.76%

LAB 88.88, -49.69, 41.94

 

CMYK 27 / 0 / 28 / 2

HEX #B7F9B3

RGB 183 249 179

HSL 116.57, 0.85%, 0.84%

LAB 92.16, -33.67, 27.16

 

CMYK 13 / 0 / 14 / 1

HEX #DBFCD9

RGB 219 252 217

HSL 116.57, 0.85%, 0.92%

LAB 95.87, -17, 13.22

 

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

CMYK 28 / 4 / 0 / 2

HEX #B3EFF9

RGB 179 239 249

HSL 188.57, 0.85%, 0.84%

LAB 90.85, -16.56, -10.95

 

CMYK 0 / 28 / 15 / 2

HEX #F9B3D3

RGB 249 179 211

HSL 332.57, 0.85%, 0.84%

LAB 80.23, 30.1, -5.98

 

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

CMYK 28 / 27 / 0 / 2

HEX #B3B7F9

RGB 179 183 249

HSL 236.57, 0.85%, 0.84%

LAB 76.25, 12.95, -33.1

 

CMYK 0 / 28 / 27 / 2

HEX #F9B3B7

RGB 249 179 183

HSL 356.57, 0.85%, 0.84%

LAB 79.5, 26, 8.11

 

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

CMYK 28 / 4 / 0 / 2

HEX #B3EFF9

RGB 179 239 249

HSL 188.57, 0.85%, 0.84%

LAB 90.85, -16.56, -10.95

 

CMYK 2 / 28 / 0 / 2

HEX #F4B3F9

RGB 244 179 249

HSL 295.71, 0.85%, 0.84%

LAB 80.91, 34.94, -25.46

 

CMYK 0 / 24 / 28 / 2

HEX #F9BCB3

RGB 249 188 179

HSL 7.71, 0.85%, 0.84%

LAB 81.49, 20.72, 13.1

 

CMYK 27 / 0 / 29 / 2

HEX #B6F9B2

RGB 182 249 178

HSL 116.62, 0.86%, 0.84%

LAB 92.09, -34.15, 27.56

 

CMYK 28 / 12 / 0 / 2

HEX #B3DAF9

RGB 179 218 249

HSL 206.57, 0.85%, 0.84%

LAB 85.28, -5.85, -19.3

 

CMYK 2 / 28 / 0 / 2

HEX #F4B3F9

RGB 244 179 249

HSL 295.71, 0.85%, 0.84%

LAB 80.91, 34.94, -25.46

 

CMYK 0 / 16 / 28 / 2

HEX #F9D1B3

RGB 249 209 179

HSL 25.71, 0.85%, 0.84%

LAB 86.5, 9.72, 20.12

 

Description

Color code: HEX #B6F9B2 | qconv.com Color code: HEX #B6F9B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 249 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 249 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 29 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 29% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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