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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B70052 it is the complementary color #48FFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B70052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B70052 shade: #BC004D, #CD1260, #DE2473, #EF3686 and #FF4899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B70052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B70052 shade: #B70052, #A6003F, #95002C, #840019 and #730006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B70052 shade: #B70052, #B70020 and #B70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B70052 shade: #B70052, #B70083, #B700B5, #8800B7 and #5600B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B70052 shade matches the following richer shades: #B70052

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B70052 shade: #B70052, #A80E53, #991D55, #8B2C56 and #7C3B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B70052 shade: #B700B4, #B70083, #B70052, #B70021 and #B70F00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B70052 shade: #65002D, #8E003F, #B70052, #E00064 and #FF0B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B70052 shade: #B70052, #B78900 and #009CB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B70052 shade: #B70052, #52B700 and #0052B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B70052 shade: #B70052, #B78900, #00B764 and #002DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B70052 shade: #B70052, #AEB700, #00B764 and #0900B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

Complementary color

CMYK 72 / 0 / 32 / 0

HEX #48FFAD

RGB 72 255 173

HSL 153.11, 1%, 0.64%

LAB 89.82, -63.63, 26.35

 

CMYK 0 / 100 / 59 / 26

HEX #BC004D

RGB 188 0 77

HSL 335.43, 1%, 0.37%

LAB 39.96, 66.15, 12.63

 

CMYK 0 / 91 / 53 / 20

HEX #CD1260

RGB 205 18 96

HSL 334.97, 0.84%, 0.44%

LAB 44.6, 69.52, 7.62

 

CMYK 0 / 84 / 48 / 13

HEX #DE2473

RGB 222 36 115

HSL 334.52, 0.74%, 0.51%

LAB 49.53, 71.95, 3.39

 

CMYK 0 / 77 / 44 / 6

HEX #EF3686

RGB 239 54 134

HSL 334.05, 0.85%, 0.57%

LAB 54.77, 73.41, -0.06

 

CMYK 0 / 72 / 40 / 0

HEX #FF4899

RGB 255 72 153

HSL 333.44, 1%, 0.64%

LAB 60.06, 73.89, -3.17

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 62 / 35

HEX #A6003F

RGB 166 0 63

HSL 337.23, 1%, 0.33%

LAB 34.93, 60.07, 14.06

 

CMYK 0 / 100 / 70 / 42

HEX #95002C

RGB 149 0 44

HSL 342.28, 1%, 0.29%

LAB 30.81, 54.84, 20.48

 

CMYK 0 / 100 / 81 / 48

HEX #840019

RGB 132 0 25

HSL 348.64, 1%, 0.26%

LAB 26.67, 49.68, 27.05

 

CMYK 0 / 100 / 95 / 55

HEX #730006

RGB 115 0 6

HSL 356.87, 1%, 0.23%

LAB 22.51, 44.63, 31.6

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 83 / 28

HEX #B70020

RGB 183 0 32

HSL 349.51, 1%, 0.36%

LAB 38.15, 62.95, 38.18

 

CMYK 0 / 100 / 100 / 28

HEX #B70000

RGB 183 0 0

HSL 0, 1%, 0.36%

LAB 37.96, 62.44, 52.38

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 28 / 28

HEX #B70083

RGB 183 0 131

HSL 317.05, 1%, 0.36%

LAB 40.74, 69.79, -20.38

 

CMYK 0 / 100 / 1 / 28

HEX #B700B5

RGB 183 0 181

HSL 300.66, 1%, 0.36%

LAB 43.36, 76.29, -46.44

 

CMYK 26 / 100 / 0 / 28

HEX #8800B7

RGB 136 0 183

HSL 284.59, 1%, 0.36%

LAB 35.31, 69.66, -61.05

 

CMYK 53 / 100 / 0 / 28

HEX #5600B7

RGB 86 0 183

HSL 268.2, 1%, 0.36%

LAB 27.84, 64.53, -73.6

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 92 / 51 / 34

HEX #A80E53

RGB 168 14 83

HSL 333.12, 0.85%, 0.36%

LAB 36.49, 60.19, 3.28

 

CMYK 0 / 81 / 44 / 40

HEX #991D55

RGB 153 29 85

HSL 332.9, 0.68%, 0.36%

LAB 34.61, 53.33, -1.11

 

CMYK 0 / 68 / 38 / 45

HEX #8B2C56

RGB 139 44 86

HSL 333.47, 0.52%, 0.36%

LAB 33.9, 44.01, -3.11

 

CMYK 0 / 52 / 29 / 51

HEX #7C3B58

RGB 124 59 88

HSL 333.23, 0.36%, 0.36%

LAB 34.23, 31.79, -4.19

 

CMYK 0 / 100 / 2 / 28

HEX #B700B4

RGB 183 0 180

HSL 300.98, 1%, 0.36%

LAB 43.3, 76.14, -45.94

 

CMYK 0 / 100 / 28 / 28

HEX #B70083

RGB 183 0 131

HSL 317.05, 1%, 0.36%

LAB 40.74, 69.79, -20.38

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 82 / 28

HEX #B70021

RGB 183 0 33

HSL 349.18, 1%, 0.36%

LAB 38.16, 62.97, 37.62

 

CMYK 0 / 92 / 100 / 28

HEX #B70F00

RGB 183 15 0

HSL 4.92, 1%, 0.36%

LAB 38.57, 60.7, 52.61

 

CMYK 0 / 100 / 55 / 60

HEX #65002D

RGB 101 0 45

HSL 333.27, 1%, 0.2%

LAB 19.87, 42.7, 3.19

 

CMYK 0 / 100 / 56 / 44

HEX #8E003F

RGB 142 0 63

HSL 333.38, 1%, 0.28%

LAB 29.69, 54.27, 5.99

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 55 / 12

HEX #E00064

RGB 224 0 100

HSL 333.21, 1%, 0.44%

LAB 47.97, 75.85, 10.43

 

CMYK 0 / 96 / 53 / 0

HEX #FF0B78

RGB 255 11 120

HSL 333.2, 1%, 0.52%

LAB 54.92, 83.27, 8.93

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 25 / 100 / 28

HEX #B78900

RGB 183 137 0

HSL 44.92, 1%, 0.36%

LAB 59.85, 7.61, 64.87

 

CMYK 100 / 15 / 0 / 28

HEX #009CB7

RGB 0 156 183

HSL 188.85, 1%, 0.36%

LAB 59.16, -24.41, -23.66

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 55 / 0 / 100 / 28

HEX #52B700

RGB 82 183 0

HSL 93.11, 1%, 0.36%

LAB 66.26, -55.14, 66.54

 

CMYK 100 / 55 / 0 / 28

HEX #0052B7

RGB 0 82 183

HSL 213.11, 1%, 0.36%

LAB 36.84, 19.99, -58.98

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 25 / 100 / 28

HEX #B78900

RGB 183 137 0

HSL 44.92, 1%, 0.36%

LAB 59.85, 7.61, 64.87

 

CMYK 100 / 0 / 45 / 28

HEX #00B764

RGB 0 183 100

HSL 152.79, 1%, 0.36%

LAB 65.58, -58.1, 31.39

 

CMYK 100 / 75 / 0 / 28

HEX #002DB7

RGB 0 45 183

HSL 225.25, 1%, 0.36%

LAB 27.56, 44.16, -74.22

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 5 / 0 / 100 / 28

HEX #AEB700

RGB 174 183 0

HSL 62.95, 1%, 0.36%

LAB 71.46, -20.71, 72.79

 

CMYK 100 / 0 / 45 / 28

HEX #00B764

RGB 0 183 100

HSL 152.79, 1%, 0.36%

LAB 65.58, -58.1, 31.39

 

CMYK 95 / 100 / 0 / 28

HEX #0900B7

RGB 9 0 183

HSL 242.95, 1%, 0.36%

LAB 21.86, 61.8, -83.71

 

Description

Color code: HEX #B70052 | qconv.com Color code: HEX #B70052 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, none green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 0 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 55% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - Productos gourmet y ...
Link: http://www.delicatessenantonio.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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