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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B70A9D it is the complementary color #48F562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B70A9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B70A9D shade: #BC0A98, #CD1CAB, #DE2EBE, #EF40D1 and #FF52E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B70A9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B70A9D shade: #B70A9D, #A6008A, #950077, #840064 and #730051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B70A9D shade: #B8099D, #B8096E, #B8093F, #B80910 and #B80909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B70A9D shade: #B8099D, #A309B8, #7409B8, #4509B8 and #1609B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B70A9D shade matches the following richer shades: #B8099D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B70A9D shade: #B8099D, #A81992, #982987, #89387C and #794872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B70A9D shade: #7509B8, #A309B8, #B8099D, #B8096F and #B80940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B70A9D shade: #69055A, #90077C, #B8099D, #DF0BBF and #F321D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B70A9D shade: #B70A9D, #B84609 and #09B88C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B70A9D shade: #B70A9D, #9DB809 and #099DB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B70A9D shade: #B70A9D, #B84609, #09B823 and #097BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B70A9D shade: #B70A9D, #B87B09, #09B823 and #0946B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

Complementary color

CMYK 71 / 0 / 60 / 4

HEX #48F562

RGB 72 245 98

HSL 129.02, 0.9%, 0.62%

LAB 85.79, -71.93, 57.05

 

CMYK 0 / 95 / 19 / 26

HEX #BC0A98

RGB 188 10 152

HSL 312.13, 0.9%, 0.39%

LAB 43.03, 72.28, -29.59

 

CMYK 0 / 86 / 17 / 20

HEX #CD1CAB

RGB 205 28 171

HSL 311.53, 0.76%, 0.46%

LAB 47.94, 75.6, -33.02

 

CMYK 0 / 79 / 14 / 13

HEX #DE2EBE

RGB 222 46 190

HSL 310.91, 0.73%, 0.53%

LAB 53.17, 77.78, -35.74

 

CMYK 0 / 73 / 13 / 6

HEX #EF40D1

RGB 239 64 209

HSL 310.29, 0.85%, 0.59%

LAB 58.62, 79.11, -37.89

 

CMYK 0 / 68 / 11 / 0

HEX #FF52E4

RGB 255 82 228

HSL 309.36, 1%, 0.66%

LAB 64.08, 79.58, -39.87

 

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

CMYK 0 / 100 / 17 / 35

HEX #A6008A

RGB 166 0 138

HSL 310.12, 1%, 0.33%

LAB 37.74, 67.31, -29.64

 

CMYK 0 / 100 / 20 / 42

HEX #950077

RGB 149 0 119

HSL 312.08, 1%, 0.29%

LAB 33.4, 61.57, -24.83

 

CMYK 0 / 100 / 24 / 48

HEX #840064

RGB 132 0 100

HSL 314.55, 1%, 0.26%

LAB 28.97, 55.72, -19.82

 

CMYK 0 / 100 / 30 / 55

HEX #730051

RGB 115 0 81

HSL 317.74, 1%, 0.23%

LAB 24.45, 49.74, -14.56

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 0 / 95 / 40 / 28

HEX #B8096E

RGB 184 9 110

HSL 325.37, 0.91%, 0.38%

LAB 40.43, 66.89, -7.76

 

CMYK 0 / 95 / 66 / 28

HEX #B8093F

RGB 184 9 63

HSL 341.49, 0.91%, 0.38%

LAB 39.15, 63.42, 20.34

 

CMYK 0 / 95 / 91 / 28

HEX #B80910

RGB 184 9 16

HSL 357.6, 0.91%, 0.38%

LAB 38.59, 61.88, 46.72

 

CMYK 0 / 95 / 95 / 28

HEX #B80909

RGB 184 9 9

HSL 0, 0.91%, 0.38%

LAB 38.56, 61.79, 49.35

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 11 / 95 / 0 / 28

HEX #A309B8

RGB 163 9 184

HSL 292.8, 0.91%, 0.38%

LAB 40.32, 72.64, -53.3

 

CMYK 37 / 95 / 0 / 28

HEX #7409B8

RGB 116 9 184

HSL 276.69, 0.91%, 0.38%

LAB 32.63, 66.18, -66.14

 

CMYK 63 / 95 / 0 / 28

HEX #4509B8

RGB 69 9 184

HSL 260.57, 0.91%, 0.38%

LAB 26.51, 61.93, -76.46

 

CMYK 88 / 95 / 0 / 28

HEX #1609B8

RGB 22 9 184

HSL 244.46, 0.91%, 0.38%

LAB 23.09, 60.08, -82.25

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 0 / 85 / 13 / 34

HEX #A81992

RGB 168 25 146

HSL 309.23, 0.74%, 0.38%

LAB 39.74, 65.26, -31.37

 

CMYK 0 / 73 / 11 / 40

HEX #982987

RGB 152 41 135

HSL 309.19, 0.58%, 0.38%

LAB 37.86, 55.58, -27.78

 

CMYK 0 / 59 / 9 / 46

HEX #89387C

RGB 137 56 124

HSL 309.63, 0.42%, 0.38%

LAB 37.12, 43.44, -22.32

 

CMYK 0 / 40 / 6 / 53

HEX #794872

RGB 121 72 114

HSL 308.57, 0.25%, 0.38%

LAB 37.69, 27.77, -15.41

 

CMYK 36 / 95 / 0 / 28

HEX #7509B8

RGB 117 9 184

HSL 277.03, 0.91%, 0.38%

LAB 32.78, 66.29, -65.89

 

CMYK 11 / 95 / 0 / 28

HEX #A309B8

RGB 163 9 184

HSL 292.8, 0.91%, 0.38%

LAB 40.32, 72.64, -53.3

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 0 / 95 / 40 / 28

HEX #B8096F

RGB 184 9 111

HSL 325.03, 0.91%, 0.38%

LAB 40.46, 66.99, -8.33

 

CMYK 0 / 95 / 65 / 28

HEX #B80940

RGB 184 9 64

HSL 341.14, 0.91%, 0.38%

LAB 39.17, 63.48, 19.73

 

CMYK 0 / 95 / 14 / 59

HEX #69055A

RGB 105 5 90

HSL 309, 0.91%, 0.22%

LAB 23.17, 47.75, -22.73

 

CMYK 0 / 95 / 14 / 44

HEX #90077C

RGB 144 7 124

HSL 308.76, 0.91%, 0.3%

LAB 33, 60.29, -28.68

 

CMYK 0 / 95 / 15 / 28

HEX #B8099D

RGB 184 9 157

HSL 309.26, 0.91%, 0.38%

LAB 42.49, 72.25, -33.5

 

CMYK 0 / 95 / 14 / 13

HEX #DF0BBF

RGB 223 11 191

HSL 309.06, 0.91%, 0.46%

LAB 51.48, 83.68, -38.96

 

CMYK 0 / 86 / 13 / 5

HEX #F321D3

RGB 243 33 211

HSL 309.14, 0.9%, 0.54%

LAB 56.92, 87.31, -41.65

 

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

CMYK 0 / 62 / 95 / 28

HEX #B84609

RGB 184 70 9

HSL 20.91, 0.91%, 0.38%

LAB 45.07, 43.8, 53.28

 

CMYK 95 / 0 / 24 / 28

HEX #09B88C

RGB 9 184 140

HSL 164.91, 0.91%, 0.38%

LAB 66.7, -49.52, 11.51

 

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

CMYK 15 / 0 / 95 / 28

HEX #9DB809

RGB 157 184 9

HSL 69.26, 0.91%, 0.38%

LAB 70.5, -28.34, 70.48

 

CMYK 95 / 15 / 0 / 28

HEX #099DB8

RGB 9 157 184

HSL 189.26, 0.91%, 0.38%

LAB 59.56, -24.26, -23.6

 

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

CMYK 0 / 62 / 95 / 28

HEX #B84609

RGB 184 70 9

HSL 20.91, 0.91%, 0.38%

LAB 45.07, 43.8, 53.28

 

CMYK 95 / 0 / 81 / 28

HEX #09B823

RGB 9 184 35

HSL 128.91, 0.91%, 0.38%

LAB 65.33, -65.79, 58.91

 

CMYK 95 / 33 / 0 / 28

HEX #097BB8

RGB 9 123 184

HSL 200.91, 0.91%, 0.38%

LAB 49.11, -5.46, -39.88

 

CMYK 0 / 95 / 14 / 28

HEX #B70A9D

RGB 183 10 157

HSL 309.02, 0.9%, 0.38%

LAB 42.34, 71.97, -33.76

 

CMYK 0 / 33 / 95 / 28

HEX #B87B09

RGB 184 123 9

HSL 39.09, 0.91%, 0.38%

LAB 56.46, 15.94, 61.07

 

CMYK 95 / 0 / 81 / 28

HEX #09B823

RGB 9 184 35

HSL 128.91, 0.91%, 0.38%

LAB 65.33, -65.79, 58.91

 

CMYK 95 / 62 / 0 / 28

HEX #0946B8

RGB 9 70 184

HSL 219.09, 0.91%, 0.38%

LAB 33.77, 28.79, -64.58

 

Description

Color code: HEX #B70A9D | qconv.com Color code: HEX #B70A9D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 10 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 10 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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