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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B714A7 it is the complementary color #48EB58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B714A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B714A7 shade: #BC14A2, #CD26B5, #DE38C8, #EF4ADB and #FF5CEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B714A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B714A7 shade: #B714A7, #A60294, #950081, #84006E and #73005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B714A7 shade: #B714A7, #B7147B, #B7144F, #B71423 and #B71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B714A7 shade: #B714A7, #9B14B7, #6F14B7, #4314B7 and #1714B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B714A7 shade matches the following richer shades: #B714A7 and #C803B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B714A7 shade: #B714A7, #A7249A, #96358D, #86457F and #755672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B714A7 shade: #6E14B7, #9914B7, #B714AA, #B7147E and #B71452

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B714A7 shade: #6D0C63, #921085, #B714A7, #DC18C9 and #E835D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B714A7 shade: #B714A7, #B74214 and #14B783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B714A7 shade: #B714A7, #AAB714 and #14AAB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B714A7 shade: #B714A7, #B74214, #14B722 and #1489B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B714A7 shade: #B714A7, #B77314, #14B722 and #1458B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

Complementary color

CMYK 69 / 0 / 63 / 8

HEX #48EB58

RGB 72 235 88

HSL 125.89, 0.8%, 0.6%

LAB 82.65, -69.77, 57.73

 

CMYK 0 / 89 / 14 / 26

HEX #BC14A2

RGB 188 20 162

HSL 309.29, 0.81%, 0.41%

LAB 43.95, 72.36, -34.17

 

CMYK 0 / 81 / 12 / 20

HEX #CD26B5

RGB 205 38 181

HSL 308.62, 0.69%, 0.48%

LAB 49.13, 74.93, -37.04

 

CMYK 0 / 75 / 10 / 13

HEX #DE38C8

RGB 222 56 200

HSL 307.95, 0.72%, 0.55%

LAB 54.58, 76.49, -39.29

 

CMYK 0 / 69 / 8 / 6

HEX #EF4ADB

RGB 239 74 219

HSL 307.27, 0.84%, 0.61%

LAB 60.22, 77.34, -41.06

 

CMYK 0 / 64 / 7 / 0

HEX #FF5CEE

RGB 255 92 238

HSL 306.26, 1%, 0.68%

LAB 65.82, 77.45, -42.71

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 99 / 11 / 35

HEX #A60294

RGB 166 2 148

HSL 306.59, 0.98%, 0.33%

LAB 38.36, 68.43, -34.8

 

CMYK 0 / 100 / 13 / 42

HEX #950081

RGB 149 0 129

HSL 308.05, 1%, 0.29%

LAB 33.93, 62.9, -30.28

 

CMYK 0 / 100 / 17 / 48

HEX #84006E

RGB 132 0 110

HSL 310, 1%, 0.26%

LAB 29.49, 57.03, -25.47

 

CMYK 0 / 100 / 21 / 55

HEX #73005B

RGB 115 0 91

HSL 312.52, 1%, 0.23%

LAB 24.95, 51.03, -20.45

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 89 / 33 / 28

HEX #B7147B

RGB 183 20 123

HSL 322.09, 0.8%, 0.4%

LAB 41.21, 66.56, -14.71

 

CMYK 0 / 89 / 57 / 28

HEX #B7144F

RGB 183 20 79

HSL 338.28, 0.8%, 0.4%

LAB 39.8, 62.65, 10.97

 

CMYK 0 / 89 / 81 / 28

HEX #B71423

RGB 183 20 35

HSL 354.48, 0.8%, 0.4%

LAB 39.05, 60.51, 37.36

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 15 / 89 / 0 / 28

HEX #9B14B7

RGB 155 20 183

HSL 289.69, 0.8%, 0.4%

LAB 39.39, 69.7, -54.27

 

CMYK 39 / 89 / 0 / 28

HEX #6F14B7

RGB 111 20 183

HSL 273.5, 0.8%, 0.4%

LAB 32.48, 63.35, -65.83

 

CMYK 63 / 89 / 0 / 28

HEX #4314B7

RGB 67 20 183

HSL 257.3, 0.8%, 0.4%

LAB 27.05, 58.91, -74.97

 

CMYK 87 / 89 / 0 / 28

HEX #1714B7

RGB 23 20 183

HSL 241.1, 0.8%, 0.4%

LAB 24, 56.73, -80.12

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 99 / 10 / 22

HEX #C803B4

RGB 200 3 180

HSL 306.09, 0.97%, 0.4%

LAB 46.5, 78.77, -40.67

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 78 / 8 / 35

HEX #A7249A

RGB 167 36 154

HSL 305.95, 0.65%, 0.4%

LAB 40.91, 63.53, -34.39

 

CMYK 0 / 65 / 6 / 41

HEX #96358D

RGB 150 53 141

HSL 305.57, 0.48%, 0.4%

LAB 39.5, 51.36, -28.91

 

CMYK 0 / 49 / 5 / 47

HEX #86457F

RGB 134 69 127

HSL 306.46, 0.32%, 0.4%

LAB 39.34, 36.34, -20.77

 

CMYK 0 / 26 / 3 / 54

HEX #755672

RGB 117 86 114

HSL 305.81, 0.15%, 0.4%

LAB 40.66, 17.95, -10.94

 

CMYK 40 / 89 / 0 / 28

HEX #6E14B7

RGB 110 20 183

HSL 273.13, 0.8%, 0.4%

LAB 32.33, 63.23, -66.07

 

CMYK 16 / 89 / 0 / 28

HEX #9914B7

RGB 153 20 183

HSL 288.96, 0.8%, 0.4%

LAB 39.06, 69.38, -54.83

 

CMYK 0 / 89 / 7 / 28

HEX #B714AA

RGB 183 20 170

HSL 304.79, 0.8%, 0.4%

LAB 43.46, 72.52, -39.76

 

CMYK 0 / 89 / 31 / 28

HEX #B7147E

RGB 183 20 126

HSL 320.98, 0.8%, 0.4%

LAB 41.33, 66.89, -16.39

 

CMYK 0 / 89 / 55 / 28

HEX #B71452

RGB 183 20 82

HSL 337.18, 0.8%, 0.4%

LAB 39.88, 62.86, 9.16

 

CMYK 0 / 89 / 9 / 57

HEX #6D0C63

RGB 109 12 99

HSL 306.19, 0.8%, 0.24%

LAB 25, 48.53, -25.73

 

CMYK 0 / 89 / 9 / 43

HEX #921085

RGB 146 16 133

HSL 306, 0.8%, 0.32%

LAB 34.34, 60.64, -32.16

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 89 / 9 / 14

HEX #DC18C9

RGB 220 24 201

HSL 305.82, 0.8%, 0.48%

LAB 51.93, 83.07, -44.07

 

CMYK 0 / 77 / 7 / 9

HEX #E835D7

RGB 232 53 215

HSL 305.7, 0.8%, 0.56%

LAB 56.69, 81.55, -44.42

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 64 / 89 / 28

HEX #B74214

RGB 183 66 20

HSL 16.93, 0.8%, 0.4%

LAB 44.25, 45.42, 49.18

 

CMYK 89 / 0 / 28 / 28

HEX #14B783

RGB 20 183 131

HSL 160.86, 0.8%, 0.4%

LAB 66.26, -50.75, 15.81

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 7 / 0 / 89 / 28

HEX #AAB714

RGB 170 183 20

HSL 64.79, 0.8%, 0.4%

LAB 71.19, -22.15, 69.88

 

CMYK 89 / 7 / 0 / 28

HEX #14AAB7

RGB 20 170 183

HSL 184.79, 0.8%, 0.4%

LAB 63.6, -30.6, -16.86

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 64 / 89 / 28

HEX #B74214

RGB 183 66 20

HSL 16.93, 0.8%, 0.4%

LAB 44.25, 45.42, 49.18

 

CMYK 89 / 0 / 81 / 28

HEX #14B722

RGB 20 183 34

HSL 125.15, 0.8%, 0.4%

LAB 65.07, -64.92, 58.97

 

CMYK 89 / 25 / 0 / 28

HEX #1489B7

RGB 20 137 183

HSL 196.93, 0.8%, 0.4%

LAB 53.45, -13.38, -32.48

 

CMYK 0 / 89 / 9 / 28

HEX #B714A7

RGB 183 20 167

HSL 305.89, 0.8%, 0.4%

LAB 43.3, 72.09, -38.24

 

CMYK 0 / 37 / 89 / 28

HEX #B77314

RGB 183 115 20

HSL 34.97, 0.8%, 0.4%

LAB 54.43, 20.11, 57.1

 

CMYK 89 / 0 / 81 / 28

HEX #14B722

RGB 20 183 34

HSL 125.15, 0.8%, 0.4%

LAB 65.07, -64.92, 58.97

 

CMYK 89 / 52 / 0 / 28

HEX #1458B7

RGB 20 88 183

HSL 214.97, 0.8%, 0.4%

LAB 38.81, 16.84, -55.78

 

Description

Color code: HEX #B714A7 | qconv.com Color code: HEX #B714A7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 20 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 20 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 9 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 9% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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