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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B714C3 it is the complementary color #48EB3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B714C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B714C3 shade: #BC14BE, #CD26D1, #DE38E4, #EF4AF7 and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B714C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B714C3 shade: #B714C3, #A602B0, #95009D, #84008A and #730077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B714C3 shade: #B514C1, #C1149E, #C11470, #C11441 and #C11414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B714C3 shade: #B514C1, #8714C1, #5814C1, #2914C1 and #1414C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B714C3 shade matches the following richer shades: #B514C1 and #C403D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B714C3 shade: #B514C1, #A725B0, #98379F, #89488D and #7A597C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B714C3 shade: #5614C1, #8514C1, #B314C1, #C114A2 and #C11473

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B714C3 shade: #6F0C77, #92109C, #B514C1, #D818E6 and #DE3DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B714C3 shade: #B714C3, #C12814 and #14C16D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B714C3 shade: #B714C3, #C1B314 and #14C1B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B714C3 shade: #B714C3, #C12814, #22C114 and #14ADC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B714C3 shade: #B714C3, #C15C14, #22C114 and #1479C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

Complementary color

CMYK 69 / 0 / 74 / 8

HEX #48EB3C

RGB 72 235 60

HSL 115.89, 0.81%, 0.58%

LAB 82.44, -72.21, 68.02

 

CMYK 1 / 89 / 0 / 25

HEX #BC14BE

RGB 188 20 190

HSL 299.29, 0.81%, 0.41%

LAB 45.51, 76.37, -48.25

 

CMYK 2 / 82 / 0 / 18

HEX #CD26D1

RGB 205 38 209

HSL 298.6, 0.69%, 0.48%

LAB 50.65, 79.04, -50.87

 

CMYK 3 / 75 / 0 / 11

HEX #DE38E4

RGB 222 56 228

HSL 297.91, 0.76%, 0.56%

LAB 56.05, 80.71, -52.9

 

CMYK 3 / 70 / 0 / 3

HEX #EF4AF7

RGB 239 74 247

HSL 297.23, 0.92%, 0.63%

LAB 61.62, 81.66, -54.48

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

CMYK 6 / 99 / 0 / 31

HEX #A602B0

RGB 166 2 176

HSL 296.55, 0.98%, 0.35%

LAB 40.06, 72.57, -48.95

 

CMYK 5 / 100 / 0 / 38

HEX #95009D

RGB 149 0 157

HSL 296.94, 1%, 0.31%

LAB 35.64, 67.06, -44.8

 

CMYK 4 / 100 / 0 / 46

HEX #84008A

RGB 132 0 138

HSL 297.39, 1%, 0.27%

LAB 31.21, 61.22, -40.42

 

CMYK 3 / 100 / 0 / 53

HEX #730077

RGB 115 0 119

HSL 297.98, 1%, 0.23%

LAB 26.67, 55.23, -35.93

 

CMYK 6 / 90 / 0 / 24

HEX #B514C1

RGB 181 20 193

HSL 295.84, 0.81%, 0.42%

LAB 44.48, 75.65, -51.71

 

CMYK 0 / 90 / 18 / 24

HEX #C1149E

RGB 193 20 158

HSL 312.14, 0.81%, 0.42%

LAB 44.67, 72.82, -30.57

 

CMYK 0 / 90 / 42 / 24

HEX #C11470

RGB 193 20 112

HSL 328.09, 0.81%, 0.42%

LAB 42.77, 67.73, -5.32

 

CMYK 0 / 90 / 66 / 24

HEX #C11441

RGB 193 20 65

HSL 344.39, 0.81%, 0.42%

LAB 41.56, 64.35, 22.56

 

CMYK 0 / 90 / 90 / 24

HEX #C11414

RGB 193 20 20

HSL 0, 0.81%, 0.42%

LAB 41.04, 62.85, 47.61

 

CMYK 6 / 90 / 0 / 24

HEX #B514C1

RGB 181 20 193

HSL 295.84, 0.81%, 0.42%

LAB 44.48, 75.65, -51.71

 

CMYK 30 / 90 / 0 / 24

HEX #8714C1

RGB 135 20 193

HSL 279.88, 0.81%, 0.42%

LAB 36.93, 68.58, -64.3

 

CMYK 54 / 90 / 0 / 24

HEX #5814C1

RGB 88 20 193

HSL 263.58, 0.81%, 0.42%

LAB 30.46, 63.17, -75.18

 

CMYK 79 / 90 / 0 / 24

HEX #2914C1

RGB 41 20 193

HSL 247.28, 0.81%, 0.42%

LAB 26.22, 60.11, -82.34

 

CMYK 90 / 90 / 0 / 24

HEX #1414C1

RGB 20 20 193

HSL 240, 0.81%, 0.42%

LAB 25.26, 59.49, -83.97

 

CMYK 6 / 90 / 0 / 24

HEX #B514C1

RGB 181 20 193

HSL 295.84, 0.81%, 0.42%

LAB 44.48, 75.65, -51.71

 

CMYK 7 / 99 / 0 / 17

HEX #C403D3

RGB 196 3 211

HSL 295.67, 0.97%, 0.42%

LAB 47.63, 82.6, -56.95

 

CMYK 6 / 90 / 0 / 24

HEX #B514C1

RGB 181 20 193

HSL 295.84, 0.81%, 0.42%

LAB 44.48, 75.65, -51.71

 

CMYK 5 / 79 / 0 / 31

HEX #A725B0

RGB 167 37 176

HSL 296.12, 0.65%, 0.42%

LAB 42.27, 66.78, -45.4

 

CMYK 4 / 65 / 0 / 38

HEX #98379F

RGB 152 55 159

HSL 295.96, 0.49%, 0.42%

LAB 41.07, 54.2, -37.3

 

CMYK 3 / 49 / 0 / 45

HEX #89488D

RGB 137 72 141

HSL 296.52, 0.32%, 0.42%

LAB 41.02, 38.36, -26.68

 

CMYK 2 / 28 / 0 / 51

HEX #7A597C

RGB 122 89 124

HSL 296.57, 0.16%, 0.42%

LAB 42.37, 20.04, -14.42

 

CMYK 55 / 90 / 0 / 24

HEX #5614C1

RGB 86 20 193

HSL 262.89, 0.81%, 0.42%

LAB 30.23, 62.99, -75.57

 

CMYK 31 / 90 / 0 / 24

HEX #8514C1

RGB 133 20 193

HSL 279.19, 0.81%, 0.42%

LAB 36.63, 68.31, -64.82

 

CMYK 7 / 90 / 0 / 24

HEX #B314C1

RGB 179 20 193

HSL 295.14, 0.81%, 0.42%

LAB 44.14, 75.31, -52.28

 

CMYK 0 / 90 / 16 / 24

HEX #C114A2

RGB 193 20 162

HSL 310.75, 0.81%, 0.42%

LAB 44.87, 73.34, -32.65

 

CMYK 0 / 90 / 40 / 24

HEX #C11473

RGB 193 20 115

HSL 327.05, 0.81%, 0.42%

LAB 42.88, 68.01, -7.04

 

CMYK 7 / 90 / 0 / 53

HEX #6F0C77

RGB 111 12 119

HSL 295.51, 0.82%, 0.26%

LAB 26.66, 52.29, -35.98

 

CMYK 6 / 90 / 0 / 39

HEX #92109C

RGB 146 16 156

HSL 295.71, 0.81%, 0.34%

LAB 35.76, 64.26, -44.04

 

CMYK 6 / 90 / 0 / 24

HEX #B514C1

RGB 181 20 193

HSL 295.84, 0.81%, 0.42%

LAB 44.48, 75.65, -51.71

 

CMYK 6 / 90 / 0 / 10

HEX #D818E6

RGB 216 24 230

HSL 295.92, 0.81%, 0.5%

LAB 52.91, 86.59, -59.1

 

CMYK 5 / 74 / 0 / 8

HEX #DE3DEA

RGB 222 61 234

HSL 295.84, 0.8%, 0.58%

LAB 56.89, 80.22, -54.93

 

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

CMYK 0 / 79 / 90 / 24

HEX #C12814

RGB 193 40 20

HSL 6.94, 0.81%, 0.42%

LAB 42.62, 58.35, 48.77

 

CMYK 90 / 0 / 44 / 24

HEX #14C16D

RGB 20 193 109

HSL 150.87, 0.81%, 0.42%

LAB 69.03, -58.98, 31.23

 

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

CMYK 0 / 7 / 90 / 24

HEX #C1B314

RGB 193 179 20

HSL 55.14, 0.81%, 0.42%

LAB 71.98, -10.11, 71.31

 

CMYK 90 / 0 / 7 / 24

HEX #14C1B3

RGB 20 193 179

HSL 175.14, 0.81%, 0.42%

LAB 70.55, -42.4, -4.26

 

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

CMYK 0 / 79 / 90 / 24

HEX #C12814

RGB 193 40 20

HSL 6.94, 0.81%, 0.42%

LAB 42.62, 58.35, 48.77

 

CMYK 82 / 0 / 90 / 24

HEX #22C114

RGB 34 193 20

HSL 115.14, 0.81%, 0.42%

LAB 68.41, -67.16, 65.21

 

CMYK 90 / 10 / 0 / 24

HEX #14ADC1

RGB 20 173 193

HSL 186.94, 0.81%, 0.42%

LAB 64.87, -28.84, -20.5

 

CMYK 6 / 90 / 0 / 24

HEX #B714C3

RGB 183 20 195

HSL 295.89, 0.81%, 0.42%

LAB 44.95, 76.3, -52.11

 

CMYK 0 / 52 / 90 / 24

HEX #C15C14

RGB 193 92 20

HSL 24.97, 0.81%, 0.42%

LAB 50.74, 36.69, 54.86

 

CMYK 82 / 0 / 90 / 24

HEX #22C114

RGB 34 193 20

HSL 115.14, 0.81%, 0.42%

LAB 68.41, -67.16, 65.21

 

CMYK 90 / 37 / 0 / 24

HEX #1479C1

RGB 20 121 193

HSL 204.97, 0.81%, 0.42%

LAB 49.1, -0.26, -45.07

 

Description

Color code: HEX #B714C3 | qconv.com Color code: HEX #B714C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 20 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 20 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 90 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 90% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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