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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B716E3 it is the complementary color #48E91C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B716E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B716E3 shade: #BC16DE, #CD28F1, #DE3AFF, #EF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B716E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B716E3 shade: #B716E3, #A604D0, #9500BD, #8400AA and #730097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B716E3 shade: #B716E3, #E316D8, #E316A0, #E31669 and #E31632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B716E3 shade: #B716E3, #8016E3, #4816E3 and #1616E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B716E3 shade matches the following richer shades: #B716E3 and #C202F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B716E3 shade: #B716E3, #AB2ACF, #A03EBA, #9453A6 and #896792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B716E3 shade: #4916E3, #8016E3, #B716E3, #E316D9 and #E316A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B716E3 shade: #7A0F98, #9912BD, #B716E3, #C437EB and #CF5DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B716E3 shade: #B716E3, #E31619 and #16E365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B716E3 shade: #B716E3, #E3B716 and #16E3B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B716E3 shade: #B716E3, #E31619, #42E316 and #16E3DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B716E3 shade: #B716E3, #E35016, #42E316 and #16A9E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

Complementary color

CMYK 69 / 0 / 88 / 9

HEX #48E91C

RGB 72 233 28

HSL 107.12, 0.82%, 0.51%

LAB 81.7, -73.19, 75.46

 

CMYK 15 / 90 / 0 / 13

HEX #BC16DE

RGB 188 22 222

HSL 289.8, 0.82%, 0.48%

LAB 47.67, 81.21, -63.24

 

CMYK 15 / 83 / 0 / 5

HEX #CD28F1

RGB 205 40 241

HSL 289.25, 0.88%, 0.55%

LAB 52.78, 83.8, -65.59

 

CMYK 13 / 77 / 0 / 0

HEX #DE3AFF

RGB 222 58 255

HSL 289.95, 1%, 0.61%

LAB 57.82, 84.58, -65.14

 

CMYK 6 / 70 / 0 / 0

HEX #EF4CFF

RGB 239 76 255

HSL 294.64, 1%, 0.65%

LAB 62.29, 82.3, -57.85

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 20 / 98 / 0 / 18

HEX #A604D0

RGB 166 4 208

HSL 287.65, 0.96%, 0.42%

LAB 42.38, 77.67, -63.95

 

CMYK 21 / 100 / 0 / 26

HEX #9500BD

RGB 149 0 189

HSL 287.3, 1%, 0.37%

LAB 37.96, 72.46, -60.18

 

CMYK 22 / 100 / 0 / 33

HEX #8400AA

RGB 132 0 170

HSL 286.59, 1%, 0.33%

LAB 33.58, 66.74, -56.13

 

CMYK 24 / 100 / 0 / 41

HEX #730097

RGB 115 0 151

HSL 285.7, 1%, 0.3%

LAB 29.11, 60.9, -52.01

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 90 / 5 / 11

HEX #E316D8

RGB 227 22 216

HSL 303.22, 0.82%, 0.49%

LAB 53.88, 86.63, -49.5

 

CMYK 0 / 90 / 30 / 11

HEX #E316A0

RGB 227 22 160

HSL 319.61, 0.82%, 0.49%

LAB 51.2, 79.68, -21.13

 

CMYK 0 / 90 / 54 / 11

HEX #E31669

RGB 227 22 105

HSL 335.71, 0.82%, 0.49%

LAB 49.4, 74.8, 9.46

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 44 / 90 / 0 / 11

HEX #8016E3

RGB 128 22 227

HSL 271.02, 0.82%, 0.49%

LAB 39.09, 74.38, -80.49

 

CMYK 68 / 90 / 0 / 11

HEX #4816E3

RGB 72 22 227

HSL 254.63, 0.82%, 0.49%

LAB 32.91, 69.9, -90.9

 

CMYK 90 / 90 / 0 / 11

HEX #1616E3

RGB 22 22 227

HSL 240, 0.82%, 0.49%

LAB 30.13, 68.21, -95.6

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 21 / 99 / 0 / 3

HEX #C202F7

RGB 194 2 247

HSL 287.02, 0.98%, 0.49%

LAB 49.77, 88.23, -73.92

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 17 / 80 / 0 / 19

HEX #AB2ACF

RGB 171 42 207

HSL 286.91, 0.66%, 0.49%

LAB 45.39, 71.57, -58.47

 

CMYK 14 / 67 / 0 / 27

HEX #A03EBA

RGB 160 62 186

HSL 287.42, 0.5%, 0.49%

LAB 44.89, 58.25, -47.15

 

CMYK 11 / 50 / 0 / 35

HEX #9453A6

RGB 148 83 166

HSL 286.99, 0.33%, 0.49%

LAB 45.96, 40.82, -33.8

 

CMYK 6 / 29 / 0 / 43

HEX #896792

RGB 137 103 146

HSL 287.44, 0.17%, 0.49%

LAB 48.38, 21.65, -18.3

 

CMYK 68 / 90 / 0 / 11

HEX #4916E3

RGB 73 22 227

HSL 254.93, 0.82%, 0.49%

LAB 33, 69.96, -90.76

 

CMYK 44 / 90 / 0 / 11

HEX #8016E3

RGB 128 22 227

HSL 271.02, 0.82%, 0.49%

LAB 39.09, 74.38, -80.49

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 90 / 4 / 11

HEX #E316D9

RGB 227 22 217

HSL 302.93, 0.82%, 0.49%

LAB 53.94, 86.77, -49.98

 

CMYK 0 / 90 / 29 / 11

HEX #E316A2

RGB 227 22 162

HSL 319.02, 0.82%, 0.49%

LAB 51.28, 79.9, -22.19

 

CMYK 20 / 90 / 0 / 40

HEX #7A0F98

RGB 122 15 152

HSL 286.86, 0.82%, 0.33%

LAB 31.22, 59.66, -49.12

 

CMYK 19 / 90 / 0 / 26

HEX #9912BD

RGB 153 18 189

HSL 287.37, 0.83%, 0.41%

LAB 39.38, 70.79, -57.85

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 17 / 77 / 0 / 8

HEX #C437EB

RGB 196 55 235

HSL 287, 0.82%, 0.57%

LAB 52.36, 77.29, -62.97

 

CMYK 13 / 61 / 0 / 6

HEX #CF5DEF

RGB 207 93 239

HSL 286.85, 0.82%, 0.65%

LAB 59.27, 65.89, -54.05

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 90 / 89 / 11

HEX #E31619

RGB 227 22 25

HSL 359.12, 0.82%, 0.49%

LAB 48.23, 71.5, 53.88

 

CMYK 90 / 0 / 56 / 11

HEX #16E365

RGB 22 227 101

HSL 143.12, 0.82%, 0.49%

LAB 79.64, -71.25, 48.36

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 19 / 90 / 11

HEX #E3B716

RGB 227 183 22

HSL 47.12, 0.82%, 0.49%

LAB 76.23, 2.73, 75.63

 

CMYK 90 / 0 / 19 / 11

HEX #16E3B7

RGB 22 227 183

HSL 167.12, 0.82%, 0.49%

LAB 81.03, -55.32, 8.81

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 90 / 89 / 11

HEX #E31619

RGB 227 22 25

HSL 359.12, 0.82%, 0.49%

LAB 48.23, 71.5, 53.88

 

CMYK 71 / 0 / 90 / 11

HEX #42E316

RGB 66 227 22

HSL 107.12, 0.82%, 0.49%

LAB 79.7, -72.6, 74.69

 

CMYK 90 / 0 / 2 / 11

HEX #16E3DF

RGB 22 227 223

HSL 178.83, 0.82%, 0.49%

LAB 82.07, -44.58, -10.86

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 65 / 90 / 11

HEX #E35016

RGB 227 80 22

HSL 16.98, 0.82%, 0.49%

LAB 54.16, 54.91, 59.24

 

CMYK 71 / 0 / 90 / 11

HEX #42E316

RGB 66 227 22

HSL 107.12, 0.82%, 0.49%

LAB 79.7, -72.6, 74.69

 

CMYK 90 / 26 / 0 / 11

HEX #16A9E3

RGB 22 169 227

HSL 196.98, 0.82%, 0.49%

LAB 65.04, -15.09, -39.05

 

Description

Color code: HEX #B716E3 | qconv.com Color code: HEX #B716E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 22 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 22 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 90 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 90% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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