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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B716ED it is the complementary color #48E912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B716ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B716ED shade: #BC16E8, #CD28FB, #DE3AFF, #EF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B716ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B716ED shade: #B716ED, #A604DA, #9500C7, #8400B4 and #7300A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B716ED shade: #B716ED, #ED16E9, #ED16AF, #ED1675 and #ED163B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B716ED shade: #B716ED, #7D16ED, #4316ED and #1616ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B716ED shade matches the following richer shades: #B716ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B716ED shade: #B716ED, #AD2AD9, #A33FC5, #9953B0 and #8F679C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B716ED shade: #4116ED, #7A16ED, #B416ED, #ED16ED and #ED16B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B716ED shade: #7E0CA5, #9C0FCB, #B716ED, #C33CF0 and #CF63F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B716ED shade: #B716ED, #ED1624 and #16ED5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B716ED shade: #B716ED, #EDB416 and #16EDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B716ED shade: #B716ED, #ED1624, #4FED16 and #16EDDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B716ED shade: #B716ED, #ED4816, #4FED16 and #16BBED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

Complementary color

CMYK 69 / 0 / 92 / 9

HEX #48E912

RGB 72 233 18

HSL 104.93, 0.86%, 0.49%

LAB 81.67, -73.46, 76.94

 

CMYK 19 / 91 / 0 / 9

HEX #BC16E8

RGB 188 22 232

HSL 287.43, 0.83%, 0.5%

LAB 48.37, 82.91, -67.78

 

CMYK 18 / 84 / 0 / 2

HEX #CD28FB

RGB 205 40 251

HSL 286.92, 0.96%, 0.57%

LAB 53.45, 85.51, -70.1

 

CMYK 13 / 77 / 0 / 0

HEX #DE3AFF

RGB 222 58 255

HSL 289.95, 1%, 0.61%

LAB 57.82, 84.58, -65.14

 

CMYK 6 / 70 / 0 / 0

HEX #EF4CFF

RGB 239 76 255

HSL 294.64, 1%, 0.65%

LAB 62.29, 82.3, -57.85

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 24 / 98 / 0 / 15

HEX #A604DA

RGB 166 4 218

HSL 285.42, 0.96%, 0.44%

LAB 43.15, 79.42, -68.47

 

CMYK 25 / 100 / 0 / 22

HEX #9500C7

RGB 149 0 199

HSL 284.92, 1%, 0.39%

LAB 38.75, 74.25, -64.76

 

CMYK 27 / 100 / 0 / 29

HEX #8400B4

RGB 132 0 180

HSL 284, 1%, 0.35%

LAB 34.4, 68.59, -60.78

 

CMYK 29 / 100 / 0 / 37

HEX #7300A1

RGB 115 0 161

HSL 282.86, 1%, 0.32%

LAB 29.96, 62.81, -56.73

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 0 / 91 / 2 / 7

HEX #ED16E9

RGB 237 22 233

HSL 301.12, 0.86%, 0.51%

LAB 56.55, 90.71, -54.77

 

CMYK 0 / 91 / 26 / 7

HEX #ED16AF

RGB 237 22 175

HSL 317.3, 0.86%, 0.51%

LAB 53.68, 83.35, -26

 

CMYK 0 / 91 / 51 / 7

HEX #ED1675

RGB 237 22 117

HSL 333.49, 0.86%, 0.51%

LAB 51.68, 77.97, 5.64

 

CMYK 0 / 91 / 75 / 7

HEX #ED163B

RGB 237 22 59

HSL 349.67, 0.86%, 0.51%

LAB 50.56, 74.86, 39.14

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 47 / 91 / 0 / 7

HEX #7D16ED

RGB 125 22 237

HSL 268.74, 0.86%, 0.51%

LAB 39.66, 76.24, -85.24

 

CMYK 72 / 91 / 0 / 7

HEX #4316ED

RGB 67 22 237

HSL 252.56, 0.86%, 0.51%

LAB 33.73, 72.16, -95.25

 

CMYK 91 / 91 / 0 / 7

HEX #1616ED

RGB 22 22 237

HSL 240, 0.86%, 0.51%

LAB 31.48, 70.85, -99.06

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 20 / 81 / 0 / 15

HEX #AD2AD9

RGB 173 42 217

HSL 284.91, 0.7%, 0.51%

LAB 46.38, 73.76, -62.59

 

CMYK 17 / 68 / 0 / 23

HEX #A33FC5

RGB 163 63 197

HSL 284.78, 0.54%, 0.51%

LAB 46.14, 60.67, -51.53

 

CMYK 13 / 53 / 0 / 31

HEX #9953B0

RGB 153 83 176

HSL 285.16, 0.37%, 0.51%

LAB 47.1, 44.35, -37.85

 

CMYK 8 / 34 / 0 / 39

HEX #8F679C

RGB 143 103 156

HSL 285.28, 0.21%, 0.51%

LAB 49.42, 25.82, -22.55

 

CMYK 73 / 91 / 0 / 7

HEX #4116ED

RGB 65 22 237

HSL 252, 0.86%, 0.51%

LAB 33.59, 72.07, -95.49

 

CMYK 49 / 91 / 0 / 7

HEX #7A16ED

RGB 122 22 237

HSL 267.91, 0.86%, 0.51%

LAB 39.29, 75.96, -85.87

 

CMYK 24 / 91 / 0 / 7

HEX #B416ED

RGB 180 22 237

HSL 284.09, 0.86%, 0.51%

LAB 47.48, 82.67, -72.12

 

CMYK 0 / 91 / 0 / 7

HEX #ED16ED

RGB 237 22 237

HSL 300, 0.86%, 0.51%

LAB 56.77, 91.28, -56.65

 

CMYK 0 / 91 / 24 / 7

HEX #ED16B4

RGB 237 22 180

HSL 315.91, 0.86%, 0.51%

LAB 53.89, 83.91, -28.59

 

CMYK 24 / 93 / 0 / 35

HEX #7E0CA5

RGB 126 12 165

HSL 284.71, 0.86%, 0.35%

LAB 32.73, 63.27, -54.54

 

CMYK 23 / 93 / 0 / 20

HEX #9C0FCB

RGB 156 15 203

HSL 285, 0.86%, 0.43%

LAB 40.77, 74.21, -63.74

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 19 / 75 / 0 / 6

HEX #C33CF0

RGB 195 60 240

HSL 285, 0.86%, 0.59%

LAB 53.09, 76.44, -64.62

 

CMYK 15 / 59 / 0 / 5

HEX #CF63F3

RGB 207 99 243

HSL 285, 0.86%, 0.67%

LAB 60.48, 63.96, -54.35

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 0 / 91 / 85 / 7

HEX #ED1624

RGB 237 22 36

HSL 356.09, 0.86%, 0.51%

LAB 50.34, 74.23, 51.36

 

CMYK 91 / 0 / 60 / 7

HEX #16ED5E

RGB 22 237 94

HSL 140.09, 0.86%, 0.51%

LAB 82.67, -75.19, 55.03

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 0 / 24 / 91 / 7

HEX #EDB416

RGB 237 180 22

HSL 44.09, 0.86%, 0.51%

LAB 76.5, 8.63, 76.29

 

CMYK 91 / 0 / 24 / 7

HEX #16EDB4

RGB 22 237 180

HSL 164.09, 0.86%, 0.51%

LAB 83.98, -59.88, 14.57

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 0 / 91 / 85 / 7

HEX #ED1624

RGB 237 22 36

HSL 356.09, 0.86%, 0.51%

LAB 50.34, 74.23, 51.36

 

CMYK 67 / 0 / 91 / 7

HEX #4FED16

RGB 79 237 22

HSL 104.09, 0.86%, 0.51%

LAB 83.07, -73.29, 77.63

 

CMYK 91 / 0 / 6 / 7

HEX #16EDDF

RGB 22 237 223

HSL 176.09, 0.86%, 0.51%

LAB 85.03, -48.88, -6.47

 

CMYK 23 / 91 / 0 / 7

HEX #B716ED

RGB 183 22 237

HSL 284.93, 0.86%, 0.51%

LAB 47.95, 83.08, -71.34

 

CMYK 0 / 70 / 91 / 7

HEX #ED4816

RGB 237 72 22

HSL 13.95, 0.86%, 0.51%

LAB 54.76, 61.36, 60.47

 

CMYK 67 / 0 / 91 / 7

HEX #4FED16

RGB 79 237 22

HSL 104.09, 0.86%, 0.51%

LAB 83.07, -73.29, 77.63

 

CMYK 91 / 21 / 0 / 7

HEX #16BBED

RGB 22 187 237

HSL 193.95, 0.86%, 0.51%

LAB 70.75, -21.13, -35.61

 

Description

Color code: HEX #B716ED | qconv.com Color code: HEX #B716ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 22 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 22 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 91 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 91% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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